100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 5 available)

Annotation

disc 1: cat# 19 476, barcode 4006408194767
disc 2: cat# 19 477, barcode 4006408194774
disc 3: cat# 19 478, barcode 4006408194781
disc 4: cat# 19 479, barcode 4006408194798
disc 5: cat# 19 480, barcode 4006408194804

Annotation last modified on 2018-01-17 07:27 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Te Deum – Prelude
bass trumpet:
Paul-Gerhard Schmidt (trumpet player) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Kurt Sandau (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum Leipzig (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Te Deum, H. 146: Prélude (from 1982 until 1984)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Charpentier1:31
2Ave Maria
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Bach / Gounod2:55
3Badinerie (Ouverture/Suite No. 2)
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Bach1:25
4Largo
instruments and orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Händel33:05
5Für Elise
piano:
Evelyne Dubourg (pianist), Misha Goldstein (pianist) and Leonard Hokanson (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Beethoven32:49
6Notturno („Coppélia“)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Heinz Fricke (conductor)
recording of:
Coppélia : Ballet Suite: Notturno
composer:
Léo Delibes (French composer)
part of:
Coppélia : Ballet Suite
Delibes2:25
7Méditation („Thais“)
violin:
Lászlo Kóte (violin)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor) and János Sándor
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Massenet5:07
8Impromptu Es-Dur, op. 90 No. 2
engineer:
István Zakariás
producer:
Jenő Simon
piano:
Jenő Jandó (pianist) (from 1989-04-29 until 1989-04-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-04-29 until 1989-04-30)
recording of:
Impromptu in E‐flat major, op. 90, D. 899: No. 2. Allegro (from 1989-04-29 until 1989-04-30)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Schubert4:28
9Ungarischer Tanz No. 1
orchestra:
Győri Filharmonikus zenekar (Györ Philharmonic Orchestra) and Hungarian Philharmonic (Hungarian National Philharmonic)
conductor:
János Sándor
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Brahms3:01
10Humoreske
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Dvořák3:20
11Menuett
recording of:
Minuet in G major, WoO 10 no. 2 (for strings)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
6 Minuets for Piano, WoO 10: No. 2 in G major
Beethoven32:30
12Reigen seliger Geister
flute:
Zsuzsa Tamás (Hungarian flute player)
orchestra:
Budapest Philharmonic (Budapest Philharmonic Orchestra)
conductor:
András Kórodi (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Gluck6:28
13Einzug der Königin von Saba
orchestra:
The Orchestra of St. John’s, Smith Square and Salzberger Solisten (Salzburg Soloists, an Alfred Scholz pseudonym)
conductor:
John Lubbock (English singer, conductor & founder of Orchestra of St. John’s, Smith Square Orchestra)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Händel3:06
14Menuett
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Boccherini3:33
15Wachet auf, ruft uns die Stimme
pipe organ:
Friedrich Kircheis (organist)
trumpet:
Ludwig Güttler (trumpet player)
recording of:
Wachet auf, ruft uns die Stimme (Sleepers, Wake, the Voice Is Calling, trumpet and organ)
composer:
Johann Ludwig Krebs (German composer and organist)
part of:
Krebs‐Werkverzeichnis (number: KWV 712)
is based on:
Wachet auf, ruft uns die Stimme
Krebs3:31
16Kanon
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Pachelbel24:21
17Violinromanze No. 1
violin:
Miklos Szenthelyi (Miklós Szenthelyi, violinist)
orchestra:
Hungarian State Orchestra (Hungarian National Philharmonic)
conductor:
G. Gyorivanyi-Rath
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Beethoven7:56
18Sinfonie No. 40 g-Moll (Allegro)
orchestra:
Hungarian Chamber Orchestra
conductor:
Vilmos Tátrai (Hungarian violinist/conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Mozart7:54
19Moment musical No. 3 f-Moll
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Moment musical in F minor, D. 780 no. 3 (catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato
Schubert1:44
20O du mein Österreich
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) and Ungarisches Staatsorchester (Hungarian National Philharmonic)
conductor:
János Sándor
recording of:
O du mein Österreich
composer:
Franz von Suppé (Franz von Suppè, composer) (in 1849) and Ferdinand Preis (in 1852)
version of:
O du mein Österreich
Suppé2:08
2▼CD
#TitleArtistRatingLength
1Hummelflug
orchestra:
Budapest Philharmonic (Budapest Philharmonic Orchestra)
conductor:
András Kórodi (conductor)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Rimsky-Korsakov31:33
2Walzer („Faust“/„Margarethe“)
orchestra:
Budapest Philharmonic Orchestra and London Symphony Orchestra
conductor:
János Sándor
recording of:
Concert Waltz (from Faust) (for orchestra)
composer:
Charles Gounod (French composer)
