El Orfeón Donostiarra en su centenario

~ Release by Orfeón Donostiarra (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Pasión según san Mateo: Coral: O Haupt voll Blut
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1972)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1972)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1972)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1972)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1972)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:34
2Pasión según san Mateo: Coro final: Wir setzen uns mins mi Tränen nieder
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1972)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1972)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1972)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1972)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1972)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:30
3Magnificat: Sicut, locutus est; Gloria Patri
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1989)
orchestra:
Orquesta de Cámara Arriaga (in 1989)
conductor:
José Antonio Sainz Alfaro (in 1989)
recorded at:
Santa María del Coro in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1989)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1989)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1989)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:10
4Missa Solemnis: Gloria (comienzo)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1984)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1984)
conductor:
Jesús López Cobos (conductor) (in 1984)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1984)
partial recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo (in 1984)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven2:57
5Missa Solemnis: Credo (Et resurrexit; Credo in Spiritum; Et vitam venturi)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1984)
orchestra:
Orquesta Nacional (Spanish National Orchestra) (in 1984)
conductor:
Jesús López Cobos (conductor) (in 1984)
recorded at:
Teatro Real in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1984)
partial recording of:
Missa solemnis D-Dur, op. 123: IIIa. Credo: Allegro ma non troppo: Credo in unum Deum (in 1984)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
partial recording of:
Missa solemnis D-Dur, op. 123: IIIc. Credo: Allegro ma non troppo: Et resurrexit - Et ascendit in coelum (in 1984)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
partial recording of:
Missa solemnis D-Dur, op. 123: IIId. Credo: Allegro ma non troppo: Et vitam venturi saeculi (in 1984)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven7:58
6Te Deum: Final: In te Domine, speravi
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1990)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1990)
conductor:
Víctor Pablo Pérez (conductor) (in 1990)
recorded at:
Iglesia de los Padres Paúles (Cuenca) in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (in 1990)
recording of:
Te Deum in C major: V. In te Domine speravi (in 1990)
composer:
Anton Bruckner (Austrian composer)
part of:
Te Deum in C major
Anton Bruckner2:05
7Requiem: Sanctus
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
orchestra:
Orquesta Sinfónica de Galicia (in 1996)
conductor:
Víctor Pablo Pérez (conductor) (in 1996)
recorded at:
Auditorio de la Coruña (La Coruña) in A Coruña, A Coruña (Province of A Coruña), Galicia, Spain (in 1996)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:47
8Un Requiem alemán: nº 6 final: Der Tod ist verschlungen in den Sieg
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1997)
orchestra:
Orquesta Sinfónica de Galicia (in 1997)
conductor:
Víctor Pablo Pérez (conductor) (in 1997)
recorded at:
Auditorio de Cuenca in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (in 1997)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (in 1997)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:26
9Requiem: Agnus Dei
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
orchestra:
Orquesta Sinfónica de la Orquesta Sinfónica de RTVE (Spanish Radio and Television Symphony Orchestra) (in 1996)
conductor:
José Antonio Sainz Alfaro (in 1996)
recorded at:
Catedral de Segovia (Segovia) in Segovia, Segovia (Province of Segovia), Castilla y León (Castile and León), Spain (in 1996)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1996)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:42
10Requiem: in Paradisum
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
orchestra:
Orquesta Sinfónica de la Orquesta Sinfónica de RTVE (Spanish Radio and Television Symphony Orchestra) (in 1996)
conductor:
José Antonio Sainz Alfaro (in 1996)
recorded at:
Catedral de Segovia (Segovia) in Segovia, Segovia (Province of Segovia), Castilla y León (Castile and León), Spain (in 1996)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1996)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré2:51
11Una cantata de Navidad: Final
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1990)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1990)
conductor:
