From This Moment On

~ Release by Cole Porter (see all versions of this release, 1 available)

Tracklist

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1▼CD: Vol… 1
#TitleArtistRatingLength
1Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Cole Porter3:10
2Don’t Look at Me That Way
recording of:
Don’t Look at Me That Way (Paris musical) (on 1928-06-24)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Paris (1928 musical)
Irene Bordoni3:32
3Let’s Misbehave
recorded in:
Hollywood, Los Angeles, California, United States (on 1928-03-01)
vocals:
Phil Saxe & chorus (on 1928-03-01)
recording of:
Let’s Misbehave (Paris musical) (on 1928-03-01)
lyricist and composer:
Cole Porter (composer) (in 1927)
part of:
Anything Goes
Irving Aaronson and His Commanders2:52
4You’ve Got That Thing
recording of:
You’ve Got That Thing (Fifty Million Frenchmen musical comedy) (on 1930-01-28)
lyricist and composer:
Cole Porter (composer) (in 1929)
part of:
Fifty Million Frenchmen
part of:
High Society (stage musical)
Maurice Chevalier2:51
5You Do Something to Me
Marion Harris3:19
6Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Fred Waring & His Pennsylvanians3:34
7Night and Day
reeds:
Jess Smith (reeds in Leo Reisman & His Orchestra) (on 1932-11-22) and Burt Williams (on 1932-11-22)
trombone:
Ernie Gibbs (on 1932-11-22)
trumpet:
Lew Sherwood (on 1932-11-22)
violin:
Lew Conrad (on 1932-11-22) and Sammy Schklar (on 1932-11-22)
vocals:
Fred Astaire (on 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (on 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (on 1932-11-22)
recorded at:
Victor Studio #1 (Cherokee A) in New York, New York, United States (on 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1932-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire53:27
8The Physician
recording of:
The Physician (from the musical “Nymph Errant”) (on 1933-10-18)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Gertrude Lawrence3:03
9Miss Otis Regrets
recorded in:
Paris, Île-de-France, France (on 1935-01-07)
piano:
Garland Wilson (early 1900s American jazz pianist) (on 1935-01-07)
vocals:
Jean Sablon (French actor, songwriter, jazz singer) (on 1935-01-07)
recording of:
Miss Otis regrette (on 1935-01-07)
lyricist and composer:
Cole Porter (composer)
translator:
Louis Hennevé and Louis Palex (French 1930s lyricist)
translated version of:
Miss Otis Regrets
Alberta Hunter3:14
10I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Ethel Merman3:08
11You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter3:27
12The Kling‐Kling Bird on the Divi‐Divi Three
Cole Porter3:37
13Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw and His Orchestra3:14
14Jubilee Medley
Paul Whiteman & His Orchestra8:54
15Rap Tap on Wood
alto saxophone:
Jack Stacey (on 1936-08-03)
double bass:
Slim Taft (on 1936-08-03)
drums (drum set):
Ray McKinley (on 1936-08-03)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-03)
piano:
Bobby Van Eps (American composer, arranger, jazz pianist) (on 1936-08-03)
reeds:
Jimmy Dorsey (on 1936-08-03)
saxophone:
Fud Livingston (on 1936-08-03)
tenor saxophone:
Skeets Herfurt (on 1936-08-03)
trombone:
Bobby Byrne (on 1936-08-03), Don Matteson (on 1936-08-03) and Joe Yukl (on 1936-08-03)
trumpet:
Tutti Camarata (on 1936-08-03) and George Thow (on 1936-08-03)
vocals:
Frances Langford (on 1936-08-03)
recording of:
Rap Tap on Wood (from MGM picture "Born to Dance") (on 1936-08-03)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Born to Dance
Frances Langford2:31
16I’ve Got You Under My Skin
Al Bowlly2:59
17Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (composer) (in 1936)
Ethel Merman3:09
18My Heart Belongs to Daddy
vocals:
Mary Martin (US film and musical actor/singer) (on 1940-01-25)
conductor:
Ray Sinatra (on 1940-01-25)
recording of:
My Heart Belongs to Daddy (on 1940-01-25)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Mary Martin2:35
19Most Gentlemen Don’t Like Love
recording of:
Most Gentlemen Don't Like Love
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Mary Martin2:19
2▼CD: Vol..2
#TitleArtistRatingLength
1Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Lee Wiley3:10
2Find Me a Primitive Man
