100 Hits: 80s Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
2Don’t Leave Me This Way
Interpret(in):
Sarah Jane Morris und The Communards (in 1986)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (in 1986)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris34:51
3Money’s Too Tight to Mention
assistierende(r) Techniker(in):
Chris Dickie
Techniker(in) und Mix:
Femi Jiya
Produzent(in):
Stewart Levine (record producer and saxophonist)
Bass:
Tony Bowers (in 1985)
Gitarre:
Sylvan (in 1985)
Keyboard und Hintergrundgesang:
Fritz McIntyre (in 1985)
Perkussion und Schlagzeug:
Chris Joyce (in 1985)
Trompete:
Tim Kellett (in 1985)
Sologesang:
Mick Hucknall (lead singer of Simply Red) (in 1985)
Interpret(in):
Simply Red (English soul and pop band) (in 1985)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1985) und Soundpush Studio in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1985)
spätere Veröffentlichungen:
Money’s Too Tight (to Mention) von Simply Red (English soul and pop band)
Teil von:
Q50 – December 2005 (Nummer: 29)
cover recording of:
Money’s Too Tight (to Mention) (in 1985)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red54:14
4Suspicious Minds
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Fine Young Cannibals3.153:58
5People Are Strange
Produzent(in):
Ray Manzarek
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
People Are Strange (in 1987)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
Echo & the Bunnymen4.653:38
6Cry Wolf
Techniker(in):
Gerry Kitchingham
Produzent(in):
Alan Tarney
Mix:
John Hudson (producer, recording and mixing engineer) und Alan Tarney
Schlagzeug:
Øystein Jevanord
Interpret(in):
a-ha (Norwegian synth‐pop band) (in 1986)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
Teil von:
The Downloader’s Music Source Book (Nummer: 273)
recording of:
Cry Wolf
Texter und Verfasser(in):
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Komponist(in):
Magne Furuholmen
publisher:
ATV Music
a‐ha3.854:03
7Say I’m Your Number 1
recording of:
Say I’m Your Number One
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music
Princess3:37
8New Song
Techniker(in) und Produzent(in):
Colin Thurston
Sologesang:
Howard Jones (English singer, songwriter)
Teil von:
Anti-Hit List: March 18, 1996 (Nummer: 9)
recording of:
New Song
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
Howard Jones4.54:17
9Wild Thing
recording of:
Wild Thing
Verfasser(in):
Anthony Smith, Matt Dike (American producer), Marvin Young und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc34:02
10Say No Go
Koproduzent(in):
De La Soul
Produzent(in):
Prince Paul (US hip hop DJ & producer)
Mix:
Posdnuos (US rapper/producer Kelvin Mercer, aka Pos)
arranger:
Posdnuos (US rapper/producer Kelvin Mercer, aka Pos)
phonographisches Urheberrecht (℗) von:
Tommy Boy Music, Inc. (in 1989)
Samples:
Baby Let Me Take You (in My Arms) von Detroit Emeralds, Crossword Puzzle von Sly Stone, I Can’t Go for That (No Can Do) von Daryl Hall & John Oates, I Can’t Go for That (No Can Do) (single version) von Daryl Hall & John Oates und I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) von The Turtles (late 60s US rock band)
recording of:
Say No Go
Verfasser(in):
Sara Allen, Daryl Hall, Dave Jolicoeur (Plug 2 of De La Soul), Kelvin Mercer (US rapper/producer Kelvin Mercer, aka Pos), John Oates, Paul Huston (US hip hop DJ & producer), Steve Scipio, Abrim Tilmon und Vincent Mason (US rapper Vincent Mason, member of De La Soul)
De La Soul2.94:21
11Come Into My Life
recording of:
Come Into My Life
Texter und Komponist(in):
Joyce Sims
publisher:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos und Tawanne Lamont Music
Joyce Sims33:45
12I Feel for You
Bass, drum machine und Gitarre:
Reggie Griffin (in 1984)
chromatische Mundharmonika:
Stevie Wonder (in 1984)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) und Philippe Saisse (in 1984)
Schlagzeug:
Steve Ferrone (in 1984)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1984)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 395)
cover recording of:
I Feel for You (in 1984)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:47
13Let’s Dance
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
recording of:
Let’s Dance
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea34:16
14Legs
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Legs
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic und Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.353:36
15Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.353:36
16Frankie
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:16
17I Haven’t Stopped Dancing Yet
cover recording of:
I Haven’t Stopped Dancing Yet
Komponist(in):
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Buckwheat Music, Old Eye Music und Wizard (Bahamas) Ltd.