Víctor Pablo Pérez (conductor) (in 1990)
recorded at:
Iglesia de los Padres Paúles (Cuenca) in Cuenca, Cuenca (Province of Cuenca), Castilla-La Mancha (Castile-La Mancha), Spain (in 1990)
partial recording of:
Une Cantate de Noël (in 1990)
composer:
Arthur Honegger (composer) (from 1952 until 1953)
Arthur Honegger5:43
12Requiem: Ofertorio: Quam olim Abrahae
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1995)
conductor:
Gerd Albrecht (conductor) (in 1995)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1995)
partial recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Domine Jesu Christe (in 1995)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonin Dvorák3:49
13Requiem: Hostias: Fac eas, Domine
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1995)
conductor:
Gerd Albrecht (conductor) (in 1995)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1995)
partial recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Hostias (in 1995)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonin Dvorák1:18
14Requiem: Pie Jesu (principio)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1995)
conductor:
Gerd Albrecht (conductor) (in 1995)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1995)
partial recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (in 1995)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonin Dvorák2:09
15Stabat Mater: nº 10, final: Quando Corpus moriteur
bass vocals [bj]:
Peter Mikuláš (operatic bass) (in 1989)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1989)
mezzo-soprano vocals [m]:
I. Kirilova (mezzo-soprano)
soprano vocals [s]:
L. Rybarska (Soprano singer) (in 1989)
tenor vocals [t]:
J. Kundlak (tenor) (in 1989)
orchestra:
Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (in 1989)
conductor:
Franz Paul Decker (conductor) (in 1989)
recorded at:
Palau de la Música in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1989)
recording of:
Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro) (in 1989)
lyricist:
Jacopone da Todi
composer:
Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13)
part of:
Stabat Mater, op. 58, B. 71
Antonin Dvorák7:35
16Sinfonía nº 2: Resurrección: Parte final: Auferstehn wirst du
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1991)
mezzo-soprano vocals [m]:
B. Greevy (Irish mezzo-soprano) (in 1991)
soprano vocals [s]:
E. Mathis (soprano) (in 1991)
orchestra:
Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (in 1991)
conductor:
Franz Paul Decker (conductor)
recorded at:
Palau de la Música in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1991)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1991)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler14:10
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1Sinfonía nº 9 Coral: fragmento del Finale: Freude trinken alle Wessen
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1991)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1991)
conductor:
Rafael Frühbeck de Burgos (conductor) (in 1991)
recorded at:
Auditorio Nacional de Música in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1991)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1991)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven6:13
2Alexander Nevski: Final: Entrada de Nevski victorioso
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1994)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1994)
conductor:
Víctor Pablo Pérez (conductor) (in 1994)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1994)
recording of:
Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov (in 1994)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1938 until 1939)
part of:
Alexander Nevsky, op. 78
Segei Prokofiev4:54
3Il Trovatore: Coro de gitanos (acto II)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1995)
conductor:
Víctor Pablo Pérez (conductor) (in 1995)
recorded at:
Sala Teobaldo Power in La Orotava, Santa Cruz de Tenerife (Province of Santa Cruz de Tenerife), Canarias (Canary Islands), Spain (in 1995)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (in 1995)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:05
4La condenación de Fausto: Coro de estudiantes y soldados (acto II)
bass vocals [bj]:
A. Echevarría (Bass singer) (in 1991)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1991)
tenor vocals [t]:
K. Lewis (tenor) (in 1991)
orchestra:
Orquesta Filarmónica de Radio Francia (in 1991)
conductor:
Marek Janowski (conductor) (in 1991)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1991)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 8. Final : Chœur de soldats : « Villes entourées de murs et remparts ». Chanson d'étudiants : « Jam nox stellata velamina pandit » (in 1991)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz4:26
5Tannhäuser: Marcha y coro de invitados (acto II)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1993)
orchestra:
NDR Elbphilharmonie Orchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1993)
conductor:
Miklós Erdélyi (conductor) (in 1993)
recorded at:
