The Pavarotti Edition

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

1▶CD: Donizetti
2▶CD: Bellini, Donizetti, Verdi
3▼CD: Verdi
#TitleRatingLength
1Macbeth: O figli, o figli miei
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Lamberto Gardelli (conductor)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
3:34
2Macbeth: Dove siam… La patria tradita
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor) and Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Lamberto Gardelli (conductor)
recording of:
Macbeth: Atto IV. N°13d Cabaletta “La patria tradita” (Macduff, Malcolm, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
2:55
3Luisa Miller: Il foglio dunque
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
2:49
4Luisa Miller: Quando le sere al placido
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
3:46
5I due Foscari: M'ardon le vene
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
partial recording of:
I due Foscari: Atto III
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari
7:38
6Rigoletto: Questa o quella
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
edit of:
Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Ricardo Cassinelli (Argentine operatic tenor), Sherrill Milnes (baritone), Luciano Pavarotti (tenor), Kiri Te Kanawa (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
1:49
7Rigoletto: Ella mi fu rapita
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:28
8Rigoletto: Parmi veder le lagrime
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
2:16
9Rigoletto: Duca Duca
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:17
10Rigoletto: Possente amor mi chiama
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Duca, Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
2:56
11Rigoletto: La donna è mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Sparafucile]:
Martti Talvela (operatic bass) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
compilation of:
Rigoletto: Atto III. “La donna è mobile” by Luciano Pavarotti (tenor), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. “È là il vostr’uomo” (Sparafucile, Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:01
12Rigoletto: Un di se ben rammentomi
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
contralto vocals [Maddalena]:
Huguette Tourangeau (mezzo-soprano) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
1:33
13Rigoletto: Bella figlia dell amore
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Maddalena]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals [Gilda]:
Joan Sutherland (soprano)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:04
14Il trovatore: Quale d armi fragor…
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:11
15Il trovatore: Ah si ben mio
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:01
16Il trovatore: L'onda de suoni mistici…
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
1:55
17Il trovatore: Di quella pira
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
choir vocals:
London Opera Chorus
soprano vocals [Leonora]:
Joan Sutherland (soprano) (from 1976-09-08 until 1977-03-26)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor)
vocals:
Graham Clark (tenor), Joan Sutherland (soprano) and Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:20
18Il trovatore: Miserere d'un alma...
choir vocals:
London Opera Chorus
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
5:03
19La traviata: Libiamo ne lieti calici
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
2:52
20La traviata: Un di felice
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
soprano vocals [Violetta]:
Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:30
21La traviata: Lunge da lei...
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer) and Richard Bonynge (conductor and pianist) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
3:52
22La traviata: Annina donde vieni
mezzo-soprano vocals:
Marjon Lambriks
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto II, scena 1. “Annina, donde vieni?” (Alfredo, Annina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
3:48
23La traviata: Parigi o cara
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
soprano vocals:
Joan Sutherland (soprano) (in 1979-11)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
5:04
24Les Vêpres siciliennes : À toi que j'ai chérie
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
partial recording of:
I vespri siciliani: Atto IV
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
part of:
I vespri siciliani
0:56
4▶CD: Verdi 2
5▶CD: Puccini
6▶CD: Puccini e Veristi
7▶CD: Arias
8▶CD: Arias 2
9▶CD: Italian Songs
10▶CD: Italian Popular Songs
11▶CD: Bonus Disc