Brit's Blitz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Have I the Right
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Ivy Music Ltd.
The Honeycombs32:57
2Yesterday's Gone
Chad & Jeremy2:29
3You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:14
4A Summer Song
producer:
Shel Talmy
recording of:
A Summer Song
writer:
Clive Metcalfe, Keith Noble (British singer/songwriter) and Chad Stuart
Chad & Jeremy3.652:40
5Needles and Pins
cover recording of:
Needles and Pins
lyricist:
Sonny Bono
composer:
Sonny Bono and Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. and Metric Music
The Searchers42:12
6She's Not There
The Zombies2:24
7For Your Love
producer:
Giorgio Gomelsky
bass:
Paul Samwell-Smith (on 1965-02-01)
bass [bowed bass]:
Ron Prentice (on 1965-02-01)
bongos:
Denny Piercey (on 1965-02-01)
drums (drum set):
Jim McCarty (UK drummer, Yardbirds member) (on 1965-02-01)
guitar:
Eric Clapton (on 1965-02-01) and Chris Dreja (on 1965-02-01)
harpsichord:
Brian Auger (on 1965-02-01)
vocals:
Keith Relf (on 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-02-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 22)
recording of:
For Your Love (on 1965-02-01)
lyricist and composer:
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Screen Gems–EMI Music Ltd.
The Yardbirds4.552:28
8Yeh Yeh
Georgie Fame & the Blue Flames2:47
9It's Not Unusual
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones2:17
10Here Comes the Night
Them2:48
11Heart Full of Soul
engineer:
Roger Cameron
producer:
Giorgio Gomelsky
acoustic guitar:
Keith Relf (on 1965-04-20)
bass:
Ron Prentice (on 1965-04-20)
guitar:
Jeff Beck (English rock guitarist) (on 1965-04-20)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (on 1965-04-20)
cover recording of:
Heart Full of Soul (on 1965-04-20)
lyricist and composer:
Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
The Yardbirds4.62:28
12Game of Love
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1965)
cover recording of:
Game of Love
lyricist and composer:
Clint Ballard, Jr.
The Mindbenders4.52:07
13You've Got Your Troubles
recording of:
You’ve Got Your Troubles
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Concord Sounds, Greenaway Operations and Activities Limited and Mills Music
The Fortunes3:25
14Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd and Southern Music (publisher)
Donovan5:03
15Go Now
cover recording of:
Go Now
writer:
Larry Banks and Milton Bennett
publisher:
Belinda Music and Trio Music Company
The Moody Blues3:12
16Tired of Waiting for You
engineer:
Bob Auger (Robert Auger, engineer) and Alan McKenzie (engineer)
bass guitar and background vocals:
Pete Quaife (Kinks' bass guitarist) (in 1964)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (from 1964 until 1964-12-29) and Ray Davies (UK singer/songwriter, member of The Kinks) (from 1964 until 1964-12-29)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1965)
recorded at:
Pye Studios, Studio 2 in London (Greater London), England, United Kingdom (in 1964) and IBC Studios in London (Greater London), England, United Kingdom (on 1964-12-29: guitar)
recording of:
Tired of Waiting for You (from 1964 until 1964-12-29)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks52:31
17The Sun Ain't Gonna Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1966) and PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music and Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:04
18Don't Bring Me Down
recording of:
Don’t Bring Me Down
writer:
Gerry Goffin and Carole King
The Animals3:16
19My Generation
producer:
Shel Talmy
bass:
John Entwistle (on 1965-10-13)
drums (drum set) and percussion:
Keith Moon (drummer) (on 1965-10-13)
guitar:
Pete Townshend (of The Who) (on 1965-10-13)
piano:
Nicky Hopkins (pianist and organist) (on 1965-10-13)
lead vocals:
Roger Daltrey (on 1965-10-13)
vocals:
John Entwistle (on 1965-10-13) and Pete Townshend (of The Who) (on 1965-10-13)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-10-13)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 37) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 232)
recording of:
My Generation (on 1965-10-13)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH and Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.43:20
20A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders31:59
21A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
2▼CD
#TitleArtistRatingLength
1Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:34
2Dear Mr. Fantasy
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1967-04 until 1967-11)
recording of:
Dear Mr. Fantasy (in 1967)
lyricist:
Jim Capaldi
composer:
Steve Winwood and Chris Wood (rock musician, member of Traffic)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Traffic55:38
3Release Me (and Let Me Love Again)
Engelbert Humperdinck3:22
4I Can See for Miles
executive producer:
Chris Stamp
producer:
Kit Lambert
drums (drum set):
Keith Moon (drummer)
guitar:
Pete Townshend (of The Who)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1967)
recorded at:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, United Kingdom (from 1967-05-28 until 1967-05-29), Talent Masters Studios in New York, New York, United States (in 1967-07) and Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1967-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 258)
recording of:
I Can See for Miles (from 1967-05-28 until 1967-09)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) and TRO-Essex Music, Inc.
