Philips Original Jackets Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Bruch: Violin Concertos no. 1, op. 26, no. 2, op. 44
#TitleArtistRatingLength
1Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel (Allegro moderato)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch58:37
2Violin Concerto no. 1 in G minor, op. 26: II. Adagio
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch58:41
3Violin Concerto no. 1 in G minor, op. 26: III. Finale (Allegro energico)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch47:10
4Scottish Fantasy, op. 46: Einleitung (Grave)
harp:
Elisabeth Unger (harpist) (in 1977-06)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
partial recording of:
Scottish Fantasy in E-flat major, op. 46: I. Introduction. Grave - Adagio cantabile (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch3:54
5Scottish Fantasy, op. 46: I. Adagio cantabile
harp:
Elisabeth Unger (harpist) (in 1977-06)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
partial recording of:
Scottish Fantasy in E-flat major, op. 46: I. Introduction. Grave - Adagio cantabile (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch4:48
6Scottish Fantasy, op. 46: IIa. Scherzo (Allegro)
harp:
Elisabeth Unger (harpist) (in 1977-06)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch5:24
7Scottish Fantasy, op. 46: IIb. Adagio
harp:
Elisabeth Unger (harpist) (in 1977-06)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
partial recording of:
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch0:58
8Scottish Fantasy, op. 46: III. Andante sostenuto
harp:
Elisabeth Unger (harpist) (in 1977-06)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
is based on:
I'm a Doun for Lack o' Johnnie
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch6:28
9Scottish Fantasy, op. 46: IV. Finale (Allegro guerriero)
harp:
Elisabeth Unger (harpist) (in 1977-06)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Scottish Fantasy in E-flat major, op. 46: IV. Finale. Allegro guerriero (in 1977-06)
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch9:50
10Violin Concerto no. 2 in D minor, op. 44: I. Adagio non troppo
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Violin Concerto no. 2 in D minor, op. 44: I. Adagio ma non troppo (in 1977-06)
composer:
Max Bruch (composer and conductor) (in 1878)
part of:
Violin Concerto no. 2 in D minor, op. 44
Max Bruch12:26
11Violin Concerto no. 2 in D minor, op. 44: II. Recit. (Allegro monderato - Allegro - Andante sostenuto)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1977-06)
conductor:
Kurt Masur (conductor) (in 1977-06)
recording of:
Violin Concerto no. 2 in D minor, op. 44: II. Recitativo. Allegro moderato - Allegro - Andante sostenuto (in 1977-06)
composer:
Max Bruch (composer and conductor) (in 1878)
part of:
Violin Concerto no. 2 in D minor, op. 44
Max Bruch4:14
12Violin Concerto no. 2 in D minor, op. 44: III. Finale (Allegro molto)
violin:
Salvatore Accardo (violinist and conductor) (in 1978-03)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1978-03)
conductor:
Kurt Masur (conductor) (in 1978-03)
recording of:
Violin Concerto no. 3 in D minor, op. 58: III. Finale. Allegro molto (in 1978-03)
composer:
Max Bruch (composer and conductor) (in 1891)
part of:
Violin Concerto no. 3 in D minor, op. 58
Max Bruch9:12
2CD: Schubert Lieder
#TitleArtistRatingLength
1Ganymed, D. 544, op. 19/3
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Ganymed, D. 544
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 544)
Franz Schubert4:59
2Die Gotter Griechenlands D677
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Die Götter Griechenlands, D. 677
lyricist:
Friedrich Schiller (German poet and playwright)
composer:
Franz Schubert (composer) (in 1819)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 677)
Franz Schubert4:48
3Der Musensohn, D.764, op. 92/1
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Der Musensohn, D. 764
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:07
4Fülle der Liebe, D.854Franz Schubert6:41
5Sprache der Liebe, D. 410
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Sprache der Liebe, D. 410
lyricist:
August Wilhelm Schlegel
composer:
Franz Schubert (composer) (in 1816-04)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 410)
Franz Schubert2:59
6Schwanengesang, D.744
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Schwanengesang, D. 744
lyricist:
Johann Senn
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 744)
Franz Schubert2:51
7An Den Tod D518
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
An den Tod, D. 518
lyricist:
Christian Friedrich Daniel Schubart (German poet)
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 518)
Franz Schubert3:13
8Die Forelle, D.550, op. 32
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Die Forelle, D. 550 (The Trout, D. 550)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:15
9Am Bach Im Fruhling D361
