El Orfeón Donostiarra en su centenario

~ Release by Orfeón Donostiarra (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Pasión según san Mateo: Coral: O Haupt voll Blut
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1972)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1972)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1972)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1972)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1972)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:34
2Pasión según san Mateo: Coro final: Wir setzen uns mins mi Tränen nieder
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1972)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1972)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1972)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1972)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1972)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:30
3Magnificat: Sicut, locutus est; Gloria Patri
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1989)
orchestra:
Orquesta de Cámara Arriaga (in 1989)
conductor:
José Antonio Sainz Alfaro (in 1989)
recorded at:
Santa María del Coro in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1989)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1989)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1989)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:10
4Missa Solemnis: Gloria (comienzo)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1984)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1984)
conductor:
Jesús López Cobos (conductor) (in 1984)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1984)
partial recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo (in 1984)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven2:57
5Missa Solemnis: Credo (Et resurrexit; Credo in Spiritum; Et vitam venturi)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1984)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1984)
conductor:
Jesús López Cobos (conductor) (in 1984)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1984)
partial recording of:
Missa solemnis D-Dur, op. 123: IIIa. Credo: Allegro ma non troppo: Credo in unum Deum (in 1984)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
partial recording of:
Missa solemnis D-Dur, op. 123: IIIc. Credo: Allegro ma non troppo: Et resurrexit - Et ascendit in coelum (in 1984)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
partial recording of:
Missa solemnis D-Dur, op. 123: IIId. Credo: Allegro ma non troppo: Et vitam venturi saeculi (in 1984)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven7:58
6Te Deum: Final: In te Domine, speravi
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1990)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1990)
conductor:
Víctor Pablo Pérez (conductor) (in 1990)
recorded at:
Iglesia de los Padres Paúles (Cuenca) in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (in 1990)
recording of:
Te Deum in C major: V. In te Domine speravi (in 1990)
composer:
Anton Bruckner (Austrian composer)
part of:
Te Deum in C major
Anton Bruckner2:05
7Requiem: Sanctus
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
orchestra:
Orquesta Sinfónica de Galicia (in 1996)
conductor:
Víctor Pablo Pérez (conductor) (in 1996)
recorded at:
Auditorio de la Coruña (La Coruña) in A Coruña, A Coruña (Province of A Coruña), Galicia, Spain (in 1996)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:47
8Un Requiem alemán: nº 6 final: Der Tod ist verschlungen in den Sieg
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1997)
orchestra:
Orquesta Sinfónica de Galicia (in 1997)
conductor:
Víctor Pablo Pérez (conductor) (in 1997)
recorded at:
Auditorio de Cuenca in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (in 1997)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (in 1997)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:26
9Requiem: Agnus Dei
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
orchestra:
Orquesta Sinfónica de la Orquesta Sinfónica de RTVE (Spanish Radio and Television Symphony Orchestra) (in 1996)
conductor:
José Antonio Sainz Alfaro (in 1996)
recorded at:
Catedral de Segovia (Segovia) in Segovia, Segovia (Province of Segovia), Castilla y León (Castile and León), Spain (in 1996)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1996)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:42
10Requiem: in Paradisum
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
orchestra:
Orquesta Sinfónica de la Orquesta Sinfónica de RTVE (Spanish Radio and Television Symphony Orchestra) (in 1996)
conductor:
José Antonio Sainz Alfaro (in 1996)
recorded at:
Catedral de Segovia (Segovia) in Segovia, Segovia (Province of Segovia), Castilla y León (Castile and León), Spain (in 1996)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1996)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré2:51
11Una cantata de Navidad: Final
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1990)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1990)
conductor:
Víctor Pablo Pérez (conductor) (in 1990)
recorded at:
Iglesia de los Padres Paúles (Cuenca) in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (in 1990)
partial recording of:
Une Cantate de Noël (in 1990)
composer:
Arthur Honegger (composer) (from 1952 until 1953)
Arthur Honegger5:43
12Requiem: Ofertorio: Quam olim Abrahae
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1995)
conductor:
Gerd Albrecht (conductor) (in 1995)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1995)
partial recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Domine Jesu Christe (in 1995)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonin Dvorák3:49
13Requiem: Hostias: Fac eas, Domine
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1995)
conductor:
Gerd Albrecht (conductor) (in 1995)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1995)
partial recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Hostias (in 1995)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonin Dvorák1:18
14Requiem: Pie Jesu (principio)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1995)
conductor:
Gerd Albrecht (conductor) (in 1995)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1995)
partial recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (in 1995)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonin Dvorák2:09
15Stabat Mater: nº 10, final: Quando Corpus moriteur
bass vocals [bj]:
Peter Mikuláš (operatic bass) (in 1989)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1989)
mezzo-soprano vocals [m]:
I. Kirilova (mezzo-soprano)
soprano vocals [s]:
L. Rybarska (Soprano singer) (in 1989)
tenor vocals [t]:
J. Kundlak (tenor) (in 1989)
orchestra:
Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (in 1989)
conductor:
Franz Paul Decker (conductor) (in 1989)
recorded at:
Palau de la Música in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1989)
recording of:
Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro) (in 1989)
lyricist:
Jacopone da Todi
composer:
Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13)
part of:
Stabat Mater, op. 58, B. 71
Antonin Dvorák7:35
16Sinfonía nº 2: Resurrección: Parte final: Auferstehn wirst du
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1991)
mezzo-soprano vocals [m]:
B. Greevy (Irish mezzo-soprano) (in 1991)
soprano vocals [s]:
E. Mathis (soprano) (in 1991)
orchestra:
Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (in 1991)
conductor:
Franz Paul Decker (conductor)
recorded at:
Palau de la Música in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1991)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1991)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler14:10
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