| # | Title | Artist | Rating | Length |
|---|
| 1 | Mack the Knife | Louis Armstrong | | 3:46 |
| 2 | One O’Clock Jump | Count Basie & His Orchestra | | 3:04 |
| 3 | Ain’t Misbehavin’ | Sarah Vaughan | | 3:02 |
| 4 | Sophisticated Lady | Duke Ellington & His Orchestra | | 2:58 |
| 5 | After You’ve Gone | The Benny Goodman Sextet | | 3:38 |
| 6 | What a Diff’rence a Day Made | Chet Baker | | 2:41 |
| 7 | Laura | Dexter Gordon | | 7:40 |
| 8 | April in Paris | Charlie Parker | | 3:19 |
| 9 | One Morning in May | Pete Jolly | | 3:21 |
| 10 | I’m a Fool to Want You- bass:
- Milt Hinton (on 1958-02-20)
- bass trombone:
- Tom Mitchell (on 1958-02-20)
- cello:
- Maurice Brown (on 1958-02-20) and David Soyer (on 1958-02-20)
- drums (drum set):
- Osie Johnson (on 1958-02-20)
- flute:
- Danny Bank (on 1958-02-20), Phil Bodner (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
- guitar:
- Barry Galbraith (on 1958-02-20)
- harp:
- Janet Putnam (on 1958-02-20)
- piano:
- Mal Waldron (on 1958-02-20)
- solo trombone:
- Urbie Green (on 1958-02-20)
- trombone:
- Jack Green (on 1958-02-20) and J.J. Johnson (on 1958-02-20)
- trumpet:
- Billy Butterfield (on 1958-02-20), Mel Davis (on 1958-02-20) and Bernie Glow (on 1958-02-20)
- viola:
- Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
- violin:
- Emmanual Green (on 1958-02-20), Harry Hoffman (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (on 1958-02-20)
- background vocals:
- Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
- lead vocals:
- Billie Holiday (on 1958-02-20)
- orchestra:
- Ray Ellis and His Orchestra (on 1958-02-20)
- conductor:
- Ray Ellis (on 1958-02-20)
- cover recording of:
- I’m a Fool to Want You (on 1958-02-20)
- writer:
- Joel Herron (in 1951), Frank Sinatra (in 1951) and Jack Wolf (in 1951)
- publisher:
- Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd.
| Billie Holiday | 4 | 3:25 |
| 11 | Misty | Stan Getz | | 5:25 |
| 12 | A Fine Romance | The André Previn Trio | | 3:35 |
| 13 | Tell Me | Ellis Marsalis | | 6:02 |
| 14 | Rica Pulpa | Ahmad Jamal | | 3:51 |
| 15 | A String of Pearls | The Glenn Miller Orchestra | | 3:13 |
| 16 | Blue Boy | Gerry Mulligan | | 4:36 |
| 17 | Still Tossin’ and Turnin’ (remix)- membranophone programming:
- Ken Wedlow
- assistant engineer:
- Adlai Alexander, Nancy Scharlau and Mark Slagle
- engineer:
- Tuck Andress and Howard Johnston
- producer:
- Patti Cathcart
- mixer and editor:
- Howard Johnston
- electric guitar:
- Tuck Andress
- keyboard:
- Khaliq
- tenor saxophone:
- Harvey Wainapel
- vocals:
- Patti Cathcart
- arranger:
- Patti Cathcart
- recorded at:
- Binky Studios in Menlo Park, California, United States and Different Fur Studios in San Francisco, California, United States
- mixed at and edited at:
- Different Fur Studios in San Francisco, California, United States
- remix of:
- Tossin’ and Turnin’ by Tuck & Patti
- recording of:
- Tossin’ and Turnin’
- writer:
- Thurston R. Bilal, Patti Cathcart, Lester Gene Finley, Craig Steven Kenoly and Dean Kenneth Wedlow Jr.
| Tuck & Patti | | 5:31 |
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