Movie Adagios

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Adagio for Strings, Op.11
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:47
2Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Israeli conductor) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3.37:19
3Gianni Schicchi: “O mio babbino caro”
soprano vocals [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana, Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:13
4Warsaw Concerto
piano:
Cristina Ortiz (Brazilian pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Moshe Atzmon (Hungarian-Israeli conductor)
recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Classic 100: Piano (2025) (number: 45)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell9:04
5John Dunbar Theme
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:32
6Cavalleria rusticana: Intermezzo
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:15
7Piano Concerto No.2 in C minor: Adagio sostenuto (excerpt)
piano:
Jean‐Yves Thibaudet (pianist)
orchestra:
The Cleveland Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Rachmaninoff4:03
8Gabriel's Oboe
orchestra:
Prague Philharmonia (The City of Prague Philharmonic Orchestra) (in 1999-05) and Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 1999-05)
recording of:
Gabriel’s Oboe (The Mission, main theme) (in 1999-05)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone3:19
9The Heart Asks Pleasure First
piano:
Jean‐Yves Thibaudet (pianist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
Michael Nyman2:15
10The Gadfly, Op97: 3. Youth (Romance)
producer:
Andrew Cornall (engineer / producer)
violin:
Alexander Kerr (violinist) (in 1998-09)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1998-09)
conductor:
Riccardo Chailly (conductor) (in 1998-09)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-09)
recording of:
The Gadfly, op. 97: III. Youth. Allegretto moderato (in 1998-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
part of:
The Gadfly, op. 97
Shostakovich3:54
11Serenade in B-flat major, K. 361 "Gran Partita": Adagio
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer) and Martha de Francisco (classical producer and engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (clarinettist) (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
wind instruments:
Academy of St Martin in the Fields Wind Ensemble (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart5:43
12Così fan tutte: Soave sia il vento
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
bass vocals [Don Alfonso]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (mezzo-soprano) (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:42
13La Wally: Ebben?... Ne andrò lontana
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1999-07)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani25:06
14Keyboard Concerto No.5 in F minor, BWV 1056: Largo
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:00
15Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-09)
balance engineer:
John Dunkerley (engineer) (in 1977-09)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1977-09)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:11
16String Quintet in C major, D956, Adagio (excerpt)
cello:
Dietfried Gürtler (in 1970-03)
string quartet:
Weller Quartett (in 1970-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1970-03)
partial recording of:
String Quintet in C major, D. 956: II. Adagio (in 1970-03)
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert5:19
17Requiem, compl. Süssmayr: Lacrimosa
recorded in:
London (Greater London), England, United Kingdom (in 1967-09)
organ:
Alan Harverson (organist) (in 1967-09)
choir vocals:
The John Alldis Choir (in 1967-09)
soprano vocals:
Helen Donath (soprano) (in 1967-09)
orchestra:
BBC Symphony Orchestra (in 1967-09)
conductor:
Sir Colin Davis (English conductor) (in 1967-09)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1967-09)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:09
2▼CD
#TitleArtistRatingLength
1Swan Lake: Act 2, No.10 Scène (Moderato)
engineer:
Colin Moorfoot (engineer) (from 1991-05-29 until 1991-05-31)
producer:
Ray Minshull (record producer) (from 1991-05-29 until 1991-05-31)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1991-05-29 until 1991-05-31)
conductor:
Charles Dutoit (conductor) (from 1991-05-29 until 1991-05-31)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1991-05-29 until 1991-05-31)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1991-05-29 until 1991-05-31)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
partial recording of:
Swan Lake, op. 20 (Лебединое озеро)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Tchaikovsky Handbook (number: TH 12), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 12) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 20)
Tchaikovsky3:02
2Les Contes d'Hoffmann: Act 3, Intermède-Entr'acte (Barcarolle)
producer:
John Mordler (producer) and Michael Woolcock (producer)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:04
3Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
orchestra:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
balance engineer:
Simon Eadon (classical music engineer) (from 1986-04 to present, in 1986-04) and Colin Moorfoot (engineer) (from 1986-04 to present, in 1986-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1986-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:51
4Cello Concerto, Op. 85: I. Adagio - Moderato (excerpt)
cello:
Julian Lloyd Webber (cellist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:38
5Clarinet Concerto in A major, K. 622: II. Adagio
clarinet:
Jack Brymer (clarinettist) (in 1964-05)
orchestra:
London Symphony Orchestra (in 1964-05)
conductor:
Sir Colin Davis (English conductor) (in 1964-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1964-05)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1964-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:23
6Concerto in D minor for 2 violins, BWV 1043: Largo, ma non tanto
producer:
Vittorio Negri (conductor)
violin:
Maurice Hasson (violinist) (in 1976-06) and Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:33
7Suite Bergamasque: Clair de Lune
recorded in:
United States (in 1959-05)
producer:
Wilma Cozart Fine
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recorded at:
Eastman Theatre in Rochester, New York, United States (in 1959-05)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1959-05)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:34
8Nuovo Cinema Paradiso
orchestra:
Prague Philharmonia (The City of Prague Philharmonic Orchestra) (in 1999-05) and Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 1999-05)
recording of:
Nuovo Cinema Paradiso (Main theme) (in 1999-05)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
part of:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:15
9Symphony No.5: Adagietto
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:55
10Suite No.3 in D major, BWV 1068: Air
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01) and James Lock (James Locke, engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:47
11Le Nozze di Figaro, K. 492: Act III - Duettino "Che soave zeffiretto"
soprano vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:43
12Madama Butterfly: “Un bel dì vedremo”
soprano vocals:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3.54:56
13Canon in D major
producer:
James Mallinson (producer) (in 1977-10)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
balance engineer:
John Dunkerley (engineer) (in 1977-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:35
14Cello Sonata in G minor, BWV 1029, Adagio (excerpt)
cello:
János Starker (Hungarian-American cellist) (in 1963-04)
piano:
György Sebök (pianist) (in 1963-04)
recorded at and engineered at:
Fine Recording Studios in Manhattan, New York, New York, United States (in 1963-04)
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (in 1963-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach3:15
15Prelude in C sharp minor, op.3 No.2, cis-Moll
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1974-01, in 1974-12), Christopher Raeburn (producer) (in 1975-04) and Richard Beswick (in 1975-08)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1974-01-18 until 1974-01-19, from 1974-12-11 until 1974-12-12, on 1975-04-23, on 1975-04-26, on 1975-08-20)
balance engineer:
Colin Moorfoot (engineer) (in 1974-01, in 1974-12), Kenneth Wilkinson (engineer) (in 1974-01, in 1974-12) and John Dunkerley (engineer) (in 1975-04, in 1975-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1974-01-18 until 1974-01-19, from 1974-12-11 until 1974-12-12, on 1975-04-23, on 1975-04-26) and Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-08-20)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) (from 1974-01-18 until 1975-08-20)
composer:
Sergei Rachmaninoff (Russian composer)
part of:
Morceaux de fantaisie, op. 3
Rachmaninoff4:34
16We have all the time in the world
orchestra:
Prague Philharmonia (The City of Prague Philharmonic Orchestra) (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 1999-05)
instrumental recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”) (in 1999-05)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
John Barry3:22

Credits

Release

ASIN:US: B00005OC0D [info]