Jóias da música, Volume 8

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Canção de ninar
engineer:
Radányi Endre (Endre Radányi, engineer) (from 1988-04 until 1988-05)
producer:
János Mátyás (producer) (from 1988-04 until 1988-05)
piano:
Péter Nagy (Hungarian pianist) (from 1988-04-25 until 1988-05-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-04-25 until 1988-05-06)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements) (from 1988-04-25 until 1988-05-06)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:14
2Sangue de Viena, valsa
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Albert von Cammus (conductor; Alfred Scholz related)
recording of:
Wiener Blut, op. 354 (Vienna Blood, waltz)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 354)
Johann Strauss II7:47
3Norma: Abertura
orchestra:
Orchestra Sinfonica di Firenze (probably Alfred Schulz related)
conductor:
Bruno Ettore (conductor)
recording of:
Norma: Sinfonia
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma
Vincenzo Bellini5:57
4O lago dos cisnes: Valsa
producer:
Günter Appenheimer (producer/engineer) (in 1987-06)
violin:
Josef Bogacz (violinist)
orchestra:
Slovak Philharmonic (from 1987-06-20 until 1987-06-25)
conductor:
Michael Halász (conductor) (from 1987-06-20 until 1987-06-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-20 until 1987-06-25)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse (from 1987-06-20 until 1987-06-25)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский5:52
5Carmem: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet42:12
6Pequena serenata noturna
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:33
7Marcha nupcial
orchestra:
Budapest Philharmonic Orchestra
conductor:
Adam Fischer (Hungarian conductor) and János Kovács (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:59
8Manon: Ato III. Bravo
orchestra:
Orchestra Sinfonica di Firenze (probably Alfred Schulz related)
conductor:
Bruno Ettore (conductor)
recording of:
Manon: Acte III, Scène II. “Bravo, mon cher” (Comte, des Grieux)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
part of:
Manon: Acte III
Jules Massenet3:48
9O Messias: Aleluia
orchestra:
Orquestra Sinfónica da Rádio de Berlim (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Albert von Cammus (conductor; Alfred Scholz related)
recording of:
Der Messias, K. 572: Teil II, Nr. 32. Coro: “Hallelujah”
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Georg Friedrich Händel3:44
10Aída: Ato IV. Oh me! Morir mi sento
bass vocals:
Giuseppe Modesti (operatic bass-baritone)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano)
conductor:
Piero Bartonelli (conductor, probably Alfred Scholz related)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:32

Credits

Release group

part of:Jóias da música (number: 8) (order: 8)