La sonnambula

~ Release by Vincenzo Bellini; Joan Sutherland, Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Richard Bonynge (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1La Sonnambula, Act One, Scene 2: Osservate! L'uscio è aperto
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “Osservate: l’uscio è aperto” (Coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:18
2La Sonnambula, Act One, Scene 2: È menzogna
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “È menzogna” … “Oh me, infelice” (Elvino, Coro, Lisa, Amina, Alessio, Teresa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:22
3La Sonnambula, Act One, Scene 2: D'un pensiero e d'un accento
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. “D’un pensiero e d’un accento” (Amina, Elvino, Coro, Alessio, Teresa) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:48
4La Sonnambula, Act One, Scene 2: Non più nozze
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto I, scena 2. Stretta del finale primo “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Coro, Teresa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:42
5La Sonnambula, Act Two, Scene 1: Qui la selva è più folta ed ombrosa
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1: Coro d’introduzione “Qui la selva” (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini6:21
6La Sonnambula, Act Two, Scene 1: Reggimi, o buona madre
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1: Scena ed aria “Reggimi, o buona madre” (Amina, Teresa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini6:06
7La Sonnambula, Act Two, Scene 1: Vedi, o madre, è afflito e mesto
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1. “Vedi, oh madre… E afflitto e mesto” (Amina, Elvino) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:04
8La Sonnambula, Act Two, Scene 1: Viva il Conte!
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1. “Viva il Conte!” (Voci lontane, Elvino, Amina, Teresa, Coro) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:20
9La Sonnambula, Act Two, Scene 1: Ah! perchè non posso odiarti
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 1. “Ah! Perché non posso odiarti” (Elvino, Teresa, Coro) (in 1980-01)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:44
10La Sonnambula, Act Two, Scene 2: Lasciami: aver compreso assai dovresti
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. Scena ed aria “Lasciami: aver compreso” (Lisa, Alessio, coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:07
11La Sonnambula, Act Two, Scene 2: De'lieti auguri a voi son grata
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “De' lieti auguri a voi son grata” (Lisa) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:41
12La Sonnambula, Act Two, Scene 2: E fia pur vero, Elvino
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. Quartetto “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini7:06
13La Sonnambula, Act Two, Scene 2: Lisa mendace anch'essa!
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Alessio]:
John Tomlinson (English operatic bass) (in 1980-01)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Lisa]:
Isobel Buchanan (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Lisa! mendace anch'essa!” (Elvino, Teresa, Lisa, Rodolfo) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:01
14La Sonnambula, Act Two, Scene 2: Signor, che creder deggio?
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2: Scena ed aria, finale “Signor? Che creder deggio?” (Elvino, Rodolfo, Teresa, Coro) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:48
15La Sonnambula, Act Two, Scene 2: Oh! se una volta sola rivederlo io potessi
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
bass vocals [Il conte Rodolfo]:
Nicolaï Ghiaurov (operatic bass) (in 1980-01)
choir vocals:
London Opera Chorus (in 1980-01)
mezzo-soprano vocals [Teresa]:
Della Jones (mezzo-soprano) (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
tenor vocals [Elvino]:
Luciano Pavarotti (tenor) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini12:01
16La Sonnambula, Act Two, Scene 2: Ah! non giunge uman pensiero
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Andrew Cornall (engineer / producer)
producer:
Christopher Raeburn (producer)
choir vocals:
London Opera Chorus (in 1980-01)
soprano vocals [Amina]:
Joan Sutherland (soprano) (in 1980-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1980-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1980-01)
chorus master:
Terry Edwards (British choir director) (in 1980-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-01)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (in 1980-01)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:17