arrangement of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siebel) (Valse de Faust, Waltz; Faust-Walzer)
Gounod2:38
3Tanz der Rohrflöten („Nußknacker“)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Tchaikovsky2:36
4Hochzeitsmarsch („Ein Sommernachtstraum“)
orchestra:
Budapest Philharmonic (Budapest Philharmonic Orchestra)
conductor:
Ádám Fischer (Hungarian conductor)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn5:11
5Ständchen
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
Schubert3:18
6Slawischer Tanz No. 8
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
Slavonic Dances, op. 46, B. 83: No. 8 in G minor (Furiant) (for orchestra)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Dvořák4:39
7Solveigs Lied
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Grieg5:12
8Abu Hassan (Ouvertüre)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Gustav Kuhn (Austrian conductor, stage director)
recording of:
Abu Hassan: Ouvertüre
composer:
Carl Maria von Weber (composer)
part of:
Abu Hassan, J 106
Weber3:34
9Barcarole
orchestra:
Royal Philharmonic Orchestra
conductor:
Norman Sattler (conductor, Alfred Scholz related ?)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Offenbach3:20
10Czardas („Coppélia“)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Heinz Fricke (conductor)
recording of:
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Delibes4:11
11Melodie in F
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
2 Mélodies, op. 3: No. 1 in F major (catch-all unknown arrangement)
composer:
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer)
arrangement of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
Rubinstein3:10
12Türkischer Marsch
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Mozart3:36
13La Traviata (Vorspiel)
orchestra:
Budapest Philharmonic (Budapest Philharmonic Orchestra)
conductor:
János Sándor
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Verdi3:51
14Lohengrin (Vorspiel Akt 3)
orchestra:
Budapest Philharmonic (Budapest Philharmonic Orchestra)
conductor:
János Sándor
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Wagner3:07
15Walzer (Streicherserenade)
orchestra:
Berliner Kammerorchester (Berlin Chamber Orchestra)
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Tchaikovsky3:45
16Ungarischer Tanz No. 5
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Brahms3:08
17Intermezzo („Ein Sommernachtstraum“)
orchestra:
Budapest Philharmonic (Budapest Philharmonic Orchestra)
conductor:
Ádám Fischer (Hungarian conductor) and János Kovács (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn3:37
18Holzschuhtanz („Zar und Zimmermann“)
orchestra:
Philharmonic Orchestra Bratislava (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Lortzing3:38
19Ich liebe dich (Jeg elsker deg)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recording of:
Hjertets melodier, op. 5, no. 3: Jeg elsker dig (for voice and piano)
composed in:
Copenhagen, Capital Region of Denmark, Denmark (in 1864)
lyricist:
Hans Christian Andersen
composer:
Edvard Grieg (composer) (in 1864)
part of:
Hjertets melodier, op. 5 (for voice and piano)
Grieg1:31
20Leichte Kavallerie
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
János Sándor
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Leichte Kavallerie (Light Cavalry)
Suppé6:49
3▼CD
#TitleArtistRatingLength
1Toccata in d-Moll
organ and pipe organ:
Hannes Kästner (German organist and cembalist)
recording of:
Toccata in D minor (unspecified)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565
Bach32:44
2Air
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Bach4:03
3Kontretanz KV 609
partial recording of:
5 Contredanses for Orchestra, K. 609
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 609) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 609)
Mozart1:01
4Serenade
Haydn4:39
5Eine kleine Nachtmusik (Allegro)
orchestra:
Camerata Academica des Mozarteums Salzburg (Austrian chamber orchestra) (in 1986-10)
conductor:
Sándor Végh (violinist/conductor/teacher) (in 1986-10)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (in 1986-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1986-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Mozart45:36
6Träumerei
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Kinderszenen, op. 15: Träumerei (catch-all for arrangements)
composer:
Robert Schumann (German classical composer) (in 1838)
arrangement of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Schubert3:06
7Marsch („Fidelio“)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra, a.k.a. Budapest Symphony)
conductor:
Tamás Pál (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Beethoven2:26
8Temporale („Der Barbier von Sevilla“)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Rossini3:17
9Arabischer Tanz („Peer Gynt“)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovitch (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Grieg4:30
10Pariser Leben
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Sándor
