Advent and Christmas Cantatas

~ Release by Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Kantate zum Sonntag nach Neujahr BWV 58 "Ach Gott, wie manches Herzeleid": 1. Duett: Choral (Sopran) mit Arie (Baß): Ach Gott, wie manches Herzeleid / Nur Geduld, mein Herze
sound engineer:
Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach5:01
2Kantate zum Sonntag nach Neujahr BWV 58 "Ach Gott, wie manches Herzeleid": 2. Rezitativ (Baß): Verfolgt dich gleich die arge Welt
sound engineer:
Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:40
3Kantate zum Sonntag nach Neujahr BWV 58 "Ach Gott, wie manches Herzeleid": 3. Arie (Sopran): Ich bin vergnügt in meinem Leiden
sound engineer:
Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach3:51
4Kantate zum Sonntag nach Neujahr BWV 58 "Ach Gott, wie manches Herzeleid": 4. Rezitativ (Sopran): Kann es die Welt nicht lassen
sound engineer:
Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:19
5Kantate zum Sonntag nach Neujahr BWV 58 "Ach Gott, wie manches Herzeleid": 5. Duett: Choral (Sopran) mit Arie (Baß): Ich hab für mir ein schwere Reis / Nur getrost, ihr Herzen
sound engineer:
Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Behm (in 1610)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach2:30
6Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 1. Chor: Sie werden aus Saba alle kommen
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:34
7Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 2. Choral: Die Kön’ge aus Saba kommen dar
sound engineer and balance engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:42
8Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 3. Rezitativ (Baß): Was dort Jesaias vorhergesehn
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:14
9Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 4. Arie (Baß): Gold aus Ophir ist zu schlecht
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:37
10Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 5. Rezitativ (Tenor): Verschmähe nicht, du, meiner Seele Licht
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 1967-02 to ????)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:31
11Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 6. Arie (Tenor): Nimm mich dir zu eigen hin
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:21
12Kantate zum Fest der Heilige Drei Könige (Epiphanias) BWV 65 "Sie werden aus Saba alle kommen": 7. Choral: Ei nun, mein Gott
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1967-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:34
13Kantate zum 1. Sonntag nach Epiphanias BWV 124 "Meinen Jesum lass ich nicht": 1. Chor: Meinen Jesum lass ich nicht
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": I. Coro "Meinen Jesum laß ich nicht" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach4:23
14Kantate zum 1. Sonntag nach Epiphanias BWV 124 "Meinen Jesum lass ich nicht": 2. Rezitativ (Tenor): Solange sich ein Tropfen Blut
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": II. Recitativo (Tenor) "Solange sich ein Tropfen Blut" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach0:45
15Kantate zum 1. Sonntag nach Epiphanias BWV 124 "Meinen Jesum lass ich nicht": 3. Arie (Tenor): Und wenn der harte Todesschlag
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach3:08
16Kantate zum 1. Sonntag nach Epiphanias BWV 124 "Meinen Jesum lass ich nicht": 4. Rezitativ (Baß): Doch ach! Welch schweres Ungemach
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": IV. Recitativo (Bass) "Doch ach! Welch schweres Ungemach" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:07
17Kantate zum 1. Sonntag nach Epiphanias BWV 124 "Meinen Jesum lass ich nicht": 5. Duet (Sopran, Alt): Entziehe dich eilends, mein Herze
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1967-03)
soprano vocals:
Lotte Schädle (German soprano) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto Sopran, Alt) "Entziehe dich eilends, mein Herze, der Welt" (in 1967-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach4:11
18Kantate zum 1. Sonntag nach Epiphanias BWV 124 "Meinen Jesum lass ich nicht": 6. Choral: Jesum lass ich nicht von mir
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Wolfgang Werner
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-03) and Karl Kolbinger (bassoonist) (in 1967-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-03) and Fritz Kiskalt (cellist) (in 1967-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-03)
oboe d'amore:
Manfred Clement (oboist) (in 1967-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-03) and Elmar Schloter (organist) (in 1967-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-03)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": VI. Choral "Jesum laß ich nicht von mir" (in 1967-03)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Breitkopf 389 Choralgesänge (number: 246)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:12
19Kantate zum 2. Sonntag nach Epiphanias BWV 13 "Meine Seufzer, meine Tänen": 1. Arie (Tenor): Meine Seufzer, meine Tränen
sound engineer:
Hans‐Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach8:00
20Kantate zum 2. Sonntag nach Epiphanias BWV 13 "Meine Seufzer, meine Tänen": 2. Rezitativ (Alt): Mein liebster Gott
sound engineer:
Hans‐Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
alto vocals:
Anna Reynolds (alto) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:16
21Kantate zum 2. Sonntag nach Epiphanias BWV 13 "Meine Seufzer, meine Tänen": 3. Choral: Der Gott, der mit hat versprochen
sound engineer:
Hans‐Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1636)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach3:00
22Kantate zum 2. Sonntag nach Epiphanias BWV 13 "Meine Seufzer, meine Tänen": 4. Rezitativ (Sopran): Mein Kummer nimmet zu
sound engineer:
Hans‐Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
soprano vocals:
Edith Mathis (soprano) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:34
23Kantate zum 2. Sonntag nach Epiphanias BWV 13 "Meine Seufzer, meine Tänen": 5. Arie (Baß): Ächzen und erbärmlich Weinen
sound engineer:
Hans‐Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach7:55
24Kantate zum 2. Sonntag nach Epiphanias BWV 13 "Meine Seufzer, meine Tänen": 6. Choral: So sei nun, Seele, deine
sound engineer:
Hans‐Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Fleming (poet) (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 295)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach0:57
4▶CD

Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
art direction:Merle Kersten
photography:Siegfried Lauterwasser
liner notes:Nicholas Anderson (producer and liner notes writer)
liner notes translator:Dennis Collins (liner notes translator)
Sylvia Höfer (liner notes, translation)
illustration:CSA Images (design, illustration)
design:Philipp Starke (designer)
booklet editor:Manuela Amadei (booklet editor)
ASIN:UK: B00DNVJ0WC [info]
discography entry:http://www.deutschegrammophon.com/cat/4791712 [info]
Allmusic:https://www.allmusic.com/album/release/mr0004024168 [info]