The Deutsche Grammophon Story

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Karajan Dynasty
#TitleArtistRatingLength
1La forza del destino
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon), Michel Glotz and Magdalene Padberg (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-22 until 1975-10-21)
conductor:
Herbert von Karajan (conductor) (from 1975-09-22 until 1975-10-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-22 until 1975-10-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21)
recording of:
La forza del destino: Sinfonia (from 1975-09-22 until 1975-10-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi8:05
2Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (conductor) (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-09 until 1962-03-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:18
3Symphony No. 5 in C minor, Op. 67: II. Andante con moto
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (conductor) (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-09 until 1962-03-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:06
4Symphony No. 5 in C minor, Op. 67: III. Allegro
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (conductor) (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-09 until 1962-03-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:55
5Symphony No. 5 in C minor, Op. 67: IV. Allegro
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (conductor) (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-09 until 1962-03-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:05
6Prélude a l'après-midi d'un faune
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:00
7William Tell (Overture): Andante. Allegro. Andantino. Allegro vivace
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-12-28 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1983-12-28 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-12-24 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-12-28 until 1984-02-24)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture) (from 1983-12-28 until 1984-02-24)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:40
2▼CD: Pianoforte Concertante
#TitleArtistRatingLength
1Concerto for Piano and Orchestra No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro. Cadenza: anda
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart13:55
2Concerto for Piano and Orchestra No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:15
3Concerto for Piano and Orchestra No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:36
4Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I Andante. Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Сергей Сергеевич Прокофьев9:01
5Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Andantino
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Сергей Сергеевич Прокофьев9:03
6Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Сергей Сергеевич Прокофьев9:08
7Rhapsody in Blue
piano:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1983)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1982-07-24)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin17:12
3▼CD: The New Generation
#TitleArtistRatingLength
1Slavonic Dance op. 46 #4 in F Major: tempo di menuetto
orchestra:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1994-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 4 in F major (Sousedská) (in 1994-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák7:25
2Oh Fair Enough Are Sky and Plain
piano:
Malcolm Martineau (pianist)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Bredon Hill and Other Songs: II. Oh Fair Enough Are Sky and Plain
lyricist:
A. E. Housman (poet)
composer:
George Butterworth (composer)
part of:
Bredon Hill and Other Songs
George Butterworth3:16
3Songs of Travel
piano:
Malcolm Martineau (pianist)
baritone vocals and bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Songs of Travel: III. The Roadside Fire
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams2:26
4Magic Flute
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
solo baritone vocals [Papageno]:
Bryn Terfel (bass‐baritone opera singer) (in 1995-09)
orchestra:
Metropolitan Opera Orchestra (in 1995-09)
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1995-09)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:51
5Faust : Acte IV. « Vous qui faites l'endormie »
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
solo baritone vocals [Méphistophélès]:
Bryn Terfel (bass‐baritone opera singer) (from 1994-08 until 1994-09)
orchestra:
Metropolitan Opera Orchestra (from 1994-08 until 1994-09)
conductor:
James Levine (US conductor and pianist) (from 1994-08 until 1994-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-08 until 1994-09)
recording of:
Faust : Acte IV. No. 24 Sérénade « Vous qui faites l’endormie » (Méphistophélès) (from 1994-08 until 1994-09)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte IV
Charles‐François Gounod2:59
6Elegie op. 24 for Cello and Orchestra
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recording of:
Élégie, op. 24 (for cello and orchestra) (in 1991-06)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie, op. 24 (for cello and piano)
Gabriel Fauré6:24
7Crisantemi
performer:
Hagen Quartett (Hagen Quartet, Austrian string quartet)
recording of:
Crisantemi (for string quartet)
composer:
Giacomo Puccini (Italian composer) (in 1890-01)
Giacomo Puccini8:01
8Cantabile M.S. 109 in D Major
guitar:
Göran Söllscher (classical guitarist) (in 1992-11)
violin:
Gil Shaham (violinist) (in 1992-11)
recording of:
Cantabile for Violin and Guitar or Piano in D major, op. 17, MS 109 (in 1992-11)
composer:
Niccolò Paganini (Italian composer and violinist) (from 1826 to ????)
