The Weather Channel Presents: The Sounds of Spring

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Digital Media
#TitleArtistRatingLength
1Morning Has Broken
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (now known as Yusuf Islam) (in 1971-03)
keyboard and lead vocals:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
piano:
Rick Wakeman (in 1971-03)
strings:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
cover recording of:
Morning Has Broken
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
recording of:
Morning Has Broken (Cat Stevens arrangement)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
arrangement of:
Morning Has Broken
Cat Stevens4.253:18
2California Dreamin' (single version)
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:40
3The Boy From Ipanema
assistant engineer:
Rick Fernandez and Dan Johnson (US metal recording engineer & producer)
producer:
Diana Krall and Tommy LiPuma
mixer:
Al Schmitt
bass:
John Clayton (US jazz and classical double bassist) (in 2009)
cello:
Antony Cooke (in 2009), Larry Corbett (in 2009), James Freebarin-Smith (in 2009), Trevor Handy (in 2009), Timothy Landauer (in 2009), Steve Richards (cellist) (in 2009), Dan Tobin Smith (cello) (in 2009), Rudy Stein (in 2009) and Cécilia Tsan (cellist) (in 2009)
drums (drum set):
Jeff Hamilton (jazz drummer) (in 2009)
guitar:
Anthony Wilson (guitarist and composer) (in 2009)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 2009)
piano:
Diana Krall (in 2009)
viola:
Thomas Dienner (in 2009), Evan Wilson (viola player) (in 2009), Marlow Fisher (in 2009), Matt Funes (in 2009), Janet Lakatos (in 2009), Dan Neufeld (in 2009), Marda Todd (in 2009) and David F. Walther (in 2009)
violin:
Eun Mee Ahn (in 2009), Charlie Bisharat (US violinist) (in 2009), Caroline Campbell (US violinist) (in 2009), Darius Campo (in 2009), Yue Deng (in 2009), Bruce Dukov (in 2009), David Ewart (in 2009), Alan Grunfeld (in 2009), Josephina Vergara (Chilean-American violinist) (in 2009), Peter Kent (violinist) (in 2009), Razdan Kuyumjian (in 2009), Mario de Leon (in 2009), Liane Mautner (in 2009), Helen Nightengale (in 2009), Sid Page (in 2009), Joel Pargman (in 2009), Katia Popov (in 2009), Barbra Porter (violinist, photographer) (in 2009), Gil Romero (in 2009), Tereza Stanislav (in 2009), Mari Tsumura (aka Mari Tsumura‐Botnick) (in 2009) and Amy Wickman (in 2009)
vocals:
Diana Krall (in 2009)
conductor:
Claus Ogerman (in 2009)
arranger:
Claus Ogerman
concertmaster:
Bruce Dukov (in 2009)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 2009)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
The Girl From Ipanema (in 2009)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Diana Krall4:53
4Spring Fever
recording of:
Spring Fever
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
Elvis Presley1:53
5From Little Things Big Things Grow
recording of:
From Little Things Big Things Grow
writer:
Kev Carmody (in 1993) and Paul Kelly (Australian singer/songwriter) (in 1993)
Paul Kelly6:52
6Don't Stop the MusicJamie Cullum3.54:51
7All I Want
recording of:
All I Want
lyricist and composer:
Sarah Blasko
Sarah Blasko3.53:55
8Falling Down
The Audreys4:19
9Born to Be Loved
recording of:
Born to Be Loved
lyricist and composer:
Lucinda Williams
Lucinda Williams44:37
10Like a Star
recording engineer, programming and producer:
Steve Chrisanthou
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar, classical guitar [spanish guitar] and percussion and background vocals and lead vocals:
Corinne Bailey Rae
keyboard [keys]:
Paul Siddal
organ:
Steve Chrisanthou
strings:
The London Session Orchestra
conductor:
Wil Malone
strings arranger:
Wil Malone
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (strings)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
recording of:
Like a Star
writer:
Corinne Bailey Rae
Corinne Bailey Rae44:01
11Anybody's Heart
lead vocals:
Katharine McPhee
Katharine McPhee3:21
12Sightseeing
Matt Walters3:50
13One Perfect Day
Sara Storer3:41
14Daydream
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
lyricist and composer:
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:20
15Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
16Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves and the Vandellas3.552:37
17Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
18Spring Affair (single version)
recording of:
Spring Affair
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Edition Intro Meisel GmbH, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc. and Sweet Summer Night Music