Pat & Mick3:32
18Boys (Summertime Love)
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.753:56
19Pink Sunshine
recording of:
Pink Sunshine
Verfasser(in):
Joanne Dunne, Margaret Dunne (Fuzzbox), Vickie Perks und Liam Sternberg
publisher:
Southern Music Publishing Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Fuzzbox3:45
20Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1Why?
Produzent(in):
Mike Thorne (UK producer & keyboardist)
recording of:
Why?
Komponist(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
Bronski Beat3.254:05
2You’re History
Musikvideos:
You're History von Shakespear's Sister
recording of:
You’re History
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Richard Feldman
Shakespears Sister24:28
3Hide and Seek
recording of:
Hide and Seek
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
Howard Jones5:28
4Don’t Call Me Baby
recording of:
Don’t Call Me Baby
Texter:
Tracey Bryn
Komponist(in):
Tracey Bryn und Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:06
5Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Programmierung und Produzent(in):
Fred Zarr
assistierende(r) Techniker(in):
Bill Esses
Mix:
Doc Dougherty und “Little” Louie Vega (US house DJ/producer)
Bass:
Gary Down
Gitarre:
Ira Siegel
Keyboard und Synthesizer:
Fred Zarr
Perkussion:
Bashiri Johnson
Saxophon:
Jeff Smith (US saxophonist)
Tom Tom:
Billy Amendola
Hintergrundgesang:
La‐Rita Gaskin und Norma Jean Wright
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
aufgenommen bei:
Z Studio in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 95) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 479)
recording of:
Only in My Dreams
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (vom 1987 bis ????) und Deborah Ann’s Music (vom 1987 bis ????)
Debbie Gibson43:50
6Forget Me Nots
recording of:
Forget Me Nots
Verfasser(in):
Terri McFaddin, Patrice Rushen und Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) und Yamina Music
Patrice Rushen54:05
7Jump to the Beat
recording of:
Jump to the Beat
publisher:
Walden Music, Inc.
Stacy Lattisaw3.53:33
8The Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2)
Peter Cetera4.24:20
9Gimme All Your Lovin’
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.054:00
10Just Like Paradise
Programmierung:
Brett Tuggle
Techniker(in):
Magic Moreno, Doug Parry und Steve Vai
Koproduzent(in):
Steve Vai
Produzent(in):
David Lee Roth
Bassgitarre:
Billy Sheehan
Gitarre:
Steve Vai
Keyboard:
Brett Tuggle
Perkussion und Schlagzeug:
Gregg Bissonette (US jazz & rock drummer)
Hintergrundgesang:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan und Brett Tuggle
Sologesang:
David Lee Roth
zusätzlich Hintergrundgesang:
Tommy Funderburk und Tom Kelly (songwriter)
recording of:
Just Like Paradise
Verfasser(in):
David Lee Roth und Brett Tuggle
David Lee Roth4.54:05
11Big in Japan
Produzent(in):
Orlando
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
Bearbeitung von:
Big in Japan (album version) von Alphaville (German synth pop band)
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:53
12Cry Little Sister
Koproduzent(in):
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) und Bruce Martin (keyboards / production)
Produzent(in):
Mike Mainieri
Sologesang:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Cry Little Sister
Verfasser(in):
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) und Mike Mainieri
Gerard McMann4.654:44
13It’s a Mystery
recording of:
It’s a Mystery
Texter und Komponist(in):
Keith Hale
Toyah4:01
14Heartache Avenue
recording of:
Heartache Avenue
Texter und Komponist(in):
Lol Mason und Mark Tibenham
publisher:
ATV Music (in 1982) und Graduate (publisher) (in 1982)
The Maisonettes42:55
15Voyage, Voyage
recording engineer:
Antoine Cambourakis (engineer) und Gilbert Courtois (engineer)
Produzent(in):
Jean‐Michel Rivat
Mix:
Dominique Blanc-Francard
Synthesizer:
Jean‐Michel Rivat
Hintergrundgesang:
Claudie Fritsch-Mentrop und Daniel Glikmans (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Rivat Music (production company and copyrights holder) (in 1986)
aufgenommen bei:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, Frankreich
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, Frankreich
recording of:
Voyage, voyage
Texter:
Jean‐Michel Rivat
Verfasser(in) und Komponist(in):
Dominique Dubois und Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat und Editions Rivat Music (publisher) (in 1986)
Desireless44:24
16I’d Rather Jack
recording of:
I'd Rather Jack
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd (in 1988)
Reynolds Girls3:30
17Body Talk
leitende(r) Produzent(in):
Eliot M. Cohen
