Permanent Revolution: From Disco Fever to The New Romantics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD 1: Sony Music Special Products - LSP9850832
CD 2: EMI Premium - CDLIC75
CD 3: EMI Premium - CDLIC76
CD 4: EMI Premium - CDLIC77

FIXME: 3.11 is probably credited to the wrong artist.

Annotation last modified on 2025-04-01 18:07 UTC.

Tracklist

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1▼CD: 70s Flare Up
#TitleArtistRatingLength
1Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
edit of:
Play That Funky Music (album version) by Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:16
2Got to Get You Into My Life
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1978 to present)
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Earth Wind & Fire34:05
3Best of My Love
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
Emotions3:44
4Don’t Leave Me This Way
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
Teddy Pendergrass
edit of:
Don’t Leave Me This Way by Harold Melvin & The Blue Notes
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Bluenotes4.53:57
5Boogie Nights
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:37
6It’s a Disco Night (Rock Don’t Stop)
edit of:
It’s a Disco Night (Rock Don’t Stop), Parts 1 & 2 by The Isley Brothers
recording of:
It’s a Disco Night (Rock Don’t Stop)
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
The Isley Brothers44:17
7Shake Your Body (Down to the Ground)
recorded in:
Los Angeles, California, United States (in 1978-08)
drums (drum set):
Ed Green (US violinist/percussionist) (in 1978-08)
guitar:
Tito Jackson (in 1978-08)
keyboard and synthesizer:
Mike Boddicker (in 1978-08) and Greg Phillinganes (in 1978-08)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) and Tito Jackson (in 1978-08)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
lyricist and composer:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:47
8Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:58
9Kiss & Say Goodbye
instruments:
MFSB
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3.54:27
10Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
Patti Labelle3.33:58
11(It’s a) Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:05
12I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:02
2▼CD: Chains & Safety Pins: The New Wave
#TitleArtistRatingLength
1No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
Stranglers4.653:28
2What Do I Get
engineer:
Doug Bennett (producer, engineer)
producer:
Martin Rushent
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
What Do I Get by Buzzcocks (English punk band)
recording of:
What Do I Get?
lyricist and composer:
Pete Shelley (Buzzcocks lead singer)
The Buzzcocks3.852:54
3Hanging on the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.32:21
4This Perfect Day
recording of:
This Perfect Day
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
strings arranger:
Steve Hitchcock
The Saints3.52:10
5Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.653:43
6King Rocker
producer:
Ian Hunter (Mott the Hoople)
recording of:
King Rocker
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
Generation X4.652:16
7C30, C60, C90, Go
assistant producer:
Martin Levan
producer:
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
Bow Wow Wow52:59
8Spanish Stroll
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink De Ville3:33
9Nobody’s Hero
engineer:
Nigel Brooke-Harte (engineer) and Laurence Burridge
producer:
Doug Bennett (producer, engineer)
recording of:
Nobody's Hero
writer:
Jake Burns (Irish punk rock musician, Stiff Little Fingers frontman) and Gordon Ogilvie (Irish journalist)
Stiff Little Fingers4:11
10Emergency
recording of:
Emergency (999)
writer:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
99952:49
11Little Girl
producer:
T. Keating
bass:
John Thomas
guitar:
Rick Mansworth and Pete Fresh (aka Pete Fresh)
membranophone:
Paul Sordid
vocals:
Rick Mansworth and Paul Sordid
cover recording of:
Little Girl (Syndicate of Sound)
lyricist and composer:
Don Baskin and Bob Gonzalez
The Banned52:18
12Outdoor Miner
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
Outdoor Miner
writer:
Graham Lewis (bassist in Wire) and Colin Newman (UK vocalist / songwriter)
Wire52:50
3▼CD: Two-Tone
#TitleArtistRatingLength
