From Sassy to Divine: The Sarah Vaughn Project

~ Release by Ann Hampton Callaway (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Introduction
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
0:08
2I'm Gonna Live Till I Die
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
cover recording of:
I’m Gonna Live Till I Die (from 2013-05-02 until 2013-05-05)
writer:
Mann Curtis, Al Hoffman and Walter Kent
2:25
3A Night in Tunisia (Interlude)
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Another Night in Tunisia (from 2013-05-02 until 2013-05-05)
lyricist:
Jon Hendricks
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
version of:
Night in Tunisia (instrumental)
5:05
4Misty
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Misty (from 2013-05-02 until 2013-05-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
5:33
5In a Mellow Tone
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
In a Mellow Tone (from 2013-05-02 until 2013-05-05)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:46
6Chelsea Bridge
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Chelsea Bridge (from 2013-05-02 until 2013-05-05)
composer:
Billy Strayhorn (in 1941)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
6:55
7Whatever Lola Wants
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Whatever Lola Wants (Damn Yankees) (from 2013-05-02 until 2013-05-05)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
part of:
Damn Yankees (1955 musical)
3:26
8Someone to Watch Over Me
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Someone to Watch Over Me (Oh, Kay!) (from 2013-05-02 until 2013-05-05)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
6:16
9Mean to Me
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ted Rosenthal
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Mean to Me (from 2013-05-02 until 2013-05-05)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
3:48
10Wave
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
6:37
11Send in the Clowns
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Send In the Clowns (A Little Night Music) (from 2013-05-02 until 2013-05-05)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
6:25
12I Can't Give You Anything But Love / That's All
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live medley including a cover recording of:
I Can’t Give You Anything but Love, Baby (from 2013-05-02 until 2013-05-05)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
live medley including a cover recording of:
That’s All (from 2013-05-02 until 2013-05-05)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
4:49
13Un Bel Di / Poor Butterfly
recording engineer:
Juan Carlos Nikhilesh Andrews (from 2013-05-02 until 2013-05-05) and Rob Macomber (from 2013-05-02 until 2013-05-05)
producer:
Ann Hampton Callaway
mixer:
Todd Whitelock (engineer)
bass:
Dean Johnson (jazz bassist) (from 2013-05-02 until 2013-05-05)
brass:
Randy Sandke (from 2013-05-02 until 2013-05-05)
drums (drum set):
Tim Horner (from 2013-05-02 until 2013-05-05)
piano:
Ted Rosenthal (from 2013-05-02 until 2013-05-05)
woodwind:
Dick Oatts (from 2013-05-02 until 2013-05-05)
vocals:
Ann Hampton Callaway (from 2013-05-02 until 2013-05-05)
arranger:
Ann Hampton Callaway and Bill Mays
recorded at:
Dizzy’s Club Coca‐Cola (Dizzy’s Club, Jazz at Lincoln Center) in New York, New York, United States (from 2013-05-02 until 2013-05-05)
live cover recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 2013-05-02 until 2013-05-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
6:56

Credits

Release

photography:Bill Westmoreland
liner notes:Tom Cunniffe
executive producer:Lisa Schiff
mastering:David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician)
alto saxophone, flute and soprano saxophone:Dick Oatts
bass:Dean Johnson
flugelhorn and trumpet:Randy Sandke
membranophone:Tim Horner
piano:Ted Rosenthal
vocals:Ann Hampton Callaway
mastered at:Bass Hit Studios in New York, New York, United States