From This Moment On

~ Release by Cole Porter (see all versions of this release, 1 available)

Tracklist

1▶CD: Vol… 1
2▶CD: Vol..2
3▼CD: Vol… 3
#TitleArtistRatingLength
1Nobody’s Chasing Me
Charlotte Greenwood3:35
2No Lover
Portia Nelson2:01
3All Through the Night
recording of:
All Through the Night (in 1951)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
Mary Martin3:10
4C’est magnifique
Peter Cookson And Lilo3:18
5I Am in Love
Nat Cole2:33
6It’s All Right With Me
drums (drum set):
Nick Fatool (on 1956-06-05)
harp:
Stella Castellucci (on 1956-06-05)
piano:
Lou Levy (on 1956-06-05)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-06-05)
woodwind:
Bud Shank (on 1956-06-05)
vocals:
Peggy Lee (jazz vocalist) (on 1956-06-05)
arranger:
Sy Oliver
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Peggy Lee2:21
7Love for Sale
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Billie Holiday2:58
8It’s Bad for Me
The Benny Goodman Sextet With Rosemary Clooney42:57
9Experiment
recorded in:
New York, New York, United States (on 1954-11-07)
vocals:
Mabel Mercer (on 1954-11-07)
recording of:
Experiment (Nymph Errant) (on 1954-11-07)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Mabel Mercer3:16
10It’s De‐Lovely
recorded in:
New York, New York, United States (on 1954-11-07)
vocals:
Mabel Mercer (on 1954-11-07)
Mabel Mercer3:41
11It’s a Chemical Reaction, That’s All / All of You
Don Ameche And Hildegard Neff4:04
12Silk Stockings
Vic Damone3:05
13Why Shouldn’t I?
cover recording of:
Why Shouldn’t I?
lyricist and composer:
Cole Porter (composer) (in 1935)
Margaret Whiting3:15
14True Love
Margaret Whiting2:31
15I Concentrate On You
Frances Wayne2:39
16I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra3:43
17Get Out of Town
recorded in:
New York, New York, United States (on 1956-02-08)
clarinet and saxophone:
Danny Bank (reeds) (on 1956-02-08), Ray Beckenstein (saxophonist and flute player) (on 1956-02-08), Sam Marowitz (saxophonist and clarinetist) (on 1956-02-08) and Zoot Sims (US jazz saxophonist) (on 1956-02-08)
double bass:
Milt Hinton (on 1956-02-08)
guitar:
Barry Galbraith (on 1956-02-08)
piano:
Moe Wechsler (on 1956-02-08)
trumpet:
Nick Travis (on 1956-02-08)
vocals:
Chris Connor (jazz singer) (on 1956-02-08)
arranger:
Ralph Burns
cover recording of:
Get Out of Town (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Chris Connor3:07
18Ace in the Hole
cover recording of:
Ace in the Hole (Let’s Face It! musical)
lyricist and composer:
Cole Porter (composer) (in 1941)
Ella Fitzgerald1:59
19Why Can’t You Behave?
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Ella Fitzgerald5:04
4▶CD: Vol… 4