The Essential Recordings (150th Anniversary Edition)

~ Release by Arturo Toscanini (see all versions of this release, 1 available)

Annotation

Pasteboard box with a booklet and 20 discs in pasteboard sleeves.

Annotation last modified on 2017-07-12 04:16 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▼CD
#TitleArtistRatingLength
1Falstaff: Act I: Scene 1: Falstaff!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi5:08
2Falstaff: Act I: Scene 1: Ssss. Sei polli: sei scellini
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:03
3Falstaff: Act I: Scene 1: So che se andiam
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “So che se andiam, la notte” (Falstaff, Pistola, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:52
4Falstaff: Act I: Scene 1: V’è noto un tal
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:40
5Falstaff: Act I: Scene 1: L’Onore! Ladri!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi3:12
6Falstaff: Act I: Scene 1: Ma, per tornare a voi
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi0:55
7Falstaff: Act I: Scene 2: Alice — Meg
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:22
8Falstaff: Act I: Scene 2: Fulgida Alice! Amor t’offro
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:38
9Falstaff: Act I: Scene 2: Quell’otre! quel tino!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi0:43
10Falstaff: Act I: Scene 2: È un ribaldo, un furbo, un ladro
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:03
11Falstaff: Act I: Scene 2: Pst, pst, Nannetta
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:39
12Falstaff: Act I: Scene 2: Falstaff m’ha canzonetta
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Alice, Meg, Nannetta, Quickly) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:29
13Falstaff: Act I: Scene 2: Torno all’assalto
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:17
14Falstaff: Act I: Scene 2: Udrai quanta egli sfoggia
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi0:48
15Falstaff: Act I: Scene 2: Del tuo barbaro diagnostico
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto I
Giuseppe Verdi0:46
16Falstaff: Act I: Scene 2: Qui più non si vagoli
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:49
17Falstaff: Act II: Scene 1: Siam pentiti e contriti
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi6:18
18Falstaff: Act II: Scene 1: Alice è mia!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:13
19Falstaff: Act II: Scene 1: Padron; di là c’è un certo Maestro Fontana
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:35
20Falstaff: Act II: Scene 1: Signore, v’assista il cielo!
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:10
21Falstaff: Act II: Scene 1: Io l’amo e lei non m’ama
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi5:06
22Falstaff: Act II: Scene 1: Il diavolo se lo porti all’inferno
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Lo conoscete?” - “Il diavolo se lo porti all'inferno” (Ford, Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:21
23Falstaff: Act II: Scene 1: È sogno? o realtà?
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:09
24Falstaff: Act II: Scene 1: Eccomi qua
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Eccomi qua. Son pronto” (Falstaff, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:38
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