The Very Best of Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Annotation

LC 1056

Annotation last modified on 2020-11-04 23:53 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
42:19
2La Vie en rose
orchestra:
Sy Oliver’s Orchestra (on 1950-06-26)
cover recording of:
La Vie en rose (English translation) (on 1950-06-26)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
43:25
3Hello, Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
42:27
4On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
5:50
5Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
7:19
6Blueberry Hill
lead vocals:
Louis Armstrong (on 1949-09-06)
orchestra:
Gordon Jenkins’ Orchestra and Choir (on 1949-09-06)
conductor:
Gordon Jenkins (on 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (on 1949-09-06)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
2:55
7C’est si bon
recording of:
C’est si bon (It's So Good, English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
translator:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
3:05
8The Dummy Song
recording of:
The Dummy Song
writer:
Lew Brown, Ray Henderson and Billy Rose (lyricist and Broadway producer)
2:21
9Chloe
recording of:
Chloë (Song of the Swamp)
lyricist:
Gus Kahn (in 1927)
composer:
Gus Kahn and Charles N. Daniels (in 1927)
3:06
10I Still Get Jealous
bass:
Arvell Shaw
clarinet:
Joe Darensbourg
membranophone:
Danny Barcelona
piano:
Billy Kyle
trombone:
Russell Moore (jazz trombonist)
trumpet:
Louis Armstrong
vocals and performer:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
I Still Get Jealous
lyricist:
Sammy Cahn
composer:
Jule Styne
part of:
High Button Shoes (1947 musical)
2:12
11When You’re Smiling (The Whole World Smiles With You)
cover recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
4:03
12Kiss of Fire
clarinet:
Barney Bigard (on 1952-03-19) and Donald Ruffell (on 1952-03-19)
double bass:
Dale Jones (bass, vocals) (on 1952-03-19)
drums (drum set):
Cozy Cole (on 1952-03-19)
piano:
Marty Napoleon (on 1952-03-19)
trombone:
Russ Phillips (US trombonist) (on 1952-03-19)
trumpet and lead vocals:
Louis Armstrong (on 1952-03-19)
performer:
Louis Armstrong & His Orchestra (on 1952-03-19)
recording of:
Kiss of Fire (on 1952-03-19)
lyricist:
Lester Allen (wrote “Kiss of Fire”) and Robert Hill (wrote “Kiss of Fire”)
composer:
Ángel Villoldo (Argentinian musician, lyricist and poet)
version of:
El choclo (Villoldo's original version, written circa 1898–1903)
3:06
13Sittin’ in the Sun
3:01
14A Kiss to Build a Dream On
bass:
Arvell Shaw
clarinet:
Joe Darensbourg
membranophone:
Danny Barcelona
piano:
Billy Kyle
trombone:
Russell Moore (jazz trombonist)
performer:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
4:30
15High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
3:57
16When It’s Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
3:16
17Takes Two to Tango
recording of:
Takes Two to Tango
writer:
Al Hoffman (in 1952) and Dick Manning (American songwriter) (in 1952)
2:56
18Skokiaan
recording of:
Skokiaan
lyricist:
Tom Glazer
composer:
August Msarurgwa
publisher:
Shapiro, Bernstein & Co., Inc.
4:57
19Hello Brother
cover recording of:
Hello Brother
writer:
Bob Thiele (producer & songwriter) and George David Weiss
3:30
20La Cucaracha
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
La cucaracha (on 1934-10-03)
lyricist and composer:
[traditional] (special purpose artist)
2:40
2▼CD
#TitleArtistRatingLength
1Moon River
bass:
Arvell Shaw
clarinet:
Joe Darensbourg
drums (drum set):
Danny Barcelona
piano:
Billy Kyle
trombone:
Russell Moore (jazz trombonist)
trumpet:
Louis Armstrong
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Louis Armstrong2:59
2Down by the Riverside
