Six Classic Albums

~ Release by Wynton Kelly (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1Blue Moon
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Blue Moon (on 1951-07-25)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:09
2Fine and Dandy
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Fine and Dandy (on 1951-07-25)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:50
3I Found a New Baby
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
I’ve Found a New Baby (on 1951-07-25)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:54
4Cherokee
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Cherokee (on 1951-07-25)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:09
5Born to Be Blue
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:27
6Where or When
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1951-07-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:54
7Moonglow
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:31
8Moonglow (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:11
9If I Should Lose You
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
If I Should Lose You (on 1951-07-25)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:04
10Born to Be Blue (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:00
11Goodbye (1st take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-10)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:24
12Goodbye (2nd take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:48
13Foolin' Myself
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Foolin’ Myself (on 1951-08-01)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
3:04
14There Will Never Be Another You
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
There Will Never Be Another You (on 1951-08-01)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:04
15Do Nothing Till You Hear from Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Do Nothin’ Till You Hear From Me (on 1951-08-01)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:06
16Summertime
producer:
Alfred Lion
congas:
Lee Abrams (American jazz drummer) (on 1951-08-01)
double bass [bass]:
Franklin Skeete (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1951-08-01)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:07
17Moonlight in Vermont
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Moonlight in Vermont (on 1951-08-01)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:28
18Crazy He Calls Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Crazy He Calls Me (on 1951-08-01)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
19Opus Caprice
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
2:54
20Whisper Not
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
instrumental recording of:
Whisper Not (original instrumental composition) (on 1958-01-31)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
7:09
21Action
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
recording of:
Action (on 1958-01-31)
composer:
Wynton Kelly
7:09
2▼CD
#TitleRatingLength
1Dark Eyes
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
recording of:
Dark Eyes (with English lyrics) (on 1958-01-31)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Florian Hermann (composer)
translated version of:
Очи чёрные (Dark Eyes, original version by Y. Hrebinka)
5:56
2Strong Man
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
5:15
3Ill Wind
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
instrumental recording of:
Ill Wind (on 1958-01-31)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
4:21
4Don't Explain
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
instrumental recording of:
Don’t Explain (on 1958-01-31)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
5:35
5You Can't Get Away
recorded in:
New York, New York, United States (on 1958-01-31)
engineer:
Aaron Nathanson
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1958-01-31)
guitar:
Kenny Burrell (on 1958-01-31)
piano:
Wynton Kelly (on 1958-01-31)
6:26
6Dark Eyes (take 2)
5:20
7Kelly Blue
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
instrumental recording of:
Kelly Blue
composer:
Wynton Kelly
publisher:
Orpheum Music
10:50
8Softly, as in a Morning Sunrise
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1959-03-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
6:31
9On Green Dolphin Street
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
On Green Dolphin Street (on 1959-03-10)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
4:43
10Willow Weep for Me
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Willow Weep for Me (on 1959-03-10)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
6:07
11Keep It Moving
engineer:
Jack Higgins (recording engineer) (on 1959-02-10)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
recording of:
Keep It Moving (on 1959-02-10)
composer:
Wynton Kelly
publisher:
Orpheum Music
7:32
12Old Clothes
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Old Clothes
composer:
Wynton Kelly
publisher:
Orpheum Music
7:41
3▼CD
#TitleRatingLength
1Wrinkles
bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
7:56
2Mama G
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
recording of:
Mama G (on 1959-08-12)
composer:
Wayne Shorter (US jazz saxophonist and composer)
7:29
3June Night
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
instrumental recording of:
June Night (on 1959-08-12)
lyricist:
Cliff Friend (US composer, lyricist & pianist)
composer:
Abel Baer
8:08
4What Know
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
recording of:
What Know (on 1959-08-12)
composer:
Lee Morgan (jazz trumpeter / composer)
7:46
5Sydney
double bass:
Paul Chambers (US jazz bassist) (on 1959-08-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-08-12)
piano:
Wynton Kelly (on 1959-08-12)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1959-08-12)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1959-08-12)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-08-12)
recording of:
Sydney (on 1959-08-12)
composer:
Wayne Shorter (US jazz saxophonist and composer)
3:51
6Temperance
engineer and producer:
Sid McCoy
bass, double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
7:30
7Weird Lullabye
engineer and producer:
Sid McCoy
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-04-27) and Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
7:10
4▼CD
#TitleRatingLength
1On Stage
engineer and producer:
Sid McCoy
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-04-27) and Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
5:12
2Skatin'
engineer and producer:
Sid McCoy
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
5:46
3Pot Luck
engineer and producer:
Sid McCoy
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-04-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-04-27)
piano:
Wynton Kelly (on 1960-04-27)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1960-04-27)
6:47
4Come Rain or Come Shine
double bass:
Sam Jones (US jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
instrumental recording of:
Come Rain or Come Shine (on 1961-07-21)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:53
5Make the Man Love Me
3:39
6Autumn Leaves
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-20)
piano:
Wynton Kelly (on 1961-07-20)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1961-07-20)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
6:11
7The Surrey With the Fringe on Top
3:48
8Joe's Avenue
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-20)
piano:
Wynton Kelly (on 1961-07-20)
2:50
9Sassy
double bass:
Sam Jones (US jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
5:10
10Love, I've Found You
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-21)
instrumental recording of:
Love, I Found You (on 1961-07-21)
lyricist and composer:
Danny Small
2:35
11Gone With the Wind
double bass:
Paul Chambers (US jazz bassist) (on 1961-07-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-07-21)
piano:
Wynton Kelly (on 1961-07-21)
instrumental recording of:
Gone With the Wind (on 1961-07-21)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:14