The Essential Recordings (150th Anniversary Edition)

~ Release by Arturo Toscanini (see all versions of this release, 1 available)

Annotation

Pasteboard box with a booklet and 20 discs in pasteboard sleeves.

Annotation last modified on 2017-07-12 04:16 UTC.

Tracklist

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12▶CD
13▶CD
14▶CD
15▶CD
16▼CD
#TitleArtistRatingLength
1Falstaff: Act II: Scene 2: Presenteremo un bill, per una tassa
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:39
2Falstaff: Act II: Scene 2: Giunta all’Albergo della Giarrettiera
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” (Quickly, Alice, Meg, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:43
3Falstaff: Act II: Scene 2: Nannetta, e tu non ridi?
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Nannetta, e tu non ridi?” (Alice, Nannetta, Quickly, Meg) (from 1950-04-01 until 1950-04-08)
part of:
Falstaff: Atto II
Giuseppe Verdi1:40
4Falstaff: Act II: Scene 2: Gaie comari di Windsor!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:44
5Falstaff: Act II: Scene 2: alfin t’ho colto
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:20
6Falstaff: Act II: Scene 2: Quand’ero paggio
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:59
7Falstaff: Act II: Scene 2: Mia signora!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:16
8Falstaff: Act II: Scene 2: Il diavolo cavalca
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:32
9Falstaff: Act II: Scene 2: Vien qua
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. "Vien qua" - "Che chiasso!" (Nannetta, Fenton) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:49
10Falstaff: Act II: Scene 2: Al ladro!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Al ladro!“ (Cajus, Ford, Pistola, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:50
11Falstaff: Act II: Scene 2: Se t’agguanto!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:18
12Falstaff: Act II: Scene 2: Ned! Will! Tom! Isaac!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 2. “Bella! ridente!” (Fenton, Nannetta, Ford, Bardolfo, Pistola, Servi, Cajus, Falstaff, Meg, Quickly, Gente del vicinato, Alice) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:46
13Falstaff: Act III: Scene 1: Ehi! Taverniere!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:46
14Falstaff: Act III: Scene 1: Reverenza
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:24
15Falstaff: Act III: Scene 1: Legge
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 1. “Legge!” … “T'aspetterò nel Parco Real” (Falstaff, Quickly, Ford, Alice, Nannetta, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:28
16Falstaff: Act III: Scene 1: Quando il rintocco
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto III (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff
Giuseppe Verdi4:25
17Falstaff: Act III: Scene 1: Provvedi le lanterne
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 1. “Non dubitar, tu sposerai mia figlia” (Ford, Cajus, Alice, Meg, Quickly, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:19
18Falstaff: Act III: Scene 2: Dal labbro il canto
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:35
19Falstaff: Act III: Scene 2: Nossignore!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Nossignore! Tu indossa questa cappa” (Alice, Fenton, Nannetta, Quickly, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:32
20Falstaff: Act III: Scene 2: Una, due, tre, quattro
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:54
21Falstaff: Act III: Scene 2: Odo un soave passo!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:16
22Falstaff: Act III: Scene 2: Ninfe! Elfi! Silfi!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:00
23Falstaff: Act III: Scene 2: Sul fil d’un soffio etesio
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:35
24Falstaff: Act III: Scene 2: Alto là! — Chi va là?
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:02
25Falstaff: Act III: Scene 2: Ruzzola, ruzzola
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto III, scena 2. “Ahimè! tu puzzi come una puzzola” … “Ruzzola, ruzzola” (Falstaff, Coro, Alice, Quickly, Meg, Cajus, Ford, Bardolfo, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:55
26Falstaff: Act III: Scene 2: Naso vermiglio!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto III, scena 2. “Naso vermiglio” … “Un poco di pausa” … “Cavaliero …” (Falstaff, Quickly, Ford, Meg, Alice, Coro) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:18
27Falstaff: Act III: Scene 2: Cavaliero — Reverenza
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto III, scena 2. “Naso vermiglio” … “Un poco di pausa” … “Cavaliero …” (Falstaff, Quickly, Ford, Meg, Alice, Coro) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:08
28Falstaff: Act III: Scene 2: Ogni sorta di gente dozzinale
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:19
29Falstaff: Act III: Scene 2: Ah! Ah! Ah! Ah!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” (tutti) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:39
30Falstaff: Act III: Scene 2: Tutto nel mondo è burla
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:26
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