Rock ’n’ Roll Classics 1957–1959

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:35
2That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:18
3Lucille
recording of:
Lucille
writer:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
Little Richard2:25
4Poison Ivy
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Wendell Marshall (on 1959-07-16)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1959-07-16)
guitar:
George Barnes (on 1959-07-16), Sammy Clarke (on 1959-07-16) and Allen Hanlon (jazz guitarist) (on 1959-07-16)
piano:
Mike Stoller (on 1959-07-16)
tenor saxophone:
King Curtis (saxophonist) (on 1959-07-16)
vocals:
The Coasters (on 1959-07-16), Carl Gardner (on 1959-07-16), Cornell Gunter (on 1959-07-16), Billy Guy (on 1959-07-16) and Will “Dub” Jones (US R&B/doo wop vocalist) (on 1959-07-16)
arranger:
Mike Stoller
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-07-17)
recording of:
Poison Ivy (on 1959-07-16)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC and Warner/Chappell Music Ltd. (1996–2019)
The Coasters32:43
5Whole Lot of Shakin’ Going On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:56
6Get a Job
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 36)
recording of:
Get a Job (in 1957-10)
writer:
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) and William F. Horton (US R&B/northern soul)
publisher:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (in 1957) and Wildcat Music (US publisher) (in 1957)
The Silhouettes4.52:50
7Little Bitty Pretty One
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 22)
recording of:
Little Bitty Pretty One
lyricist and composer:
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:25
8Book of Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 12) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 29)
recording of:
Book of Love
writer:
Warren Davis, George Malone and Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Nom Music, Inc.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:22
9Sea Cruise
recording of:
Sea Cruise
publisher:
Cotillion Music Inc. (BMI) and EMI Music Publishing Ltd. (PRS‐affiliated)
Frankie Ford32:43
10Rumble
Link Wray & His Raymen2:28
11La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:09
12Summertime Blues
drums (drum set):
Earl Palmer (on 1958-03-28)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-03-28)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-05)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.752:00
13Mona
recording of:
Mona
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bo Diddley2:24
14Dizzy, Miss Lizzy
baritone saxophone:
Jewell Grant (US saxophonist) (on 1958-02-19)
bass:
Ted Brinson (on 1958-02-19)
drums (drum set):
Earl Palmer (on 1958-02-19)
guitar:
Rene Hall (on 1958-02-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-02-19)
piano:
Larry Williams (1950s rocker) (on 1958-02-19)
tenor saxophone:
Plas Johnson (on 1958-02-19)
vocals:
Larry Williams (1950s rocker) (on 1958-02-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-02-19)
recording of:
Dizzy Miss Lizzy (on 1958-02-19)
lyricist and composer:
Larry Williams (1950s rocker)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), ATV Music, ATV Music Ltd., Essex Music, Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Larry Williams42:14
15Come Go With Me
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
lyricist and composer:
C.E. Quick
publisher:
Fee Bee Music Company and Gil Music Corporation
The Del‐Vikings4.52:43
16Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.52:33
17Bye Bye Love
recorded in:
Nashville, Tennessee, United States (on 1957-03-01)
bass:
Floyd D. 'Lightnin'' Chance (on 1957-03-01)
drums (drum set):
Murrey Harman (Session drummer and songwriter) (on 1957-03-01)
electric guitar:
Chet Atkins (on 1957-03-01)
guitar:
Don Everly (on 1957-03-01), Phil Everly (on 1957-03-01) and Hank Garland (on 1957-03-01)
piano:
Floyd Cramer (on 1957-03-01)
vocals:
Don Everly (on 1957-03-01) and Phil Everly (on 1957-03-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 33) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 207)
recording of:
Bye Bye Love (on 1957-03-01)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:25
18Willie and the Hand Jive
recording of:
Willie and the Hand Jive
lyricist and composer:
Johnny Otis
publisher:
Eldorado Music Company
The Johnny Otis Show2:35
19Whole Lotta Loving
producer:
Dave Bartholomew
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 31)
recording of:
Whole Lotta Loving (on 1958-09-23)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino41:43
20Rockin’ Pneumonia and the Boogie Woogie Flu
Huey “Piano” Smith & the Clowns2:18
21Hang Up My Rock and Roll Shoes
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1958-02-14)
drums (drum set) [drums]:
Joe Marshall (jazz drummer) (on 1958-02-14)
guitar:
George Barnes (on 1958-02-14) and Al Caiola (on 1958-02-14)
piano:
Sam Price (jazz/blues/boogie pianist) (on 1958-02-14)
tenor saxophone:
King Curtis (saxophonist) (on 1958-02-14)
vibraphone [vibes]:
Teddy Charles (on 1958-02-14)
vocals:
Chuck Willis (on 1958-02-14)
arranger:
Reggie Obrecht
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 13)
recording of:
Hang Up My Rock and Roll Shoes (on 1958-02-14)
lyricist and composer:
Chuck Willis
publisher:
Tideland Music Publishing Corporation and Unichappell Music, Inc.
Chuck Willis2:18

Credits

Release group

part of:The Time-Life History Of Rock 'N' Roll (number: R962-01) (order: 1)