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Am Bach im Frühling, D. 361
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1816)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 361)
Franz Schubert4:00
10Auf dem Wasser zu singen, D.774Franz Schubert3:50
11Der Schiffer D694 “Friedrich Lieg Ich Hingegossen”Franz Schubert3:24
12An die Entfernte, D.765
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
An die Entfernte, D. 765
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 765)
Franz Schubert3:26
13Sehnsucht D516 “Der Lerche Wolkennahe Lieder”
piano:
Rudolf Jansen (pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Sehnsucht, D. 516
lyricist:
Johann Mayrhofer
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 516)
Franz Schubert4:06
14An die untergehende Sonne, D. 457Franz Schubert6:36
15Die Abendrote D690 “Tiefer Sinket Schon Die Sonne”Franz Schubert3:54
16Heimweh, op. 63 no. 8
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:42
17Der Frühling, op. 6 no. 2
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
6 Gesänge, op. 6: Nr. 2. Der Frühling
lyricist:
Johann Baptist Rousseau
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 6
Johannes Brahms2:39
18Sechs Gesänge op. 6: I. Spanisches Lied (aus dem Spanischen von Paul Heyse)
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
6 Gesänge, op. 6: Nr. 1. Spanisches Lied
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Johannes Brahms (German composer) (in 1852)
part of:
6 Gesänge, op. 6
Johannes Brahms2:18
19Wiegenlied, op. 49 no. 4
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
lyricist:
"Des Knaben Wunderhorn" ([traditional], special purpose artist) and Georg Scherer (author and publisher of German folk songs, fables, sayings and riddles.)
composer:
Johannes Brahms (German composer) (in 1868)
dedicated to:
Bertha Faber
premiered at:
[concert] (1869-12-22)
publisher:
N. Simrock (in 1874)
version of:
Fünf Lieder für eine Stimme, op. 49: Nr. 4, Wiegenlied “Guten Abend, gut’ Nacht” (early one-verse version)
part of:
5 Lieder, op. 49
Johannes Brahms2:10
20Mörike-Lieder: 45. Nixe Binsefuss
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Mörike-Lieder: No. 45. Nixe Binsefuß "Des Wassermanns sein Töchterlein"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:12
21Mörike-Lieder: 6. Er ist’s!
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Mörike-Lieder: No. 6. Er ist’s “Frühling läßt sein blaues Band”
lyricist:
Eduard Mörike (German Romantic poet, † 1875) (from 1829 to present)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
is based on:
Er ist’s
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:22
22Mörike-Lieder: 36. “Lebe wohl”
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Mörike-Lieder: No. 36. Lebewohl “Lebe wohl! - Du fühlest nicht”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:13
3CD: Brahms: Piano Concerto no. 2
#TitleArtistRatingLength
1Piano Concerto no. 2 In B-flat, op. 83: I. Allegro non troppo
piano:
Claudio Arrau (pianist) (in 1969-10)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1969-10)
conductor:
Bernard Haitink (conductor) (in 1969-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1969-10)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo (in 1969-10)
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms19:18
2Piano Concerto no. 2 In B-flat, op. 83: II. Allegro appassionato
piano:
Claudio Arrau (pianist) (in 1969-10)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1969-10)
conductor:
Bernard Haitink (conductor) (in 1969-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1969-10)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato (in 1969-10)
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms9:20
3Piano Concerto no. 2 In B-flat, op. 83: III. Andante - Più adagio
piano:
Claudio Arrau (pianist) (in 1969-10)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1969-10)
conductor:
Bernard Haitink (conductor) (in 1969-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1969-10)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio (in 1969-10)
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms12:07
4Piano Concerto no. 2 In B-flat, op. 83: IV. Allegretto grazioso - Un poco più presto
piano:
Claudio Arrau (pianist) (in 1969-10)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1969-10)
conductor:
Bernard Haitink (conductor) (in 1969-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1969-10)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso (in 1969-10)
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms10:04
5Variations and Fugue on a Theme by Handel, op. 24: Theme & VariationsJohannes Brahms23:33
6Variations and Fugue on a Theme by Handel, op. 24: Fugue
piano:
Claudio Arrau (pianist) (in 1978-04)
recording of:
Variations and Fugue on a Theme by Handel, op. 24: Fuga (in 1978-04)
composer:
Johannes Brahms (German composer) (in 1861)
part of:
Variations and Fugue on a Theme by Handel, op. 24
Johannes Brahms5:26
4CD: Beethoven: Triple Concerto, op. 36
