Fidelio

~ Release by Ludwig van Beethoven; Chor der Staatsoper Dresden, Staatskapelle Dresden, Karl Böhm (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Fidelio: Act II, No. 11. Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven9:48
2Fidelio: Act II, No. 12. Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:35
3Fidelio: Act II, No. 12. "Er erwacht, sagst du?" (Rocco, Leonore, Florestan)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:32
4Fidelio: Act II, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:14
5Fidelio: Act II, No. 13. "Ist alles bereit?" (Pizarro, Rocco, Leonore)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1969-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:21
6Fidelio: Act II, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:12
7Fidelio: Act II, No. 14. "Vater, Rocco" (Jaquino, Rocco, Leonore, Florestan, Pizarro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:32
8Fidelio: Act II, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:58
9Fidelio: Overture "Leonore III"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven13:33
10Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Don Fernando]:
Martti Talvela (operatic bass) (in 1969-03)
bass vocals [Rocco]:
Franz Crass (operatic bass) (in 1969-03)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
solo tenor vocals [Florestan]:
James King (tenor) (in 1969-03)
soprano vocals [Leonore]:
Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:
Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:
Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (in 1969-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven14:10