Donna Summer4:03
19I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.72:48
20I'm Coming Out
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 385) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 436)
recording of:
I’m Coming Out
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Diana Ross3.95:21
2Digital Media
#TitleArtistRatingLength
1Over the Rainbow
bass:
Ken Pendergast (bass player, vocalist)
cello:
Larry Corbett, Christina Soule (cello) and Cécilia Tsan (cellist)
double bass:
Nico Abandolo (Musician - Bass Player) and Drew Dembowski
drums (drum set):
Charlie Patterno (Musician - Drummer)
harp:
Amy Shulma (Musican - Harp Player)
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Bryan Rogers (Musician - Saxophonist)
trumpet:
Patrick Hughes (Musician - Trumpet Player - Vocalist)
vibraphone:
Behn Gillece (vibraphone player, composer)
viola:
Alma Fernandez, Samuel Formicola (violist), Jody Rubin (Musician - Viola Player) and Dave Walther (Musician - Viola Player)
violin:
Darius Campo, Roberto Cani (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov, Audrey Solomon and Irina Voloshina
vocals:
Melody Gardot
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Melody Gardot54:31
2You Make It Real
recording engineer:
Alex Smith (English songwriter and producer), Ren Swan and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
producer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
bass and Wurlitzer electric piano:
Paul Barry (songwriter/musician)
cello:
David Daniels (cellist)
guitar:
James Morrison (UK singer), Adam Phillips (British guitarist and singer) and Alex Smith (English songwriter and producer)
membranophone:
Ash Soan
strings:
The London Session Orchestra
viola:
Bruce White (violist)
violin:
Perry Montague‐Mason (violinist) and Emlyn Singleton (violinist)
background vocals:
Ayak Tiik, Donovan Blackwood and James Morrison (UK singer)
strings arranger:
Cliff Masterton (British orchestrator, conductor, songwriter, arranger and producer) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
recording of:
You Make It Real
writer:
Paul Barry (songwriter/musician) and James Morrison (UK singer)
James Morrison33:32
3Good Excuse
assistant engineer:
Jarrad Hearman
engineer and mixer:
Mario Caldato Jr.
co-producer:
Michael Barker (NZ drummer) and Shannon Birchall
producer:
John Butler (Australian singer / songwriter / guitarist) and Mario Caldato Jr.
acoustic guitar and harmonica and lead vocals:
John Butler (Australian singer / songwriter / guitarist) (from 2004 until 2005)
congas, cowbell, crotales, drums (drum set), tambourine and vibraslap:
Michael Barker (NZ drummer) (from 2004 until 2005)
double bass:
Shannon Birchall (from 2004 until 2005)
Hammond organ and piano:
Michael Caruana (from 2004 until 2005)
background vocals:
Michael Barker (NZ drummer) (from 2004 until 2005) and Shannon Birchall (from 2004 until 2005)
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia (from 2004 until 2005)
recording of:
Good Excuse (from 2004 until 2005)
lyricist and composer:
John Butler (Australian singer / songwriter / guitarist)
The John Butler Trio33:27
4I Feel It All
assistant engineer:
Lionel Darenne (in 2006-03) and Robbie Lackritz (in 2006-03)
engineer:
Renaud Letang (in 2006-03)
producer:
Feist (Leslie Feist – American‐Canadian indie pop singer / of Broken Social Scene), Gonzales (Canadian musician Jason Charles Beck) and Renaud Letang
assistant mixer:
Thomas Moulin
mixer:
Renaud Letang
recorded at:
La Frette Studios in La Frette-sur-Seine, Val-d'Oise, Île-de-France, France (in 2006-03)
mixed at:
Studios Ferber in Paris, Île-de-France, France
recording of:
I Feel It All
composer:
Feist (Leslie Feist – American‐Canadian indie pop singer / of Broken Social Scene)
Feist3.753:39
5Rabbit Heart (Raise It Up)
recording engineer:
Mark Rankin (engineer)
programming and producer:
Paul Epworth
assistant mixer:
Neil Comber (engineer)
mixer:
Cenzo Townsend (engineer)
drums (drum set):
Christopher Lloyd Hayden
harp:
Tom Moth (harpist)
organ, percussion, piano and synthesizer:
Paul Epworth
lead vocals:
Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
recorded at:
The Pool in Southwark, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
instrumental versions:
Rabbit Heart (Raise It Up) (instrumental) by Florence + the Machine
recording of:
Rabbit Heart (Raise It Up)
writer:
Brian Degraw (US musician, aka bEEdEEgEE; member of Gang Gang Dance), Elizabeth Bougatsos, Paul Epworth, Joshua Alden Deutsch, Timothy Wayne Dewit and Florence Welch (English singer)