part of:
Catalogo tematico delle musiche di Niccolò Paganini (number: MS 109)
Niccolò Paganini3:45
9Fantasia in C Minor K. 475
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus Behrens (engineer)
piano:
Maria João Pires (pianist) (in 1990-05)
performer:
Maria João Pires (pianist)
balance engineer:
Helmut Burk (in 1990-05)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1990-05)
recording of:
Fantasia no. 4 in C minor, K. 475 (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 475), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 475), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 475), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 475) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 475)
Wolfgang Amadeus Mozart12:02
10Seven Early Songs
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: I. Nacht (in 1991-12)
lyricist:
Carl Hauptmann
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
partial recording of:
Sieben frühe Lieder
composer:
Alban Berg (Austrian composer) (from 1905 until 1908)
Alban Berg4:33
11I Manaden Tjaitra
recording engineer:
Stephan Flock (in 1995-09)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
piano:
Bengt Forsberg (pianist) (in 1995-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1995-09)
balance engineer:
Rainer Maillard (in 1995-09)
recorded at:
Kulturhuset i Ytterjärna in Södertälje, Stockholms län (Stockholm county), Sweden (in 1995-09)
recording of:
I månaden Tjaitra (in 1995-09)
lyricist:
Sigurd Agrell
composer:
Sigurd von Koch
Sigurd von Koch2:54
12Je ne t'aime pas
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
engineer and audio engineer:
Ulrich Vette (engineer) (in 1993-09)
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
grand piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Je ne t’aime pas (in 1993-09)
lyricist:
Maurice Magre
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
Kurt Weill4:29
13Jeg eisker Dig
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Hjertets melodier, op. 5, no. 3: Jeg elsker dig (for voice and piano) (in 1992-03)
composed in:
Copenhagen, Capital Region of Denmark, Denmark (in 1864)
lyricist:
Hans Christian Andersen
composer:
Edvard Grieg (composer) (in 1864)
part of:
Hjertets melodier, op. 5 (for voice and piano)
Edvard Grieg1:38
4▼CD: Personal Statements
#TitleArtistRatingLength
1An die Musik D.547
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1969-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-03)
balance engineer:
Hans‐Peter Schweigmann
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1969-03)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:38
2Die Forelle D.550
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1969-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-03)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (in 1969-03)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:01
3Der Wanderer D.493
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hans Ritter
piano:
Gerald Moore (pianist) (in 1968-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-02)
balance engineer:
Harald Baudis (sound engineer) and Hans‐Peter Schweigmann
recording of:
Der Wanderer, op. 4 no. 1, D. 489 (formerly D. 493) (in 1968-02)
lyricist:
Georg Philipp Schmidt (German poet)
composer:
Franz Schubert (composer) (in 1816-10)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 489) and Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 493)
Franz Schubert5:48
4Gesang (An Silvia) D.891
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1969-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-03)
balance engineer:
Hans‐Peter Schweigmann
recording of:
An Sylvia, D. 891 (for voice and piano) (in 1969-03)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert2:45
5Auf Dem Wasser Zu Singen D. 774
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1969-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-03)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Auf dem Wasser zu singen, D. 774 (in 1969-03)
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
Franz Schubert3:24
6Ständchen D.957.4
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor)
piano:
Gerald Moore (pianist) (in 1972, in 1972-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972, in 1972-03)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1972-03)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1972)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert3:54
7Erlkönig D.328
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hans Ritter
piano:
Gerald Moore (pianist) (in 1951-10, in 1968-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1951-10, in 1968-02)
balance engineer:
Harald Baudis (sound engineer) and Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1968-02)
recording of:
Erlkönig, D. 328 (in 1968-02)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (composer) (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert4:18
8Der Liebende, WoO 139
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Liebende, WoO 139 (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 139)
Ludwig van Beethoven2:24
9Der Musikant
producer:
Cord Garben (pianist and conductor)
piano:
Daniel Barenboim (pianist and conductor) (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Eichendorff-Lieder: Nr. 2. Der Musikant "Wandern lieb' ich für mein Leben" (in 1974)
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Eichendorff-Lieder
Hugo Wolf1:45
10Rose, Meer und Sonne op. 37 no. 9
producer:
Cord Garben (pianist and conductor)
piano:
Christoph Eschenbach (pianist and conductor) (in 1975-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-04)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1975-04)
recording of:
Gedichte aus "Liebesfrühling", op. 37: Nr. 9. Rose, Meer und Sonne (in 1975-04)
lyricist:
Friedrich Rückert (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Gedichte aus "Liebesfrühling", op. 37
Robert Schumann4:27
11Wiegenlied, Op. 49 No. 4
piano:
Daniel Barenboim (pianist and conductor)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
lyricist:
"Des Knaben Wunderhorn" ([traditional], special purpose artist) and Georg Scherer (author and publisher of German folk songs, fables, sayings and riddles.)