phonographisches Urheberrecht (℗) von:
R&B Division Ltd (in 1981)
recording of:
Body Talk
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:28
18Always
Bearbeitung von:
Always von Atlantic Starr
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:00
19Personal Touch
Errol Brown3:50
20I Keep Forgettin’
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald4.23:32
3▼CD
Nr.TitelKünstlerBewertungLänge
1I Want You Back
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:48
2Hit That Perfect Beat
Techniker(in):
Tom Frederikse
Produzent(in):
Adam Williams
Mix:
Gareth Jones (UK producer/engineer)
Sologesang:
John Foster (John Jøn, Bronski Beat)
recording of:
Hit That Perfect Beat
Verfasser(in):
Steve Bronski, John Foster (John Jøn, Bronski Beat) und Larry Steinbachek
Bronski Beat53:35
3Ever Fallen in Love
Techniker(in):
John Potoker (producer/engineer aka Tokes)
Koproduzent(in):
Fine Young Cannibals und Jerry Harrison (Talking Heads & producer)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
cover recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Fine Young Cannibals3.23:55
4Hunting High and Low
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Tony Mansfield (producer & songwriter)
Mix:
John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
The Downloader’s Music Source Book (Nummer: 276)
recording of:
Hunting High and Low
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:43
5Wrote for Luck
recording of:
W.F.L. (Think About the Future)
Komponist(in):
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder und Gary Whelan
publisher:
London Music
Happy Mondays3:39
6April Skies
Produzent(in):
Bill Price (UK producer/engineer)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1987)
recording of:
April Skies
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain43:12
7This Corrosion
Produzent(in):
Jim Steinman
drum machine:
Doktor Avalanche
Gast Chorgesang:
The New York Choral Society
vocals:
Andrew Eldritch
recording of:
This Corrosion
Texter und Komponist(in):
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4:18
8Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Version von:
Self Control
Laura Branigan4.554:06
9Cry Boy Cry
recording of:
Cry Boy Cry
Verfasser(in):
Andy O (member of Blue Zoo) und Tim Parry (guitarist)
Blue Zoo3:58
10Big Area
recording of:
Big Area
Texter:
Mark Shaw
Komponist(in):
Rob Downes, Alex Mungo, Mark Shaw, Jasper Stainthorpe, Scott Taylor (UK artist) und Steve Wren (drummer)
Then Jerico4:47
11Lean on Me (ah‐li‐ayo)
recording of:
Lean on Me (Ah-li-ayo)
Texter und Komponist(in):
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box4:20
12Since Yesterday
Techniker(in):
David Motion und Trig
Produzent(in):
David Motion
Gitarre:
Jill Bryson und Rose McDowall
Hintergrundgesang und Sologesang:
Rose McDowall
vocals:
Jill Bryson
arranger:
David Motion
phonographisches Urheberrecht (℗) von:
A Korova Recording und WEA Records Ltd. (holding company based in the UK)
recording of:
Since Yesterday
Verfasser(in):
Jill Bryson und Rose McDowall
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Zoo Music Publishing
Version von:
Dance
Strawberry Switchblade4.652:58
13Electric Youth
recording engineer:
Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses und Matt Malles
Produzent(in):
Fred Zarr
Mix:
Bob Rosa, Tom Vercillo und Fred Zarr
Akustikgitarre und E-Gitarre:
Ira Siegel
Keyboard:
Fred Zarr
Perkussion:
Bashiri Johnson
Hintergrundgesang:
Carrie Johnson und Libby Johnson
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Electric Youth
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson3.54:56
14Get Out of Your Lazy Bed
Techniker(in):
John Buckley (British production music composer)
Produzent(in):
Peter Collins (producer)
Mix:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Schlagzeug und Perkussion:
Peter Ross
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
Verfasser(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
Matt Bianco2.653:28
15What Becomes of the Broken Hearted
Interpret(in):
Colin Blunstone
cover recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Dave Stewart with Colin Blunstone33:51
16I Won’t Let You Down
recording of:
I Won’t Let You Down
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Tony Hymas
Ph.D.44:06
17Just an Illusion
recording of:
Just an Illusion
Verfasser(in):
Ashley Ingram, Leee John, Steve Jolley und Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination3:41
18Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Chicago44:44
19Bird of Paradise
recording of:
Bird of Paradise
Texter und Komponist(in):
Snowy White (guitarist)
publisher:
Campbell Connolly Ltd. und Novello & Co. Ltd.