producer:
Milt Gabler
bass:
Mort Herbert (on 1958-02-06)
clarinet:
Dave McRae (US clarinetist & saxophonist) (on 1958-02-06)
drums (drum set):
Barrett Deems (on 1958-02-06)
guitar:
George Barnes (on 1958-02-06)
organ:
Nickie Tagg (on 1958-02-06)
piano:
Billy Kyle (on 1958-02-06)
trombone:
Trummy Young (on 1958-02-06)
trumpet:
Louis Armstrong (on 1958-02-06)
choir vocals:
The Sy Oliver Choir (on 1958-02-06)
vocals:
Louis Armstrong (on 1958-02-06)
conductor:
Sy Oliver (on 1958-02-06)
arranger:
Sy Oliver
cover recording of:
Down by the Riverside (on 1958-02-06)
lyricist and composer:
[traditional] (special purpose artist)
Louis Armstrong3:13
3Someday
recording of:
Someday
composer:
Louis Armstrong
Louis Armstrong3:39
4April in Portugal
cover recording of:
April in Portugal
lyricist:
José Galhardo and Jimmy Kennedy (Irish songwriter)
composer:
Raul Ferrão
translated version of:
Coimbra
Louis Armstrong2:43
5When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong2:44
6It’s Been a Long, Long Time
recording of:
It’s Been a Long, Long Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
Louis Armstrong2:20
7Sincerely
cover recording of:
Sincerely
writer:
Alan Freed (American disc jockey) (until 1954-10) and Harvey Fuqua (until 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
recording of:
Sincerely
writer:
Alan Freed (American disc jockey) (until 1954-10) and Harvey Fuqua (until 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Louis Armstrong2:56
8Cabaret
cover recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Louis Armstrong2:47
9I Get Ideas
cover recording of:
I Get Ideas
lyricist:
Dorcas Cochran (in 1951)
composer:
Julio César Sanders (Lenny Sanders) (in 1927)
version of:
Adiós, muchachos (tango)
Louis Armstrong3:27
10Ramona
recorded in:
New York, New York, United States (on 1953-04-21)
alto saxophone:
Dick Jacobs (arranger, musician and bandleader) (on 1953-04-21) and Milt Yaner (on 1953-04-21)
clarinet:
Barney Bigard (on 1953-04-21)
double bass:
Arvell Shaw (on 1953-04-21)
drums (drum set):
Cozy Cole (on 1953-04-21)
guitar:
Everett Barksdale (on 1953-04-21)
piano:
Joe Bushkin (on 1953-04-21)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-04-21)
trombone:
Trummy Young (on 1953-04-21)
trumpet:
Louis Armstrong (on 1953-04-21)
vocals:
Louis Armstrong (on 1953-04-21)
recording of:
Ramona (English version) (on 1953-04-21)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
Louis Armstrong2:46
11Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:31
12Only You
cover recording of:
Only You
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
Louis Armstrong3:12
13Gone Fishin’
recording of:
Gone Fishin’
writer:
Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) and EMI Feist Catalog Inc.
Louis Armstrong2:30
14Mahogany Hall Stomp
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Mahogany Hall Stomp (on 1936-05-18)
composer:
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong2:54
15Otchi-Tchor-Ni-Ya
recording of:
Otchi-Tchor-Ni-Ya
writer:
[traditional] (special purpose artist)
is based on:
Очи чёрные (Dark Eyes, original version by Y. Hrebinka)
Louis Armstrong5:32
16Kokomo
Louis Armstrong2:43
17Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Louis Armstrong4:41
18Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong3:15
19Me and Brother Bill
recording of:
Me and Brother Bill
writer:
[traditional] (special purpose artist)
Louis Armstrong3:33
20Don’t Fence Me In
recording of:
Don’t Fence Me In
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong duet with Velma Middleton5:18

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Universal Music International Ltd. (not for release label use! copyrights only) (in 1998)