Musical Memories

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1That’ll Be the Day (Buddy)
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:21
2Cabaret (Cabaret)
Liza Minnelli3:28
3Don’t Cry for Me Argentina (Evita)
vocals:
Petula Clark (English singer & actress)
recording of:
Don’t Cry for Me Argentina (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Petula Clark4:45
4Memory (Cats)
Andrew Lloyd Webber3:30
5I Dreamed a Dream (Les Miserables)
vocals:
Ute Lemper
cover recording of:
I Dreamed a Dream (Fantine)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Faber Music
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Ute Lemper5:16
6One (A Chorus Line)
Marvin Hamlisch4:45
7I Feel Pretty (West Side Story)
vocals:
Marni Nixon
recording of:
West Side Story: I Feel Pretty (in 1961)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Marni Nixon2:45
8Shall We Dance? (The King and I)
recording of:
Shall We Dance? (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Barbara Cook & Theodore Bikel3:47
9It Ain’t Necessarily So (Porgy and Bess)
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-12-19)
drums (drum set):
Belton Evans (on 1960-12-19)
guitar:
Lord Westbrook (on 1960-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-12-19)
tenor saxophone:
Warren Luckey (on 1960-12-19)
vocals:
Aretha Franklin (on 1960-12-19)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin42:54
10If I Were a Rich Man (Anatevka)
lead vocals:
Topol (Chaim Topol, actor, singer)
vocals:
Topol (Chaim Topol, actor, singer)
recording of:
If I Were a Rich Man (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
Topol5:10
11Happy Talk (South Pacific)
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Sarah Vaughan4:10
12Mack the Knife (The Three Penny Opera)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:20
13Evergreen (A Star Is Born)
cover recording of:
Evergreen (love theme from “A Star Is Born”)
lyricist:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
composer:
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28), Emmanuel Music Corp (in 1976) and First Artists Music Co. (in 1976)
part of:
Academy Award for Best Original Song (number: 1976 winner)
Johnny Mathis3:14
14Try to Remember (Fantasticks)
cover recording of:
Try to Remember (The Fantasticks)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co., Chappell Music (UK) and Warner/Chappell Music Ltd. (1996–2019)
The Brothers Four2:53
15Hello, Dolly! (Hello, Dolly!)
cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Andy Williams2:55
16Chattanooga Choo Choo (Sun Valley Serenade)
recording of:
Chattanooga Choo Choo
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2)
The Glenn Miller Orchestra3:02
2CD
#TitleArtistRatingLength
1There’s No Business Like Show Business (Annie, Get Your Gun)
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
Doris Day & Robert Goulet2:33
2Tonight (West Side Story)
vocals:
Jimmy Bryant (singer) and Marni Nixon
conductor:
Johnny Green (composer and conductor, often credited as John Green) (in 1961)
recording of:
West Side Story: Tonight (Maria, Tony) (in 1961)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Marni Nixon & Jimmy Bryant43:35
3I Could Have Danced All Night (My Fair Lady)
recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Rosemary Clooney2:24
4I Got Rhythm (Ein Amerikaner in Paris)
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Benny Goodman5:08
5Lullaby of Broadway (Lullaby of Broadway)
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Doris Day2:53
6Let’s Face the Music and Dance (Follow the Fleet)
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Fred Astaire2:27
7Tea for Two (No, No, Nanette)
Jack Gilford & Ruby Keeler8:19
8On the Sunny Side of the Street (Sunny Side of the Street)Louis Armstrong3:23
9Some of These Days (Broadway Melody of 1938)
recording of:
Some of These Days
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams (US jazz composer, pianist & singer)
Bing Crosby2:35
10Let’s Call the Whole Thing Off (Shall We dance)
vocals:
Fred Astaire (on 1937-03-03)
orchestra:
Johnny Green and His Orchestra (on 1937-03-03)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1937-03-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Fred Astaire3:10
11Night and Day (Night and Day)
Dave Brubeck4:53
12Some Other Time (On the Town)
Peter Hofmann4:21
13I Love Paris (Can‐Can)
Michel Legrand2:35
14Singin’ in the Rain (Singin’ in the Rain)
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Doris Day2:38
15Nice Work If You Can Get It (Ein Amerikaner in Paris)
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:38
16On the Street Where You Live (My Fair Lady)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Vic Damone42:42
3CD
#TitleArtistRatingLength
1Maria (West Side Story)
Peter Hofmann2:40
2Some Enchanted Evening (South Pacific)
José Carreras3:19
3Stranger in Paradies (Kismet)
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Tony Bennett3:07
4Secret Love (Calamity Jane)
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
Doris Day33:36
5Dear Old Syracuse (The Boys From Syracuse)
Jack Cassidy2:47
6Ol’ Man River (Show Boat)
William Warfield & Chorus3:05
7The Impossible Dream (The Quest) (Man of La Mancha)
Andy Williams2:38
8Somewhere (West Side Story)
Peter Hofmann & Deborah Sasson5:14
9Cheek to Cheek (Top Hat)
recorded in:
New York, New York, United States (on 1935-06-26)
vocals:
Fred Astaire (on 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (on 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1935-06-26)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire3:18
10Summertime (Porgy and Bess)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billie Holiday2:56
11April in Paris (April in Paris)
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Charlie Parker3:19
12Gigi – Gigi
Vic Damone3:04
13I’ve Got the World on a String (I’ll Get by)
recording of:
I’ve Got the World on a String (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Bing Crosby43:23
14S’ Wonderful (Ein Amerikaner in Paris)
Ray Conniff2:30
15Ain’t Misbehavin’ (Ain’t Misbehavin’)
recorded in:
New York, New York, United States (on 1929-07-19)
alto saxophone:
Bert Curry (on 1929-07-19) and Crawford Wethington (on 1929-07-19)
banjo:
Mancy "Peck" Carr (on 1929-07-19)
drums (drum set):
Zutty Singleton (on 1929-07-19)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-19)
tenor saxophone:
Jimmy Strong (on 1929-07-19)
trombone:
Fred Robinson (American trombonist) (on 1929-07-19)
trumpet:
Louis Armstrong (on 1929-07-19) and Homer Hobson (on 1929-07-19)
tuba:
Pete Briggs (on 1929-07-19)
violin:
Carroll Dickerson (on 1929-07-19)
vocals:
Louis Armstrong (on 1929-07-19)
conductor:
Carroll Dickerson (on 1929-07-19)
recording of:
Ain’t Misbehavin’ (on 1929-07-19)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Louis Armstrong4.653:26
16Just One of Those Things (Lullaby of Broadway)
Les Brown2:40

Credits

Release

ASIN:DE: B0000252N9 [info]