recording of:
Find Me a Primitive Man
writer:
Cole Porter (composer)
Lee Wiley3:25
3Friendship
vocals:
Judy Garland (on 1940-04-15)
performer:
Johnny Mercer
recording of:
Friendship (on 1940-04-15)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
Anything Goes
part of:
DuBarry Was a Lady (1939 stage musical)
Judy Garland & Johnny Mercer52:37
4Make It Another Old Fashioned, Please
recording of:
Make It Another Old-Fashioned, Please (Panama Hattie musical)
lyricist and composer:
Cole Porter (composer) (in 1940)
part of:
Panama Hattie (1940 Cole Porter musical)
Ethel Merman2:58
5Let’s Be Buddies
recording of:
Let’s Be Buddies (Panama Hattie musical)
lyricist and composer:
Cole Porter (composer) (in 1940)
part of:
Panama Hattie (1940 Cole Porter musical)
part of:
Panama Hattie (1942 film)
Ethel Merman & Joan Carroll3:23
6Dream Dancing
recorded in:
New York, New York, United States (on 1941-09-10)
vocals:
Fred Astaire (on 1941-09-10)
orchestra:
Harry Sosnik and His Orchestra (on 1941-09-10)
recording of:
Dream Dancing (from “You’ll Never Get Rich”) (on 1941-09-10)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co., Inc. (USA)
Fred Astaire2:43
7Since I Kissed My Baby Goodbye
Fred Astaire & The Delta Rhythm Boys2:58
8Let’s Do It
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Billie Holiday2:59
9What Is This Thing Called Love
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Lena Horne2:44
10Let’s Not Talk About Love
recording of:
Let's Not Talk About Love (Let's Face It! musical)
lyricist and composer:
Cole Porter (composer) (in 1941)
Danny Kaye2:25
11Ev’rything I Love
alto saxophone:
Sol Kane (on 1941-11-27) and Clint Neagley (on 1941-11-27)
baritone saxophone:
Chuck Gentry (on 1941-11-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1941-11-27)
double bass:
Sid Weiss (on 1941-11-27)
drums (drum set):
Ralph Collier (drums, percussion) (on 1941-11-27)
guitar:
Tom Morgan (Big band era guitarist) (on 1941-11-27)
piano:
Mel Powell (American composer and jazz pianist) (on 1941-11-27)
tenor saxophone:
George Berg (on 1941-11-27) and Vido Musso (on 1941-11-27)
trombone:
Cutty Cutshall (on 1941-11-27) and Lou McGarity (on 1941-11-27)
trumpet:
Billy Butterfield (on 1941-11-27), Al Davis (on 1941-11-27) and Joe Ferrante (on 1941-11-27)
vocals:
Peggy Lee (jazz vocalist) (on 1941-11-27)
recording of:
Everything I Love (Let’s Face It! musical) (on 1941-11-27)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
Benny Goodman with Peggy Lee3:05
12You Irritate Me So
recording of:
You Irritate Me So
writer:
Cole Porter (composer)
Hildegarde2:56
13Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-01-19)
alto saxophone:
Fred Stulce (on 1942-01-19)
bass:
Hank Stern (Jazz bassist) (on 1942-01-19)
cello:
Cy Bernard (on 1942-01-19)
clarinet:
Heinie Beau (on 1942-01-19)
guitar:
Clark Yocum (on 1942-01-19)
harp:
Ann Mason (American harpist) (on 1942-01-19)
instruments:
Manny Gershman (on 1942-01-19)
oboe:
Charles Strickfaden (on 1942-01-19)
piano:
Skitch Henderson (on 1942-01-19)
tenor saxophone:
Don Lodice (on 1942-01-19)
violin:
Harry Bluestone (on 1942-01-19), Sam Freed (on 1942-01-19), Nick Pisani (on 1942-01-19) and Mischa Russell (violinist) (on 1942-01-19)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1942-01-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Axel Stordahl (on 1942-01-19)
arranger:
Axel Stordahl
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1942-01-19)
part of:
V Disc (by matrix number) (number: VP 65)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1942-01-19)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frank Sinatra3:06
14You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-07-30)
vocals:
Dinah Shore (on 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (on 1942-07-30)
conductor:
Paul Weston (on 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (on 1942-07-30)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Dinah Shore2:56
15Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Maxine Sullivan3:07
16I Love You
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-02-11)
lead vocals:
Bing Crosby (on 1944-02-11)
orchestra:
John Scott Trotter and His Orchestra (on 1944-02-11)
