Seven Classic Albums

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

1▶CD: The Hawk In Hi-Fi (1956) (1:1-12) / The Hawk Flies High (1957) (1:13-2:1)
2▼CD: The Hawk Flies High (1957) (Cont.) (1:13-2:1) / Coleman Hawkins Encounters Ben Webster (1959) (2:2-8) / The Genius of Coleman Hawkins (1958) (2:9-3:3)
#TitleArtistRatingLength
1Sancticity
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Sancticity (in 1957-03)
composer:
Coleman Hawkins
Coleman Hawkins9:11
2Blues for Yolande
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recording of:
Blues for Yolande (on 1957-10-16)
composer:
Coleman Hawkins
Coleman Hawkins & Ben Webster6:44
3It Never Entered My Mind
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
It Never Entered My Mind (on 1957-10-16)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins & Ben Webster5:47
4La Rosita
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recording of:
Rosita (on 1957-10-16)
composer:
Walter G. Haenschen
Coleman Hawkins & Ben Webster5:03
5You'd Be So Nice to Come Home To
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-10-16)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Coleman Hawkins & Ben Webster4:16
6Prisoner of Love
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
Prisoner of Love (on 1957-10-16)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
Coleman Hawkins & Ben Webster4:13
7Tangerine
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
instrumental recording of:
Tangerine (1941 song) (on 1957-10-16)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Coleman Hawkins & Ben Webster5:20
8Shine on Harvest Moon
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
instrumental recording of:
Shine On, Harvest Moon (on 1957-10-16)
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
Coleman Hawkins & Ben Webster4:48
9I'll Never Be the Same
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I’ll Never Be the Same (on 1957-10-16)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
Coleman Hawkins3:26
10You're Blasé
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
You’re Blasé (on 1957-10-16)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
Coleman Hawkins3:43
11I Wished on the Moon
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I Wished on the Moon (on 1957-10-16)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Coleman Hawkins3:46
12How Long Has This Been Going On?
Coleman Hawkins2:59
13Like Someone in Love
Coleman Hawkins3:31
14My Melancholy Baby
Coleman Hawkins3:34
15Ill Wind
Coleman Hawkins3:50
16In a Mellow Tone
Coleman Hawkins3:51
17There's No You
Coleman Hawkins4:04
3▶CD: The Genius of Coleman Hawkins (1958) (Cont.) (2:9-3:3) / Bean Bags (1959) (3:4-9) / Soul (1958) (3:10-4:3)
4▶CD: Soul (1958) (Cont.) (3:10-4:3) / Hawk Eyes (1959) (4:4-9)