100 Hits: 80s Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1London Nights
London Boys3:52
2Let’s All Chant
cover recording of:
Let’s All Chant
writer:
Alvin Fields and Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Pat & Mick3:06
3Funky Cold Medina
engineer:
Mario Caldato Jr.
producer and mixer:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
arranger:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographic copyright (℗) by:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1989)
samples:
Hot Blooded by Foreigner (British/American rock band)
part of:
Grammy Award: Best Rap Performance nominees (number: 1990)
recording of:
Funky Cold Medina
lyricist:
Marvin Young
composer:
Matt Dike (American producer), Marvin Young and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone‐Lōc44:06
4Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.44:45
5Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:51
6The Clapping Song
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
cover recording of:
The Clapping Song
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation and EMI Al Gallico Music Corp.
The Belle Stars3:14
7Stainsby Girls
recording of:
Stainsby Girls
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:06
8The Right Thing
recording of:
The Right Thing
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:20
9The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:48
10The MotiveThen Jerico6:14
11Hallelujah
recording of:
Hallelujah
composer:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder and Gary Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Happy Mondays2:39
12I Am the Beat
engineer:
Martin Russell (recording engineer, producer, composer & musician)
producer:
Alan Shacklock
bass guitar:
Gus Goad
drums (drum set), percussion, saxophone and timpani:
Trevor Walter
guitar [lead] and keyboard:
Mick Bass
guitar [rhythm] and lead vocals:
Jonny Whetstone
background vocals:
The Look (UK new wave band)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom
recording of:
I Am the Beat
writer:
Mick Bass and Jonny Whetstone
The Look3:04
13Body and SoulMai Tai3:46
14Love Pains
Hazell Dean4:07
15Spend the Night
The Cool Notes33:00
16Let’s Go Round AgainAverage White Band54:08
17For America
producer:
David Motion
recording of:
For America
lyricist and composer:
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box53:44
18Can’t Stop the Music
producer:
Jacques Morali
lead vocals:
Ray Simpson (singer for Village People)
recording of:
Can’t Stop the Music (English)
lyricist:
Henri Belolo
composer:
Jacques Morali
translator:
Phil Hurtt and Beauris Whitehead
publisher:
EMI Music (do not use as release label! this is a music publisher) and Scorpio Music (work publisher of "Scorpio Music")
translated version of:
La musique n’a pas de fin
Village People53:34
19Give Me the Night
producer:
Quincy Jones
bass:
Abraham Laboriel
bass synthesizer [synthesizer bass]:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
flute and saxophone:
Kim Hutchcroft and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Michael Boddicker
trumpet:
Jerry Hey
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
lead vocals:
George Benson (jazz guitarist/singer)
horn arranger and strings arranger:
Jerry Hey
arranger:
Quincy Jones and Rod Temperton
vocals arranger:
Rod Temperton
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.63:41
20Love Is Contagious
recording of:
Love Is Contagious
lyricist and composer:
Taja Sevelle
Taja Sevelle4:37

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 19) (order: 51)