Seven Classic Albums

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Hawk In Hi-Fi (1956) (1:1-12) / The Hawk Flies High (1957) (1:13-2:1)
#TitleArtistRatingLength
1Body and Soul
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Body and Soul (on 1956-01-20)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins with Billy Byers & His Orchestra4:59
2Little Girl Blue
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Little Girl Blue (on 1956-01-17)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
Coleman Hawkins with Billy Byers & His Orchestra3:04
3I Never Knew
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
I Never Knew (on 1956-01-17)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
Coleman Hawkins with Billy Byers & His Orchestra3:06
4Dinner for One Please, James
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Dinner for One Please, James (on 1956-01-17)
lyricist and composer:
Michael Carr (songwriter)
Coleman Hawkins with Billy Byers & His Orchestra3:11
5The Bean Stalks Again
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
Coleman Hawkins with Billy Byers & His Orchestra3:24
6His Very Own Blues
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
Coleman Hawkins with Billy Byers & His Orchestra3:02
7The Day You Came Along
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
Coleman Hawkins with Billy Byers & His Orchestra4:10
8Have You Met Miss Jones
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Coleman Hawkins with Billy Byers & His Orchestra3:05
9The Essence of You
bell and tubular bells [bells]:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
flute:
Julius Baker (flautist) (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and vibraphone:
Marty Wilson (on 1956-01-20)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
Coleman Hawkins with Billy Byers & His Orchestra3:30
10There'll Never Be Another You
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Coleman Hawkins with Billy Byers & His Orchestra3:00
11I'm Shooting High
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
instrumental recording of:
I’m Shooting High (on 1956-01-18)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
Coleman Hawkins with Billy Byers & His Orchestra2:36
1239-25-39 (Bean and the Boys)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
recording of:
Bean and the Boys (on 1956-01-18)
composer:
Coleman Hawkins
Coleman Hawkins with Billy Byers & His Orchestra2:44
13Chant
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
Coleman Hawkins5:05
14Juicy Fruit
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
Coleman Hawkins11:17
15Think Deep
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
Coleman Hawkins3:23
16Laura
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
instrumental recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Coleman Hawkins4:32
17Blue Lights
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Blue Lights (from 1957-03-12 until 1957-03-15)
writer:
Gigi Gryce
Coleman Hawkins5:43
2▼CD: The Hawk Flies High (1957) (Cont.) (1:13-2:1) / Coleman Hawkins Encounters Ben Webster (1959) (2:2-8) / The Genius of Coleman Hawkins (1958) (2:9-3:3)
#TitleArtistRatingLength
1Sancticity
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Sancticity (in 1957-03)
composer:
Coleman Hawkins
Coleman Hawkins9:11
2Blues for Yolande
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recording of:
Blues for Yolande (on 1957-10-16)
composer:
Coleman Hawkins
Coleman Hawkins & Ben Webster6:44
3It Never Entered My Mind
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
It Never Entered My Mind (on 1957-10-16)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins & Ben Webster5:47
4La Rosita
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recording of:
Rosita (on 1957-10-16)
composer:
Walter G. Haenschen
Coleman Hawkins & Ben Webster5:03
5You'd Be So Nice to Come Home To
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-10-16)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Coleman Hawkins & Ben Webster4:16
6Prisoner of Love
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
saxophone:
Ben Webster (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
instrumental recording of:
Prisoner of Love (on 1957-10-16)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
Coleman Hawkins & Ben Webster4:13
7Tangerine
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
instrumental recording of:
Tangerine (1941 song) (on 1957-10-16)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Coleman Hawkins & Ben Webster5:20
8Shine on Harvest Moon
double bass:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16) and Ben Webster (on 1957-10-16)
instrumental recording of:
Shine On, Harvest Moon (on 1957-10-16)
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
Coleman Hawkins & Ben Webster4:48
9I'll Never Be the Same
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I’ll Never Be the Same (on 1957-10-16)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
Coleman Hawkins3:26
10You're Blasé
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
You’re Blasé (on 1957-10-16)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
Coleman Hawkins3:43
11I Wished on the Moon
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I Wished on the Moon (on 1957-10-16)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Coleman Hawkins3:46
12How Long Has This Been Going On?
Coleman Hawkins2:59
13Like Someone in Love
Coleman Hawkins3:31
14My Melancholy Baby
Coleman Hawkins3:34
15Ill Wind
Coleman Hawkins3:50
16In a Mellow Tone
Coleman Hawkins3:51
17There's No You
Coleman Hawkins4:04
3▼CD: The Genius of Coleman Hawkins (1958) (Cont.) (2:9-3:3) / Bean Bags (1959) (3:4-9) / Soul (1958) (3:10-4:3)
#TitleArtistRatingLength
1The World Is Waiting for the Sunrise
Coleman Hawkins5:28
2Somebody Loves Me
Coleman Hawkins4:41
3Blues for Rene
Coleman Hawkins3:17
4Close Your Eyes
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Close Your Eyes (on 1958-09-12)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
Milt Jackson & Coleman Hawkins6:50
5Stuffy
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Stuffy (on 1958-09-12)
composer:
Coleman Hawkins
Milt Jackson & Coleman Hawkins5:42
6Don't Take Your Love From Me
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Don’t Take Your Love From Me (on 1958-09-12)
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Milt Jackson & Coleman Hawkins4:49
7Get Happy
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Get Happy (on 1958-09-12)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Milt Jackson & Coleman Hawkins5:29
8Sandra's Blues
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Sandra’s Blues (on 1958-09-12)
composer:
Milt Jackson
Milt Jackson & Coleman Hawkins6:39
9Indian Blues
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Indian Blues (on 1958-09-12)
composer:
Milt Jackson
Milt Jackson & Coleman Hawkins6:05
10Soul Blues
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
Coleman Hawkins9:53
11I Hadn't Anyone Till You
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (in 1958)
tenor saxophone:
Coleman Hawkins (in 1958)
instrumental recording of:
I Hadn’t Anyone Till You (on 1958-11-07)
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Coleman Hawkins4:35
12Groovin'
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
Coleman Hawkins5:45
13Greensleeves
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
Coleman Hawkins3:13
4▼CD: Soul (1958) (Cont.) (3:10-4:3) / Hawk Eyes (1959) (4:4-9)
#TitleArtistRatingLength
1Sunday Mornin'
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
Coleman Hawkins6:30
2Until the Real Thing Comes Along
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
instrumental recording of:
Until the Real Thing Comes Along (on 1958-11-07)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Coleman Hawkins4:43
3Sweetnin'
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
Coleman Hawkins6:50
4Hawk Eyes
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-03)
Coleman Hawkins, Charlie Shavers & Tiny Grimes10:18
5C'mon In
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-03)
Coleman Hawkins, Charlie Shavers & Tiny Grimes13:17
6Through for the Night
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-03)
recording of:
Through for the Night (on 1959-04-03)
writer:
Trummy Young
Coleman Hawkins, Charlie Shavers & Tiny Grimes5:10
7I Never Knew
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-03)
instrumental recording of:
I Never Knew (on 1959-04-03)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
Coleman Hawkins, Charlie Shavers & Tiny Grimes5:44
8La Rosita
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-03)
recording of:
La Rosita (on 1959-04-03)
composer:
Paul Dupont
Coleman Hawkins, Charlie Shavers & Tiny Grimes6:10
9Stealin' the Bean
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-04-03)
Coleman Hawkins, Charlie Shavers & Tiny Grimes4:30