#TitleArtistRatingLength
1Concerto for Piano, Violin, and Cello in C, op. 56: I. Allegro
cello:
Bernard Greenhouse (cellist) (in 1977-01)
piano:
Menahem Pressler (pianist) (in 1977-01)
violin:
Isidore Cohen (violinist) (in 1977-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-01)
conductor:
Bernard Haitink (conductor) (in 1977-01)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven18:06
2Concerto for Piano, Violin, and Cello in C, op. 56: II. Largo - attacca:
cello:
Bernard Greenhouse (cellist) (in 1977-01)
piano:
Menahem Pressler (pianist) (in 1977-01)
violin:
Isidore Cohen (violinist) (in 1977-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-01)
conductor:
Bernard Haitink (conductor) (in 1977-01)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven5:20
3Concerto for Piano, Violin, and Cello in C, op. 56: III. Rondo alla Polacca
cello:
Bernard Greenhouse (cellist) (in 1977-01)
piano:
Menahem Pressler (pianist) (in 1977-01)
violin:
Isidore Cohen (violinist) (in 1977-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-01)
conductor:
Bernard Haitink (conductor) (in 1977-01)
recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven13:07
4Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderatoLudwig van Beethoven12:50
5Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo (Allegro)Ludwig van Beethoven6:02
6Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - Poco più adagioLudwig van Beethoven12:33
7Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderatoLudwig van Beethoven6:17
5CD: Brahms: Violin Concerto
#TitleArtistRatingLength
1Rhapsody for Alto, Chorus, and Orchestra, op. 53
alto vocals:
Aafje Heynis (contralto) (in 1958-02)
choir vocals:
Harrow Apollo Male Choir (in 1958-02)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1958-02)
conductor:
Eduard van Beinum (conductor) (in 1958-02)
recording of:
Alto Rhapsody, op. 53 (in 1958-02)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms12:55
2Variations On A Theme By Haydn, op. 56a
orchestra:
Royal Concertgebouw Orchestra (in 1958-09)
conductor:
Eduard van Beinum (conductor) (in 1958-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version) (in 1958-09)
premiered in:
Wien (Vienna), Austria (on 1873-11-02)
composer:
Johannes Brahms (German composer) (in 1873)
premiered by:
Johannes Brahms (German composer) (on 1873-11-02) and Wiener Philharmoniker (Vienna Philharmonic) (on 1873-11-02)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56a)
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b (for two pianos)
Johannes Brahms17:00
3Violin Concerto in D, op. 77: I. Allegro non troppo
engineer:
Henk Jansen and Ko Witteveen (engineer)
producer:
Jaap van Ginneken
violin:
Arthur Grumiaux (Belgian violinist) (in 1958-07, from 1958-07-03 until 1958-07-04)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1958-07) and Royal Concertgebouw Orchestra (from 1958-07-03 until 1958-07-04)
conductor:
Eduard van Beinum (conductor) (in 1958-07, from 1958-07-03 until 1958-07-04)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1958-07-03 until 1958-07-04)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo (Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo) (from 1958-07-03 until 1958-07-04)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo (Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo) (in 1958-07)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms21:48
4Violin Concerto in D, op. 77: II. Adagio
engineer:
Henk Jansen and Ko Witteveen (engineer)
producer:
Jaap van Ginneken
violin:
Arthur Grumiaux (Belgian violinist) (in 1958-07, from 1958-07-03 until 1958-07-04)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1958-07) and Royal Concertgebouw Orchestra (from 1958-07-03 until 1958-07-04)
conductor:
Eduard van Beinum (conductor) (in 1958-07, from 1958-07-03 until 1958-07-04)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1958-07-03 until 1958-07-04)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (from 1958-07-03 until 1958-07-04)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (in 1958-07)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:44
5Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
engineer:
Henk Jansen and Ko Witteveen (engineer)
producer:
Jaap van Ginneken
violin:
Arthur Grumiaux (Belgian violinist) (in 1958-07, from 1958-07-03 until 1958-07-04)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1958-07) and Royal Concertgebouw Orchestra (from 1958-07-03 until 1958-07-04)
conductor:
Eduard van Beinum (conductor) (in 1958-07, from 1958-07-03 until 1958-07-04)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1958-07-03 until 1958-07-04)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1958-07-03 until 1958-07-04)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (in 1958-07)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms7:49
6CD: Liszt: Late Piano Works
#TitleArtistRatingLength
1Années de pèlerinage: 3ème année, S.163: II. Aux cyprès de la Villa d’Este no. 1 (Thrénodie)