recording of:
La Vie parisienne : Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Karl Treumann (german librettist)
part of:
La Vie parisienne
part of:
La Vie parisienne (English lyrics)
part of:
Pariser Leben
Offenbach1:47
11Ungarische Rhapsodie No. 2
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra, a.k.a. Budapest Symphony)
conductor:
András Kórodi (conductor)
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Liszt5:15
12Walzer
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Waltz, op. 39 no. 15 (catch-all for unknown arrangements)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
Brahms2:22
13Furiant („Die verkaufte Braut“)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra, a.k.a. Budapest Symphony)
conductor:
András Kórodi (conductor) and Tamás Pál (conductor)
recording of:
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Smetana2:09
14Melodie
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (from 1880-01 until 1880-02)
arrangement of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
Dvořák2:13
15Walzer („Dornröschen“)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky4:24
16Pizzicato-Polka
orchestra:
People's Opera Orchestra, Vienna, Stauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Strauss-Orchester Wien
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
performer:
Orchester der Wiener Volksoper
recording of:
Pizzicato-Polka
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
J. Strauß2:43
17Zapateado
violin:
Szenthelyi Miklós (Miklós Szenthelyi, violinist)
orchestra:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic)
conductor:
Győriványi Ráth György
recording of:
Spanish Dances, op. 23, no. 2: Zapateado
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 23 (for violin and piano)
Sarasate3:29
18Ungarischer Tanz No. 6
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Brahms3:58
19Festtanz und Stundenwalzer
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–)
conductor:
Heinz Fricke (conductor) and Peter Wohlert (conductor, Alfred Scholz related)
performer:
Heinz Fricke (conductor)
recording of:
Coppélia : Ballet Suite: Festival of the Clocks and Dance of the Hours
composer:
Léo Delibes (French composer)
part of:
Coppélia : Ballet Suite
recording of:
Coppélia : Tableau III, No. 20g. (7b) Danse de fête
composer:
Léo Delibes (French composer)
part of:
Coppélia : Tableau III
Delibes6:18
20Italienische Sinfonie (Allegro)
orchestra:
London Symphony Orchestra
conductor:
János Sándor
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Mendelssohn8:16
4▼CD
#TitleArtistRatingLength
1Ruslan & Ludmilla (Ouvertüre)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Glinka5:25
2Walzer („Eugen Onegin“)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")
Tchaikovsky6:37
3Krönungsmarsch
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Meyerbeer3:52
4Entr’acte („Chowanshchina“)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Khovanshchina: Act IV. Intermezzo
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Хованщина: Действие 4
Mussorgsky3:01
5Herzwunden
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Grieg4:23
6Sylphentanz („Fausts Verdammnis“)
orchestra:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic)
conductor:
Ádám Fischer (Hungarian conductor)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Berlioz2:20
7Ouvertüre („Nußknacker“)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Tchaikovsky3:27
8Die Räuber
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Sándor
recording of:
Les Brigands : Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Brigands
Offenbach3:22
9Introduction („Dornröschen“)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Tchaikovsky3:31
10Ave Maria
Schubert4:48
11Sinfonia & Gavotte
trumpet:
Ludwig Güttler und Ensemble (Ludwig Güttler Brass Ensemble)
Händel2:45
12Hirtenmusik („Der Messias“)
orchestra:
The Orchestra of St. John’s, Smith Square
conductor:
John Lubbock (English singer, conductor & founder of Orchestra of St. John’s, Smith Square Orchestra)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Händel3:18
13Réjouissance (Ouvertüre No. 4)
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984), Uwe Kleinsorge (oboist) (from 1982 until 1984) and Hans Ludwig Mörchen (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Bach2:21
14Alla Siciliana
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Kovács (conductor)
Händel2:17
15Kontretanz No. 3 KV 609
recording of:
5 Contredanses for Orchestra, K. 609: No. 3 in D major
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
5 Contredanses for Orchestra, K. 609
Mozart1:12
16Entr’acte No. 2 („Rosamunde“)
recording of:
Rosamunde, D. 797: IIIa. Entr’acte Nr. 2 D-Dur. Andante
composer:
Franz Schubert (composer) (in 1823)
parody version of:
Längtans blomma är störst på håll
part of:
Rosamunde, D. 797
Schubert3:50
17Annen-Polka
orchestra:
Orchester der Wiener Volksoper and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Annen‐Polka, op. 117
premiered in:
