King Crimson 1969–1972

~ Release by King Crimson (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl: In the Court of the Crimson King
#TitleRatingLength
ONE 121st Century Schizoid Man (including “Mirrors”)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.2?:??
ONE 2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.85?:??
ONE 3Epitaph (including “March for No Reason” and “Tomorrow and Tomorrow”)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
4.05?:??
TWO 1Moonchild (including “The Dream” and “The Illusion”)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
3.6?:??
TWO 2The Court of the Crimson King (including “The Return of the Fire Witch” and “The Dance of the Puppets”)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.65?:??
2▼12" Vinyl: In the Wake of Poseidon
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ONE 1Peace – A Beginning
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar:
Robert Fripp (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Peace: A Beginning (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
part of:
Peace
2?:??
ONE 2Pictures of a City (including 42nd at Treadmill)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
mixer:
Robert Fripp (from 1999-09-06 until 1999-09-10) and Simon Heyworth (from 1999-09-06 until 1999-09-10)
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar and mellotron:
Robert Fripp (from 1970-01 until 1970-04)
saxophone:
Mel Collins (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Pictures of a City (including 42nd at Treadmill) (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
revision of:
A Man, a City
4.35?:??
ONE 3Cadence and Cascade
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar and celesta:
Robert Fripp (from 1970-01 until 1970-04)
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
flute:
Mel Collins (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Gordon Haskell (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cadence and Cascade (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
3?:??
ONE 4In the Wake of Poseidon (including Libra’s Theme)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar and mellotron:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
In the Wake of Poseidon (including Libra’s Theme) (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
4.35?:??
TWO 1Peace – A Theme
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar:
Robert Fripp (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Peace: A Theme (from 1970-01 until 1970-04)
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
part of:
Peace
3.5?:??
TWO 2Cat Food
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
mixer:
Robert Fripp
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
guitar:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cat Food (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
E.G. Music Inc. and UMG Music Publishing Ltd
3.75?:??
TWO 3The Devil’s Triangle: Merday Morn / Hand of Sceiron / Garden of Worm
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
electric piano [Hohner pianet] and mellotron:
Robert Fripp (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
compilation of:
The Devil’s Triangle, Part I: Merday Morn (original album mix) by King Crimson, The Devil’s Triangle, Part II: Hand of Sceiron (original album mix) by King Crimson and The Devil’s Triangle, Part III: Garden of Worm (original album mix) by King Crimson
recording of:
The Devil’s Triangle (from 1970-01 until 1970-04)
composer:
Robert Fripp and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
is based on:
The Planets, op. 32: I. Mars, the Bringer of War
3.5?:??
TWO 4Peace – An End
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Tony Page (engineer at Wessex Sound Studios) and Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar:
Robert Fripp (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Peace: An End (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
part of:
Peace
3?:??
3▼12" Vinyl: Lizard
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ONE 1Cirkus (including: Entry of the Chameleons)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
bass:
Gordon Haskell
drums (drum set):
Andy McCulloch
flute and saxophone:
Mel Collins
guitar, keyboard and mellotron:
Robert Fripp
vocals:
Gordon Haskell
phonographic copyright (℗) by:
Robert Fripp (in 2004)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Cirkus
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
4?:??
ONE 2Indoor Games
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
analog synthesizer:
Robert Fripp and Peter Sinfield
bass:
Gordon Haskell
drums (drum set):
Andy McCulloch
flute and saxophone:
Mel Collins
guitar, Hammond organ and mellotron:
Robert Fripp
vocals:
Gordon Haskell
phonographic copyright (℗) by:
Robert Fripp (in 2004)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Indoor Games
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd
4?:??
ONE 3Happy Family
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
analog synthesizer:
Peter Sinfield
bass:
Gordon Haskell
drums (drum set):
Andy McCulloch
flute and saxophone:
Mel Collins
guitar, keyboard and mellotron:
Robert Fripp
vocals:
Gordon Haskell
phonographic copyright (℗) by:
Robert Fripp (in 2004)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Happy Family
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd
3.65?:??
ONE 4Lady of the Dancing Water
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
bass:
Gordon Haskell
drums (drum set):
Andy McCulloch
flute and saxophone:
Mel Collins
guitar, keyboard and mellotron:
Robert Fripp
vocals:
Gordon Haskell
phonographic copyright (℗) by:
Robert Fripp (in 2004)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Lady of the Dancing Water
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd
4?:??
TWO 1Lizard: Prince Rupert Awakes / Bolero – The Peacock’s Tale / The Battle of Glass Tears (including: Dawn Song / Last Skirmish / Prince Rupert’s Lament) / Big Top
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
bass:
Gordon Haskell
drums (drum set):
Andy McCulloch
flute and saxophone:
Mel Collins
guitar, keyboard and mellotron:
Robert Fripp
guest lead vocals:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis) and Gordon Haskell
phonographic copyright (℗) by:
Robert Fripp (in 2004)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Lizard
lyricist:
Peter Sinfield
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd
4.5?:??
4▼12" Vinyl: Islands
#TitleRatingLength
ONE 1Formentera Lady
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
King Crimson
bass guitar and lead vocals:
Boz Burrell (English musician)
cornet:
Marc Charig
double bass:
Harry Miller
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
piano:
Keith Tippett
violin:
Wilfred Gibson (UK violinist)
background vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
soprano vocals:
Paulina Lucas
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Formentera Lady
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
3.5?:??
