100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 5 available)

Annotation

disc 1: cat# 19 476, barcode 4006408194767
disc 2: cat# 19 477, barcode 4006408194774
disc 3: cat# 19 478, barcode 4006408194781
disc 4: cat# 19 479, barcode 4006408194798
disc 5: cat# 19 480, barcode 4006408194804

Annotation last modified on 2018-01-17 07:27 UTC.

Tracklist

1▶CD
2▶CD
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4▼CD
#TitleArtistRatingLength
1Ruslan & Ludmilla (Ouvertüre)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Glinka5:25
2Walzer („Eugen Onegin“)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")
Tchaikovsky6:37
3Krönungsmarsch
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Meyerbeer3:52
4Entr’acte („Chowanshchina“)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Khovanshchina: Act IV. Intermezzo
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Хованщина: Действие 4
Mussorgsky3:01
5Herzwunden
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Grieg4:23
6Sylphentanz („Fausts Verdammnis“)
orchestra:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic)
conductor:
Ádám Fischer (Hungarian conductor)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Berlioz2:20
7Ouvertüre („Nußknacker“)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Tchaikovsky3:27
8Die Räuber
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Sándor
recording of:
Les Brigands : Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Brigands
Offenbach3:22
9Introduction („Dornröschen“)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Tchaikovsky3:31
10Ave Maria
Schubert4:48
11Sinfonia & Gavotte
trumpet:
Ludwig Güttler und Ensemble (Ludwig Güttler Brass Ensemble)
Händel2:45
12Hirtenmusik („Der Messias“)
orchestra:
The Orchestra of St. John’s, Smith Square
conductor:
John Lubbock (English singer, conductor & founder of Orchestra of St. John’s, Smith Square Orchestra)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Händel3:18
13Réjouissance (Ouvertüre No. 4)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984), Uwe Kleinsorge (oboist) (from 1982 until 1984) and Hans Ludwig Mörchen (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Bach2:21
14Alla Siciliana
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Kovács (conductor)
Händel2:17
15Kontretanz No. 3 KV 609
recording of:
5 Contredanses for Orchestra, K. 609: No. 3 in D major
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
5 Contredanses for Orchestra, K. 609
Mozart1:12
16Entr’acte No. 2 („Rosamunde“)
recording of:
Rosamunde, D. 797: IIIa. Entr’acte Nr. 2 D-Dur. Andante
composer:
Franz Schubert (composer) (in 1823)
parody version of:
Längtans blomma är störst på håll
part of:
Rosamunde, D. 797
Schubert3:50
17Annen-Polka
orchestra:
Orchester der Wiener Volksoper and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Annen‐Polka, op. 117
premiered in:
Wien (Vienna), Austria (on 1852-07-24)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1852)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 117)
J. Strauß3:06
18Ballett („Die verkaufte Braut“)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Tamás Pál (conductor)
partial recording of:
Prodaná nevěsta (The Bartered Bride)
composer:
Bedřich Smetana (composer)
librettist:
Karel Sabina
part of:
Tematický katalog skladeb Bedřicha Smetany (number: JB 1:100)
Smetana6:23
19Der Brautraub („Peer Gynt“)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovich (Yuri Ahronovitch, conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Grieg4:34
20Radetzky-Marsch
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Paul Kantschieder
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
J. Strauß2:56
5▶CD

Credits

Release

phonographic copyright (℗) by:Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
Discogs:https://www.discogs.com/release/7479098 [info]