Advent and Christmas Cantatas

~ Release by Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate zum 1. Adventssonntag BWV 61 "Nun komm, der Heiden Heiland": 1. Ouvertüre (Chor): Nun komm, der Heiden Heiland
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:58
2Kantate zum 1. Adventssonntag BWV 61 "Nun komm, der Heiden Heiland": 2. Rezitativ (Tenor): Der Heiland ist gekommen
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:25
3Kantate zum 1. Adventssonntag BWV 61 "Nun komm, der Heiden Heiland": 3. Arie (Tenor): Komm Jesu, komm zu deiner Kirche
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:32
4Kantate zum 1. Adventssonntag BWV 61 "Nun komm, der Heiden Heiland": 4. Rezitativ (Baß): Siehe, ich stehe vor der Türe und klopfe an
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:17
5Kantate zum 1. Adventssonntag BWV 61 "Nun komm, der Heiden Heiland": 5. Arie (Sopran): Öffne dich, mein ganzes Herze
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:23
6Kantate zum 1. Adventssonntag BWV 61 "Nun komm, der Heiden Heiland": 6. Choral: Amen, Amen! Komm , du schöne Freudenkrone
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:56
7Kantate zum 4. Adventssonntag BWV 132 "Bereitet die Wege, bereitet die Bahn": 1. Arie (Sopran): Bereitet die Wege, bereitet die Bahn!
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": I. Aria (Sopran) "Bereitet die Wege, bereitet die Bahn!" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach7:43
8Kantate zum 4. Adventssonntag BWV 132 "Bereitet die Wege, bereitet die Bahn": 2. Rezitativ (Tenor): Willst du dich Gottes Kind und Christi Bruder nennen
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": II. Recitativo (Tenor) "Willst du dich Gottes Kind und Christi Bruder nennen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:56
9Kantate zum 4. Adventssonntag BWV 132 "Bereitet die Wege, bereitet die Bahn": 3. Arie (Baß): Wer bist du? Frage dein Gewissen
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
bass vocals:
Theo Adam (German classical bass-baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": III. Aria (Bass) "Wer bist du? Frage dein Gewissen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:25
10Kantate zum 4. Adventssonntag BWV 132 "Bereitet die Wege, bereitet die Bahn": 4. Rezitativ (Alt): Ich will, mein Gott, dir frei heraus bekennen
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alt) "Ich will, mein Gott, dir frei heraus bekennen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:31
11Kantate zum 4. Adventssonntag BWV 132 "Bereitet die Wege, bereitet die Bahn": 5. Arie (Alt): Christi Glieder, ach bedenket
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alt) "Christi Glieder, ach bedenket" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:44
12Kantate zum 4. Adventssonntag BWV 132 "Bereitet die Wege, bereitet die Bahn": 6. Choral: Ertöt uns durch dein Güte
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": VI. Choral "Ertöt uns durch dein Güte" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach1:12
13Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 1. Chor: Christen, ätzet diesen Tag in Metall und Marmorsteine
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:31
14Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 2. Rezitativ (Alt): O selger Tag! O ungemeines Heute
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:49
15Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 3. Duett (Sopran, Bass): Gott, du hast es wohl gefüget
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach7:25
16Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 4. Rezitativ (Tenor): So kehret sich nun heut
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:55
17Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 5. Duett (Alt, Tenor): Ruft und fleht den Himmel an
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:13
18Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 6. Rezitativ (Baß): Verdoppelt euch demnach
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:14
19Kantate zum 1. Weihnachtstag BWV 63 "Christen, ätzet diesen Tag": 7. Chor: Höchster, schau in Gnade an
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:35
2▶CD
3▶CD
4▶CD

Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
art direction:Merle Kersten
photography:Siegfried Lauterwasser
liner notes:Nicholas Anderson (producer and liner notes writer)
liner notes translator:Dennis Collins (liner notes translator)
Sylvia Höfer (liner notes, translation)
illustration:CSA Images (design, illustration)
design:Philipp Starke (designer)
booklet editor:Manuela Amadei (booklet editor)
ASIN:UK: B00DNVJ0WC [info]
discography entry:http://www.deutschegrammophon.com/cat/4791712 [info]
Allmusic:https://www.allmusic.com/album/release/mr0004024168 [info]