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Aux cyprès de la Villa d’Este I : Thrénodie, S. 163 no. 2 (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
Franz Liszt6:54
2Années de pèlerinage: 3ème année, S.163: IV. Les jeux d’eau à la Villa d’Este
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4 (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
Franz Liszt8:11
3Années de pèlerinage: 3ème année, S.163: V. Sunt lacrimae rerum (En mode hongrois)
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Sunt lacrymae rerum / En mode hongrois, S. 163 no. 5 (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1872)
part of:
Années de pèlerinage : Troisième année, S. 163
revision of:
Sunt lacrymae rerum – in ungarischen Weise, S. 162d
Franz Liszt7:15
4Weihnachtsbaum Suite, S.186: 7. Schlummerlied
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Weihnachtsbaum, S. 186: Nr. 7. Schlummerlied (standard version) (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Weihnachtsbaum, S. 186
revision of:
Schlummerlied, S. 186/7a (intermediate version)
Franz Liszt4:02
5Valse oubliée no. 1 in F-sharp, S.215
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Valse oubliée no. 1, S. 215 no. 1 (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Valses oubliées, S. 215
Franz Liszt2:39
6Unstern: Sinistre, disastro, S.208
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Unstern! Sinistre, disastro, S. 208, R. 80 (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 208)
Franz Liszt4:10
7Schlaflos - Frage und Antwort, S.203
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Schlaflos! Frage und Antwort, S. 203 (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1883)
Franz Liszt2:23
8Mosonyis Grabgeleit, S.194
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Mosonyis Grabgeleit, S. 194 (for solo piano) (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1870)
Franz Liszt6:46
9Csárdás macabre, S.224
recording engineer:
Tony Buczynski
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1979-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Csárdás macabre, S. 224 (for solo piano) (in 1979-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 224)
Franz Liszt7:58
7CD: Beethoven: Piano Concertos no. 4 & no. 5
#TitleArtistRatingLength
1Piano Concerto no. 4 in G, op. 58: I. Allegro moderato
recording engineer:
Cees Heijkoop (recording engineer) and Jan Wesselink
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1997-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-12)
conductor:
Simon Rattle (conductor) (in 1997-12)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1999)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1997-12)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (in 1997-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven17:45
2Piano Concerto no. 4 in G, op. 58: II. Andante con moto
recording engineer:
Cees Heijkoop (recording engineer) and Jan Wesselink
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1997-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-12)
conductor:
Simon Rattle (conductor) (in 1997-12)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1999)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1997-12)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (in 1997-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:03
3Piano Concerto no. 4 in G, op. 58: III. Rondo (Vivace)
recording engineer:
Cees Heijkoop (recording engineer) and Jan Wesselink
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1997-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-12)
conductor:
Simon Rattle (conductor) (in 1997-12)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1999)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1997-12)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (in 1997-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven10:20
4Piano Concerto no. 5 in E-flat major op. 73 - “Emperor”: I. Allegro
recording engineer:
Cees Heijkoop (recording engineer) and Jan Wesselink
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1998-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1998-02)
conductor:
Simon Rattle (conductor) (in 1998-02)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1999)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1998-02)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (in 1998-02)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven20:54
5Piano Concerto no. 5 in E-flat major op. 73 - “Emperor”: II. Adagio un poco mosso
recording engineer:
Cees Heijkoop (recording engineer) and Jan Wesselink
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1998-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1998-02)
conductor:
Simon Rattle (conductor) (in 1998-02)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1999)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1998-02)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1998-02)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:19