The Who4.854:07
5White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.555:01
6Started a Joke
recording of:
I Started a Joke
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
Bee Gees3:10
7Itchycoo Park
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended) and EMI Catalogue Partnership
Small Faces2:49
8Love Is All Around
phonographic copyright (℗) by:
Mercury Ltd (London) (for copyrights use only) (in 1967)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.53:00
9Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.354:13
10Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.52:57
11Crossroads
recording engineer:
Tom Dowd and Bill Halverson
engineer:
Adrian Barber (producer/engineer)
producer:
Felix Pappalardi
drums (drum set):
Ginger Baker (on 1968-03-10)
electric bass guitar:
Jack Bruce (on 1968-03-10)
electric guitar:
Eric Clapton (on 1968-03-10)
vocals:
Eric Clapton (on 1968-03-10)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Winterland Ballroom in San Francisco, California, United States (on 1968-03-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 409)
live cover recording of:
Cross Road Blues (a/k/a “Crossroads”) (on 1968-03-10)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Cream4.54:16
12Smile a Little Smile for Me
recording of:
Smile a Little Smile for Me
writer:
Tony Macaulay and Geoff Stephens
The Flying Machine3:01
13Empty Pages
engineer:
Andrew Johns and Brian Humphries
producer:
Chris Blackwell (Island Records) and Steve Winwood
bass guitar, electric piano and organ:
Steve Winwood (from 1970-02 until 1970-04)
drums (drum set) and percussion:
Jim Capaldi (from 1970-02 until 1970-04)
organ:
Chris Wood (rock musician, member of Traffic) (from 1970-02 until 1970-04)
vocals:
Steve Winwood (from 1970-02 until 1970-04)
recorded at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1970-04 until 1970-05) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1970-04 until 1970-05)
recording of:
Empty Pages (from 1970-02 until 1970-04)
writer:
Jim Capaldi and Steve Winwood
Traffic4:38
14In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 40) and Billboard Year-End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:31
15Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.554:27
16Your Song
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
12 string guitar:
Clive Hicks
acoustic guitar:
Frank Clark (Guitar/bassist)
bass guitar:
Dave Richmond
drums (drum set):
Barry Morgan (English drummer)
guitar:
Colin Green
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 202)
recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.954:04
17Hitchin' a Ride
recording of:
Hitchin’ a Ride
lyricist:
Peter Callander
composer:
Mitch Murray
publisher:
Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Vanity Fare3:03
18Love Song
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
acoustic guitar and background vocals:
Lesley Duncan
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
cover recording of:
Love Song
lyricist and composer:
Lesley Duncan
publisher:
BMG Gold Songs, Concord Music GmbH, Concord Songs Limited, New Hidden Valley Music Co., PW Arrangements, Sunshine Music (Tomandl & Janisch OG (Vienna)), Universal Music Corporation (ASCAP) (USA, affiliated with ASCAP), Universal Music Publishing MGB Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Love Song
lyricist and composer:
Lesley Duncan
publisher:
BMG Gold Songs, Concord Music GmbH, Concord Songs Limited, New Hidden Valley Music Co., PW Arrangements, Sunshine Music (Tomandl & Janisch OG (Vienna)), Universal Music Corporation (ASCAP) (USA, affiliated with ASCAP), Universal Music Publishing MGB Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John33:40
19Let It Rain
recording of:
Let It Rain
writer:
Bonnie Bramlett, Delaney Bramlett and Eric Clapton
publisher:
Casserole Music Corp., Cotillion Music Inc. (BMI) and Delbon Publishing Co.
Eric Clapton5:03