The Power of Love: In a Mellow Mood

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1986), Uncle Ronnie's Music Co. Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Luther Vandross3.53:36
2Love Will Find a Way
additional assistant engineer:
Greg Price (engineer)
assistant engineer:
Jim Scheffler
engineer, producer and mixer:
Bill Schnee
assistant mixer:
Gabe Beltri
bass guitar [bass]:
Bruce Day (US soft rock bassist)
drums (drum set) and percussion:
Stephen Price (US drummer, founding member of Pablo Cruise)
guitar [guitars]:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
keyboard [keyboards]:
Cory Lerios
background vocals:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific), Bruce Day (US soft rock bassist) and Cory Lerios
lead vocals:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) and Bruce Day (US soft rock bassist)
phonographic copyright (℗) by:
A&M Records and A&M Records, Inc. (in 1978)
additionally recorded at:
Redwing Sound in Los Angeles, California, United States
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States (from 1978-02 until 1978-03)
additionally mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 44)
recording of:
Love Will Find a Way
writer:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) and Cory Lerios
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise24:14
3Jessie
recording of:
Jessie (Joshua Kadison song)
lyricist and composer:
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) and Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:23
4Hunting High and Low
bass programming:
Magne Furuholmen
producer:
Tony Mansfield (producer & songwriter)
mixer:
John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
The Downloader’s Music Source Book (number: 276)
recording of:
Hunting High and Low
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:49
5Diamond Girl
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals & Crofts44:13
6Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:53
7How ’Bout Us
assistant engineer:
Michael Ferraro (engineer) and Tom Miller (engineer)
engineer:
Stu Walder
associate producer:
James Mack (Composer, arranger, conductor)
producer:
Leo Graham (producer / composer / lyricist)
bass guitar [bass]:
Michael Reed (US bassist for Champaign) and Paul Richmond (producer - songwriter - bassist)
drums (drum set):
Morris Jennings, Jr.
electronic drum set [syndrums]:
Tommy Radtke
guitar [guitars]:
Michael Day and Howard Reeder
keyboard [keyboards]:
Michael Day and Dana Walden
percussion:
Rocky Maffit
solo alto saxophone:
Ken Soderbloom
synthesizer [synthesizers]:
Dana Walden
lead vocals:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit and Howard Reeder
brass [horns] arranger and strings arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) and James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:35
8Secret Lovers
recording of:
Secret Lovers
writer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Jodaway Music (ASCAP)
Atlantic Starr33:39
9Arienne
recording of:
Arienne
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
Tasmin Archer3:29
10Hazard
edit of:
Hazard by Richard Marx
recording of:
Hazard
lyricist and composer:
Richard Marx
publisher:
Chi‐Boy Music and EMI Songs Ltd.
Richard Marx44:50
11Beautiful
engineer:
Dave Meegan (producer)
producer:
Marillion (British progressive rock band) and Dave Meegan (producer)
mixer:
Michael Brauer (engineer)
bass:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1995-01 until 1995-03)
drums (drum set) and percussion:
Ian Mosley (from 1995-01 until 1995-03)
guitar:
Steve Rothery (from 1995-01 until 1995-03)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1995-01 until 1995-03)
background vocals:
Hannah Stobart (from 1995-01 until 1995-03)
lead vocals:
Steve Hogarth (from 1995-01 until 1995-03)
arranger:
Marillion (British progressive rock band) and Dave Meegan (producer)
recorded at:
The Racket Club in Buckinghamshire, England, United Kingdom (from 1995-01 until 1995-03)
recording of:
Beautiful (from 1995-01 until 1995-03)
lyricist:
Steve Hogarth
composer:
Steve Hogarth, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Hit & Run Music (Publishing) Ltd, Imagem (Dutch music publisher, acquired by Concord Bicycle Music in June 2017), Imagem Songs Ltd. and The Charisma Music Publishing Co Ltd
Marillion4:25
12Lean on You
recording of:
Lean on You
lyricist and composer:
Alan Tarney
publisher:
Warner/Chappell Music, Inc.
Cliff Richard3:52
13I’ll Never Be the Same
audio engineer:
Chet Himes
assistant producer:
Michael Ostin
acoustic guitar:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Lenny Castro
piano [acoustic piano]:
Michael Omartian
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Jackie Kelso and Don Roberts (woodwind player)
solo guitar:
Jay Graydon
trombone:
Lew McCreary
trumpet:
Chuck Findley (trumpet, trombone, horn player)
vibraphone:
Victor Feldman (jazz musician)
background vocals:
Myrna Mathews, Marty McCall (CCM singer/songwriter/worship leader) and Stormie Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Never Be the Same
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.54:44
14Passing Thing
