Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)

~ Recording by Staatskapelle Dresden, Karl Böhm

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
2.10Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)14:10Ludwig van BeethovenFidelioLudwig van Beethoven; Chor der Staatsoper Dresden, Staatskapelle Dresden, Karl BöhmAlbum
  • JP1999-05-08
Deutsche GrammophonPOCG-30093, POCG-30094
2.10Fidelio: Acte II, No. 16. Final "Heil sei dem Tag"14:11Ludwig van BeethovenFidelioBeethoven - Gwyneth Jones , Edith Mathis , Theo Adam , Karl Böhm-Album
Deutsche Grammophon
2.10Fidelio: Akt II. Nr. 16 Finale: »Heil sei dem Tag, Heil sei der Stunde« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino)14:11Ludwig van BeethovenThe Operas: Complete Opera & Vocal Recordings on Deutsche GrammophonKarl BöhmAlbum + Compilation
  • XW2018-01-19
Deutsche Grammophon
113.21Fidelio, op. 72: Act II. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!”14:16Ludwig van BeethovenBTHVN 2020: The New Complete EditionLudwig van BeethovenOther
  • XW2019-11-01
  • XE2019-11-01
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon4836767
Pseudo-Release
15.21Fidelio, op. 72: Act II. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!”14:16Ludwig van BeethovenBTHVN 2020: The New Complete Edition (rarities, classic performances, period instrument performances)Ludwig van BeethovenOther
(unknown)
2.10Fidelio: Acte II, No. 16. Final "Heil sei dem Tag"14:10Ludwig van BeethovenFidelioBeethoven; G. Jones, E. Mathis, T. Adam, F. Crass, P. Schreier, M. Talvela, Staatskapelle de Dresde, Karl BöhmAlbum
Deutsche Grammophon445 448-2

Relationships

executive producer:Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Don Fernando]:Martti Talvela (operatic bass) (in 1969-03)
bass vocals [Rocco]:Franz Crass (operatic bass) (in 1969-03)
choir vocals:Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
solo tenor vocals [Florestan]:James King (tenor) (in 1969-03)
soprano vocals [Leonore]:Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:Günter Hermanns (producer/engineer)
Claus Strüben (german sound engineer)
recorded at:Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (in 1969-03)

Related works

Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)

composer:Ludwig van Beethoven (German composer)
part of:Fidelio, op. 72: Akt II (order: 12)
parts:14. Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor)
15. Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
16. Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando)
17. Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando)
18. Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco)
19. Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)