cover recording of:
I Love You (Mexican Hayride musical) (on 1944-02-11)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I Love You (Mexican Hayride musical) (on 1944-02-11)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Bing Crosby2:37
17Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-07-25) and Los Angeles, California, United States (on 1944-07-25)
lead vocals:
The Andrews Sisters (on 1944-07-25) and Bing Crosby (on 1944-07-25)
orchestra:
Vic Schoen and His Orchestra (on 1944-07-25)
conductor:
Vic Schoen (on 1944-07-25)
recording of:
Don’t Fence Me In (on 1944-07-25)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters3.53:07
18Blow, Gabriel, Blow
recording of:
Blow, Gabriel Blow (Anything Goes)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Ethel Merman2:27
19Look What I Found
recording of:
Look What I Found (from Around the World)
writer:
Cole Porter (composer)
Larry Laurence2:53
20Be a Clown
vocals:
Judy Garland and Gene Kelly (US dancer/actor)
orchestra:
MGM Orchestra
conductor:
Lennie Hayton
recording of:
Be a Clown (The Pirate film) (on 1947-07-14)
lyricist and composer:
Cole Porter (composer) (in 1946)
part of:
The Pirate (1948 film)
Judy Garland & Gene Kelly2:37
21Wunderbar
lead vocals:
Alfred Drake (actor, singer) and Patricia Morison
conductor:
Pembroke Davenport (conductor)
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Wunderbar (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Kiss Me, Kate (musical)
Patricia Morison & Alfred Drake3:37
22Brush Up Your Shakespeare
recording of:
Brush Up Your Shakespeare (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
Harry Clark & Jack Diamond1:41
3▼CD: Vol… 3
#TitleArtistRatingLength
1Nobody’s Chasing Me
Charlotte Greenwood3:35
2No Lover
Portia Nelson2:01
3All Through the Night
recording of:
All Through the Night (in 1951)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
Mary Martin3:10
4C’est magnifique
Peter Cookson And Lilo3:18
5I Am in Love
Nat Cole2:33
6It’s All Right With Me
drums (drum set):
Nick Fatool (on 1956-06-05)
harp:
Stella Castellucci (on 1956-06-05)
piano:
Lou Levy (on 1956-06-05)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-06-05)
woodwind:
Bud Shank (on 1956-06-05)
vocals:
Peggy Lee (jazz vocalist) (on 1956-06-05)
arranger:
Sy Oliver
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
recording of:
It’s All Right with Me (Can‐Can musical) (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Peggy Lee2:21
7Love for Sale
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Billie Holiday2:58
8It’s Bad for Me
The Benny Goodman Sextet With Rosemary Clooney42:57
9Experiment
recorded in:
New York, New York, United States (on 1954-11-07)
vocals:
Mabel Mercer (on 1954-11-07)
recording of:
Experiment (Nymph Errant) (on 1954-11-07)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
Mabel Mercer3:16
10It’s De‐Lovely
recorded in:
New York, New York, United States (on 1954-11-07)
vocals:
Mabel Mercer (on 1954-11-07)
Mabel Mercer3:41
11It’s a Chemical Reaction, That’s All / All of You
Don Ameche And Hildegard Neff4:04
12Silk Stockings
Vic Damone3:05
13Why Shouldn’t I?
cover recording of:
Why Shouldn’t I?
lyricist and composer:
Cole Porter (composer) (in 1935)
Margaret Whiting3:15
14True Love
Margaret Whiting2:31
15I Concentrate On You
Frances Wayne2:39
16I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra3:43
17Get Out of Town
recorded in:
New York, New York, United States (on 1956-02-08)
clarinet and saxophone:
Danny Bank (reeds) (on 1956-02-08), Ray Beckenstein (saxophonist and flute player) (on 1956-02-08), Sam Marowitz (saxophonist and clarinetist) (on 1956-02-08) and Zoot Sims (US jazz saxophonist) (on 1956-02-08)
double bass:
Milt Hinton (on 1956-02-08)
guitar:
Barry Galbraith (on 1956-02-08)
piano:
Moe Wechsler (on 1956-02-08)
trumpet:
Nick Travis (on 1956-02-08)
vocals:
Chris Connor (jazz singer) (on 1956-02-08)
arranger:
Ralph Burns
cover recording of:
Get Out of Town (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Chris Connor3:07
18Ace in the Hole
cover recording of:
Ace in the Hole (Let’s Face It! musical)
lyricist and composer:
Cole Porter (composer) (in 1941)
Ella Fitzgerald1:59
19Why Can’t You Behave?