is based on:
House Jam
Florence + the Machine3.853:52
6Over My Head (Cable Car)
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2005)
recording of:
Over My Head (Cable Car)
composer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
The Fray4.153:57
7Gold Canary
recording engineer:
Liam Judson
phonographic copyright (℗) by:
Ivy League Records
recording of:
Gold Canary
writer:
Cloud Control
Cloud Control3:53
8Picture Frames
Georgia Fair2:58
9Poison in Our Pocket
Whitley3:59
10Mockingbird
Minnie Driver4:14
11Soak Up the Sun
assistant recording engineer:
Eric Tew
recording engineer:
Trina Shoemaker
drum machine [drum] programming:
Jeff Anthony and Jeff Trott
producer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
assistant mixer:
Steve Sisco
mixer:
Andy Wallace (engineer)
acoustic guitar:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
bass guitar [bass], electric guitar and lap steel guitar [lap steel]:
Jeff Trott
drums (drum set):
Jeff Anthony
keyboard [F/X keyboard]:
Sheryl Crow (American singer-songwriter and musician)
background vocals [backing vocals]:
Tim Smith (bassist/guitarist, works with Sheryl Crow)
guest vocals:
Liz Phair
vocals:
Sheryl Crow (American singer-songwriter and musician)
mixed at:
Soundtrack Studios in New York, New York, United States
part of:
Billboard Year-End Hot 100 2002 (number: 35)
recording of:
Soak Up the Sun
writer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
publisher:
Ole Media Management LP II (ended), Anthem Entertainment A (work publisher), Anthem Music Publishing II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (from 2002 to ????), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2002 to ????), Wixen Music Publishing, Inc. (from 2002 to ????) and Cyrillic Soup (from 2002 to present)
Sheryl Crow44:52
12Sunday Morning
programming:
John O’Brien (US Hollywood film composer)
assistant engineer:
Posie Muliadi and Danny Wright (US engineer)
engineer:
Mike Landolt
producer and mixer:
Matt Wallace (US producer & engineer)
horn:
Mark Schoenecker
background vocals:
Mystic (US singer & rapper Mandolyn Ludlum)
recording of:
Sunday Morning
lyricist:
Jesse Carmichael and Adam Levine (Maroon 5’s lead vocalist)
writer:
Jesse Carmichael, Ryan Dusick, Adam Levine (Maroon 5’s lead vocalist), Mickey Madden and James Valentine (Maroon 5)
publisher:
February Twenty Second Music Inc., Valentine, Valentine, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 544:02
13I'm Like a Bird
programming:
Track & Field
producer:
Nelly Furtado and Track & Field
mixer:
Brad Haehnel
bass:
Mike Elizondo
drums (drum set):
Russ Miller (US session drummer)
guitar synthesizer:
Field (Canadian producer, songwriter & musician)
shakers:
Brad Haehnel
vibraphone:
Allan Molnar
background vocals and lead vocals:
Nelly Furtado
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
music videos:
I’m Like a Bird by Nelly Furtado
recording of:
I’m Like a Bird
lyricist and composer:
Nelly Furtado
publisher:
Nelstar Publishing
Nelly Furtado4.44:05
14Fly
recording of:
Fly
writer:
Sugar Ray (US alternative rock band) and William Maragh (dancehall deejay)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), Wild Apache Music Publishing, Inc. and Zomba Enterprises, Inc.
Sugar Ray54:06
15Half the Man
recording engineer:
Mike Nielsen (NZ/London/Turkey engineer)
producer:
J. K. (English singer, Jamiroquai)
arranger:
J. K. (English singer, Jamiroquai)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
recording of:
Half the Man
composer:
Jay Kay (English singer, Jamiroquai) and Toby Smith
Jamiroquai3.84:48
16I Wish I Knew How It Would Feel to Be Free
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
John Legend & The Roots32:45
17Just Friends (Sunny)Musiq Soulchild4:12
18What Do You Want?Jazzanova & Joe Dukie4:46
19Buttons
engineer:
Eric Spring
producer:
Jimmy Hogarth (producer and songwriter)
assistant mixer:
Richard Edgeler
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass:
Samuel Dixon
drums (drum set) and percussion:
Joey Waronker
guitar:
Gus Seyffert
keyboard:
Eddie Stevens
background vocals:
Brian LeBarton, Lenka Kripac (Australian singer/actress Lenka Kripac) and Binki Shapiro
lead vocals:
Sia (Australian singer‐songwriter)
recorded at:
The Bank in Los Angeles, California, United States
mixed at:
Twenty One Studios in London (Greater London), England, United Kingdom
recording of:
Buttons
writer:
Nick Huntington, Michael McGroarty and Sia Furler (Sia, Australian singer‐songwriter)
Sia33:15

Credits