6Piano Concerto no. 5 in E-flat major op. 73 - “Emperor”: III. Rondo (Allegro)
recording engineer:
Cees Heijkoop (recording engineer) and Jan Wesselink
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1998-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1998-02)
conductor:
Simon Rattle (conductor) (in 1998-02)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1999)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1998-02)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1998-02)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:43
8CD: Beethoven: Violin Concerto
#TitleArtistRatingLength
1Violin Concerto in D, op. 61: I. Allegro ma non troppo
producer:
Sieuwert Verster
editor:
Eva Blankespoor, Dick van Schuppen and Sieuwert Verster
violin:
Thomas Zehetmair (violinist and conductor) (in 1997-05)
orchestra:
Orchestra of the Eighteenth Century (in 1997-05)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1997-05)
balance engineer:
Henk Jansen and Dick van Schuppen
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1997-05)
live recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (in 1997-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven22:18
2Violin Concerto in D, op. 61: II. Larghetto
producer:
Sieuwert Verster
editor:
Eva Blankespoor, Dick van Schuppen and Sieuwert Verster
violin:
Thomas Zehetmair (violinist and conductor) (in 1997-05)
orchestra:
Orchestra of the Eighteenth Century (in 1997-05)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1997-05)
balance engineer:
Henk Jansen and Dick van Schuppen
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1997-05)
live recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (in 1997-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:18
3Violin Concerto in D, op. 61: III. Rondo. Allegro
producer:
Sieuwert Verster
editor:
Eva Blankespoor, Dick van Schuppen and Sieuwert Verster
violin:
Thomas Zehetmair (violinist and conductor) (in 1997-05)
orchestra:
Orchestra of the Eighteenth Century (in 1997-05)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1997-05)
balance engineer:
Henk Jansen and Dick van Schuppen
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1997-05)
live recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (in 1997-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:01
4Symphony no. 6 in F, op. 68 - “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
orchestra:
Orchestra of the Eighteenth Century (in 1990-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1990-11)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1990-11)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 1990-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:58
5Symphony no. 6 in F, op. 68 - “Pastoral”: II. Szene am Bach: (Andante molto mosso)
orchestra:
Orchestra of the Eighteenth Century (in 1990-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1990-11)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1990-11)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 1990-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:12
6Symphony no. 6 in F, op. 68 - “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro)
orchestra:
Orchestra of the Eighteenth Century (in 1990-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1990-11)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1990-11)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 1990-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven5:10
7Symphony no. 6 in F, op. 68 - “Pastoral”: IV. Gewitter, Sturm (Allegro)
orchestra:
Orchestra of the Eighteenth Century (in 1990-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1990-11)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1990-11)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 1990-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:15
8Symphony no. 6 in F, op. 68 - “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto)
orchestra:
Orchestra of the Eighteenth Century (in 1990-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1990-11)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1990-11)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (in 1990-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:05
9CD: Rossini: Stabat Mater
#TitleArtistRatingLength
1Stabat Mater: I. Stabat Mater dolorosa
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1989-12)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1989-12)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1989-12)
soprano vocals:
Carol Vaness (soprano) (in 1989-12)
tenor vocals:
Francisco Araiza (tenor) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: I. Introduzione - Stabat mater dolorosa (soprano, alto, tenore, basso, coro) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini10:17
2Stabat Mater: II. Cujus animam gementem
tenor vocals:
Francisco Araiza (tenor) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini7:05