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Leland Sklar (bassist, session musician) (from 1976-03 until 1976-10)
drums (drum set):
Russell Kunkel (session drummer) (from 1976-03 until 1976-10)
piano and lead vocals:
Andrew Gold (from 1976-03 until 1976-10)
shakuhachi [Shaku Hachi]:
Donald Menza (from 1976-03 until 1976-10)
background vocals:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Passing Thing (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold54:11
15Never Let Her Go
associate producer:
Larry Knechtel
bass guitar:
Larry Knechtel
drums (drum set):
Mike Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1975)
recording of:
Never Let Her Go
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Kipahulu Music Co.
David Gates3:08
2CD
#TitleArtistRatingLength
1Call Me the Breeze
recording engineer:
James Long (engineer) (from 1970-09-29 until 1970-09-30)
guitar:
J.J. Cale
steel guitar:
Weldon Myrick
vocals:
J.J. Cale
recorded at:
Moss Rose Studio in Nashville, Tennessee, United States (from 1970-09-29 until 1970-09-30)
recording of:
Call Me the Breeze (from 1970-09-29 until 1970-09-30)
lyricist and composer:
J.J. Cale
publisher:
Johnny Bienstock Music
sub-publisher:
Warner Chappell Music France
J.J. Cale42:41
2Sara Smile
producer:
Chris Bond (producer, active circa 1970s) and Daryl Hall & John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
lyricist:
Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Unichappell Music, Inc.
Hall & Oates4.253:09
3Romeo’s Tune
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
recording of:
Romeo's Tune
lyricist and composer:
Steve Forbert
publisher:
Colgems-EMI Music Inc.
Steve Forbert3.353:33
4Here You Come Again
vocals:
Dolly Parton
phonographic copyright (℗) by:
BMG Entertainment (in 1977) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 60)
cover recording of:
Here You Come Again
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs and Summerhill Songs
Dolly Parton4.52:59
5Shapes and Sizes
recording of:
Shapes and Sizes
lyricist and composer:
Joan Armatrading
Joan Armatrading3:16
6Lonely People
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass, guitar and keyboard, guitar and keyboard:
America (US folk/soft rock band)
drums (drum set) and percussion:
Willie Leacox
tape:
Pete Henderson (engineer)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Lonely People
writer:
Catherine Peek and Dan Peek
live recording of:
Lonely People
writer:
Catherine Peek and Dan Peek
America3.852:31
7Since I Don’t Have You
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
mixed at and engineered at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
cover recording of:
Since I Don’t Have You
writer:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen and Janet Vogel
composer:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen and Janet Vogel
publisher:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. and Southern Music Publ. Co. Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Don McLean2:36
8California Dreamin’
cover recording of:
California Dreamin’
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
River City People2:22
9If
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
If
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:36
10Part of the Plan
producer:
Joe Walsh (Eagles/James Gang)
12 string guitar:
Joe Walsh (Eagles/James Gang)
acoustic guitar, electric guitar, organ and piano:
Dan Fogelberg
bass:
Kenny Passarelli (Bass, piano)
congas:
Joe Lala
drums (drum set):
Russ Kunkel (session drummer)
vocals:
Graham Nash
recording of:
Part of the Plan
lyricist and composer:
Dan Fogelberg
Dan Fogelberg3:22
11Dolphins Make Me CryMartyn Joseph4:45
12Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:17
13Blue Bayou
recording engineer and mixer:
Val Garay
assistant engineer:
Mark Howlett
producer:
Peter Asher
acoustic guitar:
Waddy Wachtel (from 1977-05-23 until 1977-07-22)
bass guitar [bass] and mandolin:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22)
cowbell, drums (drum set) and electronic drum set [syn-drums]:
Rick Marotta (US drummer/percussionist) (from 1977-05-23 until 1977-07-22)
electric piano:
Don Grolnick (from 1977-05-23 until 1977-07-22)
marimba:
Steve Forman (US percussionist) (from 1977-05-23 until 1977-07-22)
steel guitar:
Dan Dugmore (from 1977-05-23 until 1977-07-22)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22) and Don Henley (from 1977-05-23 until 1977-07-22)
lead vocals:
Linda Ronstadt (from 1977-05-23 until 1977-07-22)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
recorded at:
Sound Factory, LA (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 61)
cover recording of:
Blue Bayou (from 1977-05-23 until 1977-07-22)
lyricist:
Joe Melson (in 1963) and Roy Orbison (in 1963)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:56
14World Outside Your Window
recording of:
World Outside Your Window (in 1988)
lyricist and composer:
Tanita Tikaram
Tanita Tikaram4:56
15Brass Buttons
recording of:
Brass Buttons
composer:
Gram Parsons
publisher:
Dramatis Music (in 1977) and Music Maximus (in 1977)
Gram Parsons3:28

Credits

Release group

part of:The Power of Love (Time-Life Music) (number: 24) (order: 24)