ONE 2Sailor’s Tale
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar:
Boz Burrell (English musician)
cornet:
Marc Charig
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
piano:
Keith Tippett
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Sailor’s Tale
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
4?:??
ONE 3The Letters
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
King Crimson
bass guitar and lead vocals:
Boz Burrell (English musician)
cornet:
Marc Charig
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
piano:
Keith Tippett
background vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
The Letters
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
revision of:
Drop In
2?:??
TWO 1Ladies of the Road
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
King Crimson
bass guitar and lead vocals:
Boz (English musician)
cornet:
Marc Charig
drums (drum set), membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
piano:
Keith Tippett
background vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Ladies of the Road
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
3?:??
TWO 2Prelude: Song of the Gulls
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
King Crimson
bass guitar:
Boz Burrell (English musician)
cornet:
Marc Charig
flute and saxophone:
Mel Collins
guitar and mellotron:
Robert Fripp
membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
piano:
Keith Tippett
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
violin:
Wilfred Gibson (UK violinist)
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Prelude: Song of the Gulls
composer:
Robert Fripp
is based on:
Suite No 1
4?:??
TWO 3Islands
recording engineer, sound engineer and engineer:
Andy Hendriksen
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass flute and saxophone:
Mel Collins
bass guitar and lead vocals:
Boz Burrell (English musician)
cornet:
Marc Charig
double bass:
Harry Miller
guitar, harmonium and mellotron:
Robert Fripp
membranophone and percussion:
Ian Wallace (drummer, ex‐King Crimson)
piano:
Keith Tippett
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
background vocals:
Mel Collins and Ian Wallace (drummer, ex‐King Crimson)
arranger:
King Crimson
recorded at:
Command Studios in London (Greater London), England, United Kingdom
recording of:
Islands
lyricist:
Peter Sinfield
composer:
Robert Fripp
3?:??
5▼12" Vinyl: An Alternative Guide to King Crimson (1969–72) (disc 1)
#TitleRatingLength
ONE 121st Century Schizoid Man (instrumental, trio version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
?:??
ONE 2I Talk to the Wind (studio run through)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
?:??
ONE 3Epitaph (alt instrumental version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
?:??
TWO 1Moonchild (take 1)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
?:??
TWO 2The Court of the Crimson King (take 3, instrumental)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
?:??
TWO 3I Talk to the Wind (duo version)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
?:??
TWO 4Cadence and Cascade (guide vocal, Greg Lake)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp and Peter Sinfield
acoustic guitar:
Robert Fripp (from 1970-01 until 1970-04)
bass guitar:
Peter Giles (from 1970-01 until 1970-04)
drums (drum set):
Michael Giles (from 1970-01 until 1970-04)
piano:
Keith Tippett (from 1970-01 until 1970-04)
lead vocals:
Greg Lake (from 1970-01 until 1970-04)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1970-01 until 1970-04)
recording of:
Cadence and Cascade (from 1970-01 until 1970-04)
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd and Universal Music Publishing MGB Ltd.
?:??
TWO 5Peace – An End (alt mix)
recording of:
Peace: An End
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
part of:
Peace
?:??
6▼12" Vinyl: An Alternative Guide to King Crimson (1969–72) (disc 2)
#TitleRatingLength
THREE 1Cat Food (single version)
recording of:
Cat Food
lyricist:
Peter Sinfield
composer:
Robert Fripp and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
E.G. Music Inc. and UMG Music Publishing Ltd
?:??
THREE 2Groon (2010 mix)
recording of:
Groon
composer:
Robert Fripp
publisher:
UMG Music Publishing Ltd
?:??
THREE 3Indoor Games (alt take)
recording of:
Indoor Games
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd
?:??
THREE 4Lady of the Dancing Water (alt take)
recording of:
Lady of the Dancing Water
writer:
Robert Fripp and Peter Sinfield
publisher:
UMG Music Publishing Ltd
?:??
THREE 5Prince Rupert Awakes (piano, Keith Tippett)
recording of:
Prince Rupert Awakes
lyricist:
Peter Sinfield
composer:
Robert Fripp
part of:
Lizard
?:??
THREE 6Prince Rupert’s Lament (alt take)
recording of:
Prince Rupert’s Lament
composer:
Robert Fripp
part of:
The Battle of Glass Tears
?:??
FOUR 1A Peacemaking Stint Unrolls
engineer:
Andy Hendriksen
mixer:
Steven Wilson (founder of Porcupine Tree)
bass:
Boz Burrell (English musician) (in 1971)
drums (drum set):
Ian Wallace (drummer, ex‐King Crimson) (in 1971)
guitar:
Robert Fripp (in 1971)
saxophone:
Mel Collins (in 1971)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1971)
recording of:
A Peacemaking Stint Unrolls (in 1971)
composer:
Robert Fripp
?:??
FOUR 2Sailor’s Tale (alt guitar takes)
recording of:
Sailor’s Tale
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
?:??
FOUR 3Ladies of the Road (remix)
recording of:
Ladies of the Road
lyricist:
Peter Sinfield
composer:
Robert Fripp
publisher:
Universal Music Publishing MGB Ltd.
?:??
FOUR 4Prelude: Song of the Gulls (string Section, take 2)
recording of:
Prelude: Song of the Gulls
composer:
Robert Fripp
is based on:
Suite No 1
?:??
FOUR 5Islands (run through with oboe prominent)
recording of:
Islands
lyricist:
Peter Sinfield
composer:
Robert Fripp
?:??