Wien (Vienna), Austria (on 1852-07-24)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1852)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 117)
J. Strauß3:06
18Ballett („Die verkaufte Braut“)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Tamás Pál (conductor)
partial recording of:
Prodaná nevěsta (The Bartered Bride)
composer:
Bedřich Smetana (composer)
librettist:
Karel Sabina
part of:
Tematický katalog skladeb Bedřicha Smetany (number: JB 1:100)
Smetana6:23
19Der Brautraub („Peer Gynt“)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovich (Yuri Ahronovitch, conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Grieg4:34
20Radetzky-Marsch
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Paul Kantschieder
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
J. Strauß2:56
5▼CD
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1„Die Fledermaus“: Ouvertüre
orchestra:
RTL Orchester (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra)
conductor:
Kurt Redel (German flautist and conductor)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
J. Strauß6:36
2Notturno („Ein Sommernachtstraum“)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Kórodi (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn5:21
3Peer Gynts Heimkehr
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Юрий Аранович (Yuri Ahronovitch, conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast))
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Grieg3:05
4Polka („Die verkaufte Braut“)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) and RTL Symphony Orchestra (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra)
conductor:
Leopold Hager (conductor) and Tamás Pál (conductor)
recording of:
Die verkaufte Braut: I. Polka (The Bartered Bride: I. Polka)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Smetana4:57
5Ballettmusik No. 2 „Rosamunde“
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Richard Kraus (conductor) and Alfred Scholz
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Schubert6:50
6Ouvertüre („Figaros Hochzeit“)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Mozart4:13
7Menuett (Ouvertüre No. 2)
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Bach1:20
8Sinfonia („Saul“)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
partial recording of:
Saul, HWV 53: Symphony (from 1982 until 1984)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53
Händel1:11
9Largo cantabile
pipe organ:
Friedrich Kircheis (organist)
trumpet:
Ludwig Güttler (trumpet player)
Loeillet2:18
10Menuett („Ode zum Cäcilientag“)
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
partial recording of:
Ode for St Cecilia's Day, HWV 76: I. Overture
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
Händel1:13
11Rondo allegro („Eine kleine Nachtmusik“)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Mozart3:58
12Entr’acte No. 3 („Rosamunde“)
recording of:
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Schubert7:01
13Scherzo („Ein Sommernachtstraum“)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Kovács (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn5:05
14Prelude („Aus Holbergs Zeit“)
orchestra:
The Orchestra of St. John’s, Smith Square
conductor:
John Lubbock (English singer, conductor & founder of Orchestra of St. John’s, Smith Square Orchestra)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Grieg2:38
15Hirtenmelodie („Rosamunde“)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
János Kovács (conductor)
recording of:
Rosamunde, D. 797: VI. Hirtenmelodien. Andante
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Schubert1:13
16Einzugsmarsch („Der Zigeunerbaron“)
orchestra:
Orchester der Wiener Volksoper, Philharmonia Hungarica and Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
Marsch aus dem Zigeunerbaron
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
J. Strauß2:54
17Tanz der Narren
orchestra:
Пловдивска филхармония (Plovdiv Philharmonic Orchestra)
conductor:
Руслан Райчев (Rouslan Raichev, conductor)
recording of:
Suite from “The Snow Maiden”: IV. Dance of the Tumblers
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1895)
part of:
Suite from “The Snow Maiden”
Rimsky-Korsakov3:46
18Joyeuse Marche
orchestra:
Plovdiv Philharmonic Orchestra
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
recording of:
Joyeuse marche (for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1888)
Chabrier3:42
19Gopak
orchestra:
Plovdiv Philharmonic Orchestra
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
recording of:
The Fair at Sorochintsï: Hopak
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
The Fair at Sorochintsï (catch-all)
Mussorgsky2:37
20Unter Blitz und Donner
violin:
André Rieu
orchestra:
Orchester der Wiener Volksoper, Strauss-Orchester Wien and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
J. Strauß3:16

Credits

Release

phonographic copyright (℗) by:Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
Discogs:https://www.discogs.com/release/7479098 [info]