composer:
Johannes Brahms (German composer) (in 1868)
dedicated to:
Bertha Faber
premiered at:
[concert] (1869-12-22)
publisher:
N. Simrock (in 1874)
version of:
Fünf Lieder für eine Stimme, op. 49: Nr. 4, Wiegenlied “Guten Abend, gut’ Nacht” (early one-verse version)
part of:
5 Lieder, op. 49
Johannes Brahms1:35
12String Quartet in C major "Emperor" Op. 76 No. 3 (Hob III:77): I. Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: I. Allegro (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn5:05
13String Quartet in C major "Emperor" Op. 76 No. 3 (Hob III:77): II. Poco adagio. Cantabile. Variations I-IV
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1963-09)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:32
14String Quartet in C major "Emperor" Op. 76 No. 3 (Hob III:77): III. Menuetto
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: III. Menuetto e Trio (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn4:36
15String Quartet in C major "Emperor" Op. 76 No. 3 (Hob III:77): IV. Finale, presto
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-09)
string quartet:
Amadeus Quartet (in 1963-09)
viola:
Peter Schidlof (violist) (in 1963-09)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-09)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: IV. Finale. Presto (in 1963-09)
composer:
Joseph Haydn (composer)
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn4:08
16Piano Sonata No. 30 in E major, Op. 109: I. Vivace, ma non troppo
producer:
Hans Weber (producer/engineer) (in 1964-01)
piano:
Wilhelm Kempff (pianist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1964-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-01)
recording of:
Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo (in 1964-01)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven3:21
17Piano Sonata No. 30 in E major, Op. 109: II. Prestissimo
producer:
Hans Weber (producer/engineer) (in 1964-01)
piano:
Wilhelm Kempff (pianist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1964-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-01)
recording of:
Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo (in 1964-01)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven2:27
18Piano Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
producer:
Hans Weber (producer/engineer) (in 1964-01)
piano:
Wilhelm Kempff (pianist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1964-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-01)
recording of:
Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo (Theme with variations) (in 1964-01)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven11:09
5▼CD: Beginnings
#TitleArtistRatingLength
1Don Juan op. 20
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Don Juan (op. 20; TrV 156)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss17:39
2Symphony No. 4 in D minor: I. Ziemlich langsam. Lebhaft
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1953-05-14)
conductor:
Wilhelm Furtwängler (conductor) (on 1953-05-14)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1953)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1953-05-14)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (on 1953-05-14)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann11:51
3Symphony No. 4 in D minor: II. Romanze. Ziemlich langsam
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1953-05-14)
conductor:
Wilhelm Furtwängler (conductor) (on 1953-05-14)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1953)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1953-05-14)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (on 1953-05-14)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann5:21
4Symphony No. 4 in D minor: III. Scherzo. Lebhaft - trio
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1953-05-14)
conductor:
Wilhelm Furtwängler (conductor) (on 1953-05-14)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1953)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1953-05-14)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft (1851 revision) (on 1953-05-14)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version)
Robert Schumann5:57
5Symphony No. 4 in D minor: IV. Langsam. Lebhaft
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1953-05-14)
conductor:
Wilhelm Furtwängler (conductor) (on 1953-05-14)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1953)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1953-05-14)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (on 1953-05-14)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
Robert Schumann8:01
6Dance of the Seven Veils
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1928-11)
conductor:
Richard Strauss (German composer) (in 1928-11)
recording of:
Salomes Tanz, TrV 215a (concert version) (in 1928-11)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Werkverzeichnis (Richard Strauss TrV) (number: TrV 215a)
arrangement of:
Salome: Vierte Szene. Tanz der sieben Schleier
Richard Strauss8:47
7Hungarian Rhapsody No. 1
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Artúr Nikisch (Hungarian conductor)
Franz Liszt13:33