Teatro Victoria Eugenia in San Sebastián (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1993)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) (in 1993)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner6:38
6El príncipe Igor: Danzas polovtsianas (acto II)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1995)
orchestra:
Orquesta Sinfónica de Tenerife (Symphony Orchestra of Tenerife) (in 1995)
conductor:
Víctor Pablo Pérez (conductor) (in 1995)
recorded at:
Sala Teobaldo Power in La Orotava, Santa Cruz de Tenerife (Province of Santa Cruz de Tenerife), Canarias (Canary Islands), Spain (in 1995)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” (in 1995)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Polovtsian Dance with Choir
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Alexander Borodin11:48
7Goyescas: El pelele
recorded in:
Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1996)
baritone vocals [br]:
E. Baquerizo (baritone) (in 1996)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
mezzo-soprano vocals [m]:
L . Casariego (mezzo-soprano) (in 1996)
soprano vocals [s]:
M. Bayo (soprano) (in 1996)
tenor vocals [t]:
R. Vargas (tenor) (in 1996)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1996)
conductor:
Antoni Ros Marbà (conductor) (in 1996)
recording of:
Goyescas, H.65: Cuadro I. El pelele (in 1996)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados5:12
8Goyescas: El baile de Candil
recorded in:
Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1996)
baritone vocals [br]:
E. Baquerizo (baritone) (in 1996)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
mezzo-soprano vocals [m]:
L . Casariego (mezzo-soprano) (in 1996)
soprano vocals [s]:
M. Bayo (soprano) (in 1996)
tenor vocals [t]:
R. Vargas (tenor) (in 1996)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1996)
conductor:
Antoni Ros Marbà (conductor) (in 1996)
recording of:
Goyescas, H.65: Cuadro II. El baile del Candil (in 1996)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados4:15
9Carmina Burana: nº 9 / 2 y 3: Chume, chum geselle min y Swaz hie gat umbe
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1997)
orchestra:
Orquesta Sinfónica de la RTVE (Spanish Radio and Television Symphony Orchestra) (in 1997)
conductor:
José Antonio Sainz Alfaro (in 1997)
recorded at:
Teatro Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1997)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1997)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff2:31
10Carmina Burana: nº 24: Ave formosissima
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1997)
orchestra:
Orquesta Sinfónica de la RTVE (Spanish Radio and Television Symphony Orchestra) (in 1997)
conductor:
José Antonio Sainz Alfaro (in 1997)
recorded at:
Teatro Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1997)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1997)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:46
11Carmina Burana: nº 25: O Fortuna
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1997)
orchestra:
Orquesta Sinfónica de la RTVE (Spanish Radio and Television Symphony Orchestra) (in 1997)
conductor:
José Antonio Sainz Alfaro (in 1997)
recorded at:
Teatro Monumental in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1997)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1997)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:50
12Illeta: Adiós final
bass vocals [bj]:
Alfonso Echeverría (bass-baritone) (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
orchestra:
Orquesta Sinfónica de Euskadi (in 1992)
conductor:
Víctor Pablo Pérez (conductor) (in 1992)
partial recording of:
Illeta: V. Eorzketa eta azken agurra (in 1992)
lyricist:
Xabier Lizardi
composer:
Francisco Escudero (Spanish composer)
part of:
Illeta
Francisco Escudero5:30
13Tú venías
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
recorded at:
Certamen de Masas Corales 1996 (1996)
live recording of:
Tú venías (in 1996)
lyricist:
Pablo Neruda
composer:
Javier Busto
Javier Busto4:35
14Festara
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1996)
recorded at:
Certamen de Masas Corales 1996 (1996)
live recording of:
Festara (in 1996)
J. A. Santesteban2:25
15Akerra ikusi degu
recorded in:
Donostia (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
recording of:
Akerra ikusi degu (in 1992)
composer:
[traditional] (special purpose artist)
arranger:
Jesús Guridi Bidaola (Jesús Guridi, Basque composer)
Jesús Guridi1:13
16Boga, boga
recorded in:
Donostia (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
recording of:
Boga boga (in 1992)
composer:
Jesús Guridi Bidaola (Jesús Guridi, Basque composer)
Jesús Guridi3:38
17Aurtxoa Seaskan
recorded in:
Donostia (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
solo vocals:
Ana Salaberria (in 1992)
recording of:
Aurtxoa seaskan (in 1992)
lyricist:
Claudio Sagarzazu
composer:
Gabriel Olaizola
G. Olaizola2:06
18Agur Jaunak
recorded in:
Donostia (Donostia-San Sebastián), Guipúzcoa (Gipuzkoa), País Vasco (Basque Country), Spain (in 1992)
choir vocals:
Orfeón Donostiarra (Spanish choir) (in 1992)
recording of:
Agur Jaunak (in 1992)
composer:
José de Olaizola
José de Olaizola3:00