3Stabat Mater: III. Quis est homo qui non fleret
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1989-12)
soprano vocals:
Carol Vaness (soprano) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: III. Duetto - Quis est homo qui non fleret (soprano, alto) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini7:22
4Stabat Mater: IV. Pro peccatis suae gentis
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: IV. Aria - Pro peccatis suae gentis (basso) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini4:50
5Stabat Mater: V. Eja Mater fons amoris
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1989-12)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: V. Coro e Recitativo - Eja mater, fons amoris (coro a cappella, basso) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini4:55
6Stabat Mater: VI. Sancta Mater istud agas
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1989-12)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1989-12)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1989-12)
soprano vocals:
Carol Vaness (soprano) (in 1989-12)
tenor vocals:
Francisco Araiza (tenor) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: VI. Quartetto - Sancta mater, istud agas (soprano, alto, tenore, basso) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini7:59
7Stabat Mater: VII. Fac ut portem Christi mortem
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: VII. Cavatina - Fac ut portem Christi mortem (alto) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini5:05
8Stabat Mater: VIII. Inflammatus et accensus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1989-12)
soprano vocals:
Carol Vaness (soprano) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: VIII. Aria - Inflammatus et accensus (soprano, coro) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini5:14
9Stabat Mater: IX. Quando corpus morietur
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1989-12)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1989-12)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1989-12)
soprano vocals:
Carol Vaness (soprano) (in 1989-12)
tenor vocals:
Francisco Araiza (tenor) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: IX. Quartetto - Quando corpus morietur (coro a cappella, soprano, alto, tenore, basso) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini6:33
10Stabat Mater: X. Amen
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1989-12)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1989-12)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1989-12)
soprano vocals:
Carol Vaness (soprano) (in 1989-12)
tenor vocals:
Francisco Araiza (tenor) (in 1989-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1989-12)
conductor:
Семён Бычков (Semyon Bychkov, conductor) (in 1989-12)
recording of:
Stabat Mater: X. Finale - In sempiterna saecula (coro, soprano, alto, tenore, basso) (in 1989-12)
composer:
Gioachino Rossini (composer) (from 1831 until 1841)
part of:
Stabat Mater
Gioachino Rossini5:59
10CD: Verdi: Il Corsaro
11CD: Verdi: Il Corsaro
12CD: Berlioz: Symphonie Fantastique
13CD: Tippett: Concerto For Violin, Viola & Cello
14CD: Tchaikovsky: Suite no. 3
15CD: Bartók:The Miraculous Mandarin
16CD: Fauré: Requiem; Pavane
17CD: Verdi: Requiem
18CD: Tchaikovsky: Symphony no. 5
19CD: Stravinsky: The Rite Of Spring; Scriabin: The Poem Of Ecstasy
20CD: Mozart: Divertimento in E-flat major, K.563
21CD: Bruckner: Symphony no. 3
22CD: Debussy: Trois Nocturnes; Jeux
23CD: Mahler: Das Lied von Der Erde
24CD: Haydn, Hummel, Hertel & Stamitz Trumpet Concertos
25CD: Mozart: Piano Concerto In D minor, K.466; Piano Concerto In C minor, K.491
26CD: Dmitri Hvorostovsky: Tchaikovsky & Verdi Arias
27CD: Mozart: Exsultate Jubilate
28CD: Rachmaninoff: Piano Concertos Nos.2 & 3
29CD: Rimsky-Korsakov: Scheherazade
30CD: Bartók, Debussy, Mozart - Music For 2 Pianos
31CD: Grieg & Schumann Piano Concertos
32CD: Bach: The Brandenburg Concertos Nos.4-6
33CD: Messiaen: Quatuor Pour La Fin Du Temps
34CD: Tchaikovsky: Symphony no. 3 - “Polish”
35CD: Rossini: Il Barbiere di Siviglia
36CD: Rossini: Il Barbiere di Siviglia
37CD: Tchaikovsky & Sibelius Violin Concertos
38CD: Vivaldi: Le Quattro Stagioni
39CD: Strauss, R.: Four Last Songs
40CD: Orff: Carmina Burana
41CD: Gershwin: Rhapsody in Blue; Piano Concerto In F; An American in Paris
42CD: Schubert: String Quartet op. 161, D887
43CD: Liszt: Piano Concerto no. 1; Piano Concerto no. 2
44CD: Villa-Lobos & Castelnuovo-Tedesco Guitar Concertos; Rodrigo: Sones En La Giralda
45CD: Mendelssohn: Elias
46CD: Mendelssohn: Elias
47CD: Prokofiev: Symphony-Concerto for Cello & Orchestra; Symphony no. 7
48CD: Mozart: Requiem
49CD: Mozart: Sonatas For Piano & Violin K.451 & K481
50CD: Beethoven: Piano Sonatas Opp.109, 110 & 111
51CD: Schoenberg: Piano Concerto
52CD: Vivaldi: Concerti Da Camera
53CD: Vivaldi: Concerti Da Camera
54CD: Mozart: Serenade In B-flat, K.361 - “Gran Partita”
55CD: Dvorak: Cello Concerto