The Power of Love: In a Mellow Mood

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1986), Uncle Ronnie's Music Co. Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Luther Vandross3.53:36
2Love Will Find a Way
additional assistant engineer:
Greg Price (engineer)
assistant engineer:
Jim Scheffler
engineer, producer and mixer:
Bill Schnee
assistant mixer:
Gabe Beltri
bass guitar [bass]:
Bruce Day (US soft rock bassist)
drums (drum set) and percussion:
Stephen Price (US drummer, founding member of Pablo Cruise)
guitar [guitars]:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
keyboard [keyboards]:
Cory Lerios
background vocals:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific), Bruce Day (US soft rock bassist) and Cory Lerios
lead vocals:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) and Bruce Day (US soft rock bassist)
phonographic copyright (℗) by:
A&M Records and A&M Records, Inc. (in 1978)
additionally recorded at:
Redwing Sound in Los Angeles, California, United States
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States (from 1978-02 until 1978-03)
additionally mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 44)
recording of:
Love Will Find a Way
writer:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) and Cory Lerios
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise24:14
3Jessie
recording of:
Jessie (Joshua Kadison song)
lyricist and composer:
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) and Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:23
4Hunting High and Low
bass programming:
Magne Furuholmen
producer:
Tony Mansfield (producer & songwriter)
mixer:
John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
The Downloader’s Music Source Book (number: 276)
recording of:
Hunting High and Low
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:49
5Diamond Girl
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals & Crofts44:13
6Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:53
7How ’Bout Us
assistant engineer:
Michael Ferraro (engineer) and Tom Miller (engineer)
engineer:
Stu Walder
associate producer:
James Mack (Composer, arranger, conductor)
producer:
Leo Graham (producer / composer / lyricist)
bass guitar [bass]:
Michael Reed (US bassist for Champaign) and Paul Richmond (producer - songwriter - bassist)
drums (drum set):
Morris Jennings, Jr.
electronic drum set [syndrums]:
Tommy Radtke
guitar [guitars]:
Michael Day and Howard Reeder
keyboard [keyboards]:
Michael Day and Dana Walden
percussion:
Rocky Maffit
solo alto saxophone:
Ken Soderbloom
synthesizer [synthesizers]:
Dana Walden
lead vocals:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit and Howard Reeder
brass [horns] arranger and strings arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) and James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:35
8Secret Lovers
recording of:
Secret Lovers
writer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Jodaway Music (ASCAP)
Atlantic Starr33:39
9Arienne
recording of:
Arienne
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
Tasmin Archer3:29
10Hazard
edit of:
Hazard by Richard Marx
recording of:
Hazard
lyricist and composer:
Richard Marx
publisher:
Chi‐Boy Music and EMI Songs Ltd.
Richard Marx44:50
11Beautiful
engineer:
Dave Meegan (producer)
producer:
Marillion (British progressive rock band) and Dave Meegan (producer)
mixer:
Michael Brauer (engineer)
bass:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1995-01 until 1995-03)
drums (drum set) and percussion:
Ian Mosley (from 1995-01 until 1995-03)
guitar:
Steve Rothery (from 1995-01 until 1995-03)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1995-01 until 1995-03)
background vocals:
Hannah Stobart (from 1995-01 until 1995-03)
lead vocals:
Steve Hogarth (from 1995-01 until 1995-03)
arranger:
Marillion (British progressive rock band) and Dave Meegan (producer)
recorded at:
The Racket Club in Buckinghamshire, England, United Kingdom (from 1995-01 until 1995-03)
recording of:
Beautiful (from 1995-01 until 1995-03)
lyricist:
Steve Hogarth
composer:
Steve Hogarth, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Hit & Run Music (Publishing) Ltd, Imagem (Dutch music publisher, acquired by Concord Bicycle Music in June 2017), Imagem Songs Ltd. and The Charisma Music Publishing Co Ltd
Marillion4:25
12Lean on You
recording of:
Lean on You
lyricist and composer:
Alan Tarney
publisher:
Warner/Chappell Music, Inc.
Cliff Richard3:52
13I’ll Never Be the Same
audio engineer:
Chet Himes
assistant producer:
Michael Ostin
acoustic guitar:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Lenny Castro
piano [acoustic piano]:
Michael Omartian
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Jackie Kelso and Don Roberts (woodwind player)
solo guitar:
Jay Graydon
trombone:
Lew McCreary
trumpet:
Chuck Findley (trumpet, trombone, horn player)
vibraphone:
Victor Feldman (jazz musician)
background vocals:
Myrna Mathews, Marty McCall (CCM singer/songwriter/worship leader) and Stormie Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Never Be the Same
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.54:44
14Passing Thing
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Leland Sklar (bassist, session musician) (from 1976-03 until 1976-10)
drums (drum set):
Russell Kunkel (session drummer) (from 1976-03 until 1976-10)
piano and lead vocals:
Andrew Gold (from 1976-03 until 1976-10)
shakuhachi [Shaku Hachi]:
Donald Menza (from 1976-03 until 1976-10)
background vocals:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Passing Thing (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold54:11
15Never Let Her Go
associate producer:
Larry Knechtel
bass guitar:
Larry Knechtel
drums (drum set):
Mike Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1975)
recording of:
Never Let Her Go
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Kipahulu Music Co.
David Gates3:08
2▶CD

Credits

Release group

part of:The Power of Love (Time-Life Music) (number: 24) (order: 24)