La sonnambula

~ Release by Vincenzo Bellini; Joan Sutherland, Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Richard Bonynge (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1La Sonnambula, Act One, Scene 1: Viva! Viva! Viva! Viva! Amina!
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Coro d’introduzione “Viva Amina!” [1] (voci lontane) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:21
2La Sonnambula, Act One, Scene 1: Tutto è gioia, tutto è festa (Lisa)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Cavatina “Tutto è gioia” (Coro, Lisa, Alessio) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:32
3La Sonnambula, Act One, Scene 1: Viva Amina! (Contadini)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Stretta dell'introduzione “Viva Amina!” [2] (Coro, Lisa, Alessio) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:07
4La Sonnambula, Act One, Scene 1: Care compagne, e voi, teneri amici (Amina)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:10
5La Sonnambula, Act One, Scene 1: Sopra il sen la man mi posa (Amina)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa” (Amina) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:17
6La Sonnambula, Act One, Scene 1: Io più di tutti, o Amina (Alessio )
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Un notaro]:
Piero de Palma (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Recitativo “Io più di tutti” (Alessio, Amina, Lisa, Teresa, Coro, Notaro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:08
7La Sonnambula, Act One, Scene 1: Perdona, o mia diletta, il breve indugio (Elvino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
tenor vocals [Un notaro]:
Piero de Palma (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. “Perdona, o mia diletta” (Elvino, Amina, Notaro, Tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:40
8La Sonnambula, Act One, Scene 1: Prendi: l'anel ti dono (Elvino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. “Prendi: l’anel ti dono” (Elvino) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini10:41
9La Sonnambula, Act One, Scene 1: Domani, appena aggiorni (Elvino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, Scena 1. Recitativo e cavatina “Domani, appena aggiorni” (Elvino, Tutti, Amina) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:51
10La Sonnambula, Act One, Scene 1: Vi ravviso, o luoghi ameni (Rodolfo)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. “Come noioso e lungo il cammin” … “Vi ravviso, o luoghi ameni” … “È gentil, leggiadra molto” (Rodolfo, Lisa, Tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:42
11La Sonnambula, Act One, Scene 1: Contezza del paese avete voi, signor? (Elvino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e coro “Contezza del paese avete voi?” (Elvino, Rodolfo, Teresa, Lisa, coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:15
12La Sonnambula, Act One, Scene 1: A fosco cielo, a notte bruna (Contadini)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. “A fosco cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:33
13La Sonnambula, Act One, Scene 1: Basta così (Rodolfo)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. “Basta così” (Rodolfo, Teresa, Elvino, Tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:15
14La Sonnambula, Act One, Scene 1: Son geloso del zefiro errante (Elvino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 1. Duetto “Son geloso del zefiro errante” (Amina, Elvino) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini7:31
15La Sonnambula, Act One, Scene 2: Davver, non mi dispiace d'essermi qui fermato (Rodolfo)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2: “Davver, non mi dispiace” (Rodolfo, Lisa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:56
16La Sonnambula, Act One, Scene 2: Che veggio? (Rodolfo)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “Che veggio?” (Rodolfo, Amina, Lisa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:27
17La Sonnambula, Act One, Scene 2: Oh ciel! che tento? (Rodolfo)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “O ciel! Che tento” (Rodolfo, Amina) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:45
2▼CD
#TitleArtistRatingLength
1La Sonnambula, Act One, Scene 2: Osservate! L'uscio è aperto
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “Osservate: l’uscio è aperto” (Coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:18
2La Sonnambula, Act One, Scene 2: È menzogna
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “È menzogna” … “Oh me, infelice” (Elvino, Coro, Lisa, Amina, Alessio, Teresa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:22
3La Sonnambula, Act One, Scene 2: D'un pensiero e d'un accento
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “D’un pensiero e d’un accento” (Amina, Elvino, Coro, Alessio, Teresa) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:48
4La Sonnambula, Act One, Scene 2: Non più nozze
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. Stretta del finale primo “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Coro, Teresa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:42
5La Sonnambula, Act Two, Scene 1: Qui la selva è più folta ed ombrosa
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1: Coro d’introduzione “Qui la selva” (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini6:21
6La Sonnambula, Act Two, Scene 1: Reggimi, o buona madre
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1: Scena ed aria “Reggimi, o buona madre” (Amina, Teresa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini6:06
7La Sonnambula, Act Two, Scene 1: Vedi, o madre, è afflito e mesto
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1. “Vedi, oh madre… E afflitto e mesto” (Amina, Elvino) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:04
8La Sonnambula, Act Two, Scene 1: Viva il Conte!
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1. “Viva il Conte!” (Voci lontane, Elvino, Amina, Teresa, Coro) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:20
9La Sonnambula, Act Two, Scene 1: Ah! perchè non posso odiarti
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1. “Ah! Perché non posso odiarti” (Elvino, Teresa, Coro) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:44
10La Sonnambula, Act Two, Scene 2: Lasciami: aver compreso assai dovresti
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. Scena ed aria “Lasciami: aver compreso” (Lisa, Alessio, coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:07
11La Sonnambula, Act Two, Scene 2: De'lieti auguri a voi son grata
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “De' lieti auguri a voi son grata” (Lisa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:41
12La Sonnambula, Act Two, Scene 2: E fia pur vero, Elvino
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. Quartetto “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini7:06
13La Sonnambula, Act Two, Scene 2: Lisa mendace anch'essa!
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Lisa! mendace anch'essa!” (Elvino, Teresa, Lisa, Rodolfo) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:01
14La Sonnambula, Act Two, Scene 2: Signor, che creder deggio?
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2: Scena ed aria, finale “Signor? Che creder deggio?” (Elvino, Rodolfo, Teresa, Coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:48
15La Sonnambula, Act Two, Scene 2: Oh! se una volta sola rivederlo io potessi
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini12:01
16La Sonnambula, Act Two, Scene 2: Ah! non giunge uman pensiero
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:17