The Pavarotti Edition

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

1CD: Donizetti
2CD: Bellini, Donizetti, Verdi
3CD: Verdi
4CD: Verdi 2
#TitleRatingLength
1Su profetessa... Di tu se fedele
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:02
2È scherzo od è follia?
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
mezzo-soprano vocals [Ulrica]:
Christa Ludwig (mezzo-soprano) (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:29
3Teco io sto…
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
9:10
4Forse la soglia attinse
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:42
5Ma se m'è forza perderti
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:58
6Fratello… riconoscimi7:55
7Io l'ho perduta
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:38
8Io la vidi e il suo sorriso
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:45
9Dio che nell'alma infondere
baritone vocals:
Paolo Coni (Baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:08
10Se quel guerrier io fossi
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:09
11Pur ti riveggo mia dolce Aida
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:23
12La fatal pietra sovra me si chiuse
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
2:11
13Presago il core della tua condanna
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:49
14O terra, addio; addio valle di pianti
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:39
15Dies irae ingemisco
producer:
John Culshaw and Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
3:41
16Gia nella notte densa
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
9:35
17Dio mi potevi scagliar
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
3:08
18Cassio è là
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto III. “Cassio e là! - Là? Cielo! Oh, gioia!” (Iago, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
0:49
19Niun mi tema
baritone vocals:
Alan Opie (baritone)
bass vocals:
Dmitri Kavrakos (operatic bass)
tenor vocals:
Luciano Pavarotti (tenor) and Anthony Rolfe Johnson (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
4:38
5CD: Puccini
6CD: Puccini e Veristi
7CD: Arias
8CD: Arias 2
9CD: Italian Songs
10CD: Italian Popular Songs
11CD: Bonus Disc