Snowy White4:06
20I’ll Keep On Loving You
recording of:
I’ll Keep On Loving You
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Princess4:05
4▼CD
Nr.TitelKünstlerBewertungLänge
1Never Can Say Goodbye
Produzent(in):
Stephen Hague
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Shep Pettibone
Mix:
Steve Peck
gemixt für:
Master Mix Productions Ltd.
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
The Communards34:27
2Loving You Is Sweeter Than Ever
cover recording of:
Loving You Is Sweeter Than Ever
Texter:
Ivy Jo Hunter
Komponist(in):
Ivy Jo Hunter und Stevie Wonder
publisher:
Black Bull Music Ltd., Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., 大洋音楽 (Taiyō Music) und Screen Gems-Columbia (publisher) (in 1967)
Nick Kamen23:46
3International Rescue
Techniker(in):
Richard Manwaring (Producer)
recording of:
International Rescue
Verfasser(in):
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill und Liam Sternberg
Fuzzbox3:31
4Roadblock
recording of:
Roadblock
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Stock Aitken Waterman3:10
5Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (von 1981 bis 1982) und John Kovarek (von 1981 bis 1982)
Produzent(in):
Greg Mathieson und Jack White (German producer Horst Nußbaum)
Mix:
Jürgen Koppers (engineer, producer)
Sologesang:
Laura Branigan (von 1981 bis 1982)
arranger:
Greg Mathieson
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
aufgenommen bei:
Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981 bis 1982)
Musikvideos:
Gloria (music video) von Laura Branigan
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 448)
recording of:
Gloria (English version) (von 1981 bis 1982)
Texter und Komponist(in):
Giancarlo Bigazzi, Umberto Tozzi und Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) und Sugar Song Publications, Inc.
übersetzte Version von:
Gloria (original Italian version)
Laura Branigan54:50
6Yeh‐Yeh
cover recording of:
Yeh, Yeh
Texter:
Jon Hendricks
Komponist(in):
Rodgers Grant und Pat Patrick (American jazz musician)
publisher:
Mongo Music
Matt Bianco3:17
7I Say Nothing
recording of:
I Say Nothing
Komponist(in):
Tracey Bryn und Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:26
8Don’t You Want Me Baby
cover recording of:
Don’t You Want Me (Human League song)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mandy Smith3:29
9Lean on Me
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
cover recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.353:58
10In Your Car
recording of:
In Your Car
Verfasser(in):
Stephen McIntosh (UK keyboardist/songwriter/production music)
The Cool Notes3:47
11Casanova
recording of:
Casanova
Texter und Komponist(in):
Reggie Calloway
publisher:
Calloco Music und Hip Trip Music (publisher)
LeVert4:23
12Turn Your Love Around
Produzent(in):
Jay Graydon
Bass-Synthesizer:
David Paich
Becken [Cymbals (payette)]:
Mike Baird (drummer)
flute und Saxophon:
Gary Herbig
Gitarre:
Jay Graydon
Klavier und Rhodes Piano [Fender Rhodes]:
Jai Winding (pianist, composer, vocal)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Hintergrundgesang:
Bill Champlin, Vennette Gloud und Carmen Twillie
vocals:
George Benson (jazz guitarist/singer)
Horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recording of:
Turn Your Love Around
Verfasser(in):
Bill Champlin, Jay Graydon und Steve Lukather
publisher:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 大洋音楽 (Taiyō Music)
George Benson3:51
13Move Closer
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson24:34
14This Is My Night
recording of:
This Is My Night
Verfasser(in):
David Frank (American keyboardist, producer, writer; The System) und Mic Murphy
Chaka Khan44:41
15Superwoman
recording of:
Superwoman
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White4:32
16History
recording of:
History
Texter und Komponist(in):
Jochem Fluitsma und Eric van Tijn
Mai Tai3:50
17Go Deh Yaka (Go to the Top)
recording of:
Go Deh Yaka
Verfasser(in):
Errol Moore
Monyaka3:56
18Feel So Real
recording of:
Feel So Real
Verfasser(in):
India Arrington und Steve Arrington
Steve Arrington3:58
19Body Work
Hot Streak4:13
20Bass (How Low Can You Go)
Simon Harris33:21
5▼CD
Nr.TitelKünstlerBewertungLänge
1London Nights
London Boys3:52
2Let’s All Chant
cover recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Pat & Mick3:06
3Funky Cold Medina
Techniker(in):
Mario Caldato Jr.