1Gangsters
producer:
The Specials AKA (ska band)
recording of:
Gangsters
writer:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter and Neville Staple
arranger:
Jerry Dammers
version of:
Al Capone
The Specials4.252:48
2The Selecter
producer:
Roger Lomas
recording of:
The Selecter
composer:
John Bradbury (UK drummer for The Specials/General Public) and Neol Davies (British musician and founder of The Selecter)
publisher:
Desert Songs Ltd. and Sony/ATV Music Publishing (UK) Ltd.
The Selecter33:00
3The Prince
recording of:
The Prince
lyricist and composer:
Lee “Kix” Thompson (Madness)
dedicated to:
Prince Buster
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2:31
4Tears of a Clown
The Beat2:42
5Rat Race
producer:
Dave Jordan (UK producer/remixer)
recording of:
Rat Race
lyricist and composer:
Roderick James Byers
The Specials3.253:11
6Easy Life
The Bodysnatchers3:14
7Give It Up
The Apolinaires3:32
8The Boiler
performer:
Rhoda Dakar (British singer and musician, of The Bodysnatchers)
arranger:
Jerry Dammers
Rhoda Dakar & The Special A.K.A.45:44
9Mantovani
recording of:
Mantovani
composer:
John Shipley
The Swinging Cats33:19
10Three Minute Hero
producer:
Errol Ross and The Selecter
recording of:
Three Minute Hero
composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter43:04
11Too Much Pressure
recording of:
Too Much Pressure
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
The Specials feat. Rico2:52
12House of Fun
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
House of Fun
lyricist:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:49
4▼CD: Lipstick, Powder & Paint: The New Romantics
#TitleArtistRatingLength
1The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:33
2Road to Nowhere
edit of:
Road to Nowhere by Talking Heads
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
Talking Heads44:01
3To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. and Reformation Publishing Co. Ltd.
Spandau Ballet3.53:20
4Is It a Dream
recording of:
Is It a Dream?
lyricist and composer:
Sal Solo
Classix Nouveaux3:37
5After a Fashion
performer:
Mick Karn
recording of:
After a Fashion
writer:
Mick Karn and Midge Ure
Midge Ure & Mick Karn3:57
6Thinking of You
part of:
TV Cream: Real 100 Best Singles Ever (number: 50)
recording of:
Thinking of You
writer:
Terry Hall and Toby Lyons
The Colour Field33:27
7Life’s What You Make It
producer:
Tim Friese‐Greene
drums (drum set):
Lee Harris (drummer, member of Talk Talk and .O.Rang)
mellotron and organ:
Tim Friese‐Greene
percussion:
Martin Ditcham
piano:
Mark Hollis
background vocals:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
vocals:
Mark Hollis
recording of:
Life’s What You Make It
writer:
Tim Friese‐Greene and Mark Hollis
Talk Talk3.84:25
8Windpower
drum machine and other instruments [wave computer] programming and drum machine programming:
Thomas Dolby (in 1981-10)
producer:
Thomas Morgan Dolby Robertson
brass [leadline brass] and flute:
Simon Lloyd (in 1981-10)
spoken vocals [shipping forecast]:
John Marsh (BBC Newsreader) (in 1981-10)
vocals:
Thomas Dolby (in 1981-10)
recorded at:
Aosis Studios (London) in London (Greater London), England, United Kingdom (in 1981-10)
mixed at:
Playground Studios (London) in London (Greater London), England, United Kingdom (in 1981-12)
recording of:
Windpower (in 1981-10)
lyricist and composer:
Thomas Dolby
publisher:
Participation Music Inc.
Thomas Dolby4:19
9Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox3.44:37
10Love Missile F1‐11
recording of:
Love Missile F1‐11
lyricist and composer:
Martin Degville, Tony James (UK bassist/guitarist) and Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik23:42
11Election Day
vocals:
Grace Jones
recording of:
Election Day
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes and Roger Taylor (Duran Duran drummer)
Arcadia4:28
12Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
music videos:
Too Shy by Kajagoogoo
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 9) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs and Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.653:42

Credits

Release

part of:Music Collection (The Sunday Times EMI sourced) (order: 4)
Discogs:https://www.discogs.com/release/7931919 [info]
other databases:https://www.musik-sammler.de/release/294152/ [info]