Laudate Dominum: Berühmte Arien und Chöre

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Kantate, BWV 190: Singet dem Herrn ein neues lied
choir vocals:
Windsbacher Knabenchor (Boys choir)
conductor:
Hans Thamm (choral conductor)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Bach Compendium (number: BC A 21) and Bach-Werke-Verzeichnis (number: BWV 190)
Johann Sebastian Bach5:38
2Magnificat D-Dur, BWV 243: Magnificat
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Thomas (composer, conductor, chorus leader)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:27
3Magnificat D-Dur, BWV 243: Et exultavit
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Thomas (composer, conductor, chorus leader)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:55
4Weihnachtsoratorium, BWV 248: Großer Herr und starker König
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Thomas (composer, conductor, chorus leader)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:13
5Johannes-Passion, BWV 245: Ach Herr, laß dein lieb' Engelein
choir vocals:
Süddeutscher Madrigalchor
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein"
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:28
6Johannes-Passion, BWV 245: Ich folge die gleichfalls
soprano vocals:
Elly Ameling (soprano)
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:17
7Matthäus Passion, BWV 244: O Haupt voll Blut und Wunden
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
mezzo-soprano vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
performer:
Consortium Musicum (from 1968-05-26 until 1968-06-18)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1968-05-25 until 1968-06-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1968-05-26 until 1968-06-18)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:33
8Der Messias, HWV 56: Halleluja
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:06
9Dettinger Te Deum, HWV 283: Bewahr, o Herr, du treuer Got
bass vocals:
Franz Crass (operatic bass)
orchestra:
Südwestdeutsches Kammerorchester
conductor:
Wolfgang Gönnenwein (conductor)
George Frideric Handel2:20
10Missa Sanctae Caeciliae C-Du, HOB.XXII:5: Kyrie
instruments:
Instrumentalensemble Werner Keltsch
choir vocals:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir)
soprano vocals:
Elisabeth Speiser
tenor vocals:
Kurt Equiluz (tenor)
conductor:
Gerhard Wilhelm (choir master)
recording of:
Missa Cellensis C-Dur, Hob. XXII:5: Kyrie: Kyrie I
composer:
Joseph Haydn (composer)
part of:
Missa Cellensis C-Dur, Hob. XXII:5
Joseph Haydn3:35
11Vesperae Solennes de Confessore, KV 339: Laudate dominum
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Lucia Popp (soprano)
orchestra:
English Chamber Orchestra
conductor:
Georgie Fisher (pianist and conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:16
12Requiem KV 626: Domine Jesu Christe
alto vocals:
Oralia Dominguez (mezzo soprano)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
Süddeutscher Madrigalchor
soprano vocals:
Teresa Żylis‐Gara (Polish operatic soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart4:31
13Messe Es-Dur op. 80: Sanctus
instruments:
Instrumentalensemble Werner Keltsch
choir vocals:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir)
conductor:
Gerhard Wilhelm (choir master)
partial recording of:
Mass in E-flat major, op. 80
composer:
Johann Nepomuk Hummel (Austrian composer) (in 1804)
part of:
Works of Johann Nepomuk Hummel by opus number (number: op. 80)
Johann Nepomuk Hummel1:35
14Missa da Requiem: Sanctus
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1969-08-18 until 1969-08-19, from 1969-08-21 until 1969-08-22, from 1969-08-25 until 1969-08-27, on 1969-08-30, on 1970-01-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-08-18 until 1969-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-08-18 until 1969-08-19)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-08-18 until 1969-08-19)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 1969-08-18 until 1970-01-25)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi3:09