Produzent(in) und Mix:
Matt Dike (American producer) und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
arranger:
Matt Dike (American producer) und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographisches Urheberrecht (℗) von:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1989)
Samples:
Hot Blooded von Foreigner (British/American rock band)
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1990)
recording of:
Funky Cold Medina
Texter:
Marvin Young
Komponist(in):
Matt Dike (American producer), Marvin Young und Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc44:06
4Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4.44:45
5Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:51
6The Clapping Song
Techniker(in):
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) und Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
cover recording of:
The Clapping Song
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und EMI Al Gallico Music Corp.
The Belle Stars3:14
7Stainsby Girls
recording of:
Stainsby Girls
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:06
8The Right Thing
recording of:
The Right Thing
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red4:20
9The Killing Moon
recording engineer und Produzent(in):
David Lord (British composer, engineer and producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4.655:48
10The Motive
recording of:
The Motive
Texter:
Mark Robert Tiplady
Komponist(in):
Alex Mungo, Jasper Stainthorpe, Scott Taylor (UK artist), Mark Robert Tiplady und Steve Wren (drummer)
publisher:
DeJamus Ltd. und Then Songs Ltd.
Then Jerico6:14
11Hallelujah
recording of:
Hallelujah
Komponist(in):
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder und Gary Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Happy Mondays2:39
12I Am the Beat
Techniker(in):
Martin Russell (recording engineer, producer, composer & musician)
Produzent(in):
Alan Shacklock
Bassgitarre:
Gus Goad
Gitarre [lead] und Keyboard:
Mick Bass
Gitarre [rhythm] und Sologesang:
Jonny Whetstone
Pauke, Perkussion, Saxophon und Schlagzeug:
Trevor Walter
Hintergrundgesang:
The Look (UK new wave band)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
I Am the Beat
Verfasser(in):
Mick Bass und Jonny Whetstone
The Look3:04
13Body and Soul
recording of:
Body and Soul
Verfasser(in):
Jochem Fluitsma und Eric van Tijn
Mai Tai3:46
14Love Pains
Hazell Dean4:07
15Spend the Night
The Cool Notes33:00
16Let’s Go Round Again
recording of:
Let’s Go Round Again
Verfasser(in):
Alan Gorrie
publisher:
Hit & Run Music (Publishing) Ltd
Average White Band54:08
17For America
Produzent(in):
David Motion
recording of:
For America
Texter und Komponist(in):
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box53:44
18Can’t Stop the Music
Produzent(in):
Jacques Morali
Sologesang:
Ray Simpson (singer for Village People)
recording of:
Can’t Stop the Music (English)
Texter:
Henri Belolo
Komponist(in):
Jacques Morali
Übersetzer:
Phil Hurtt und Beauris Whitehead
publisher:
EMI Music (do not use as release label! this is a music publisher) und Scorpio Music (work publisher of "Scorpio Music")
übersetzte Version von:
La musique n’a pas de fin
Village People53:34
19Give Me the Night
Produzent(in):
Quincy Jones
Bass:
Abraham Laboriel
Bass-Synthesizer [synthesizer bass]:
Richard Tee
flute und Saxophon:
Kim Hutchcroft und Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
Gitarre:
George Benson (jazz guitarist/singer) und Lee Ritenour
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Michael Boddicker
Trompete:
Jerry Hey
Hintergrundgesang:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray und Jocelyn Allen
Sologesang:
George Benson (jazz guitarist/singer)
Horn arranger und Saiteninstrumente arranger:
Jerry Hey
arranger:
Quincy Jones und Rod Temperton
vocals arranger:
Rod Temperton
recording of:
Give Me the Night
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.63:41
20Love Is Contagious
recording of:
Love Is Contagious
Texter und Komponist(in):
Taja Sevelle
Taja Sevelle4:37

Nennungen

Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 19) (Reihenfolge: 51)