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Ella Fitzgerald5:04
4▼CD: Vol… 4
#TitleArtistRatingLength
1At Long Last Love
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
Bobby Short3:16
2From Now On
Bobby Short2:40
3The Ritz Roll and Rock
Fred Astaire2:59
4Just One of Those Things
lead vocals:
Lena Horne
orchestra:
MGM Studio Orchestra
conductor:
Georgie Stoll
cover recording of:
Just One of Those Things (on 1942-05-14)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Lena Horne2:03
5Where Have You Been?
recording of:
Where Have You Been (The New Yorkers musical)
lyricist and composer:
Cole Porter (composer) (in 1930)
Judy Holliday3:18
6Ridin’ High
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-25)
cover recording of:
Ridin’ High (on 1958-05-25)
lyricist and composer:
Cole Porter (composer) (in 1936)
Peggy Lee2:09
7I Am Loved
recording of:
I Am Loved
lyricist and composer:
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
part of:
Out of This World
Judy Garland3:16
8Anything Goes
cover recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Tony Bennett42:21
9Always True to You in My Fashion
vocals:
Lisa Kirk
conductor:
Pembroke Davenport (conductor)
orchestrator:
Robert Russell Bennett (American composer and arranger)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Always True to You in My Fashion
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
Lisa Kirk3:49
10I Hate Men
Nancy Walker2:13
11So in Love
recording of:
A Woman in Love (1955 film "Guys and Dolls")
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (1955 musical film)
Gordon MacRae2:38
12Which?
vocals:
Jeri Southern (in 1959)
conductor:
Billy May (in 1959)
arranger:
Billy May
recording of:
Which? (in 1959)
lyricist and composer:
Cole Porter (composer) (in 1928)
Jeri Southern2:42
13I Love Paris
vocals:
Maurice Chevalier (in 1966)
orchestra:
L’Orchestre Caravelli (in 1966)
cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1966)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Maurice Chevalier2:27
14From This Moment On
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Lena Horne1:53
15In the Still of the Night
vocals:
Eileen Farrell (soprano) (on 1961-09-01)
conductor:
Percy Faith (on 1961-09-01)
arranger:
Percy Faith
recording of:
In the Still of the Night (Cole Porter song) (on 1961-09-01)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Eileen Farrell3:14
16You’re the Top
vocals:
Hal Linden (on 1962-07-02) and Eileen Rodgers (on 1962-07-02)
conductor:
Ted Simons (on 1962-07-02)
arranger:
Julian Stein
recording of:
You’re the Top (on 1962-07-02)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Eileen Rodgers And Hal Linden3:33
17Come to the Supermarket in Old Peking
producer:
Mike Berniker
vocals:
Barbra Streisand (on 1963-01-24)
conductor:
Peter Matz (on 1963-01-24)
arranger:
Peter Matz
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1963)
recorded at:
Columbia Studios in New York, New York, United States (on 1963-01-24)
cover recording of:
Come to the Supermarket (in Old Peking) (on 1963-01-24)
lyricist and composer:
Cole Porter (composer)
publisher:
Chappell & Co., Inc. (USA)
Barbra Streisand1:57
18I Worship You
David Allyn2:56
19I Loved Him but Didn’t Love Me
recording of:
I Loved Him (but He Didn’t Love Me)
writer:
Cole Porter (composer)
part of:
Wake Up and Dream (1929 revue)
Kaye Ballard3:02
20The Laziest Gal in Town
vocals:
Marlene Dietrich (actress and singer) (on 1964-12-12)
conductor:
Burt Bacharach (on 1964-12-12)
recording of:
The Laziest Gal in Town (on 1964-12-12)
lyricist and composer:
Cole Porter (composer) (in 1927)
Marlene Dietrich2:45
21I’m in Love Again
recording of:
I’m in Love Again (Greenwich Village Follies of 1924)
lyricist and composer:
Cole Porter (composer) (in 1924)
Bobby Short2:27
22So Near and Yet So Far
recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”)
lyricist and composer:
Cole Porter (composer) (in 1941)
Bobby Short2:52
23After You, Who?
Dorothy Loudon3:43
24From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Sarah Vaughan2:31