Essential Miles

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
01Walkin'
recording of:
Walkin’ (usually credited to Richard Carpenter)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
13:27
02Oleo
recording of:
Oleo
composer:
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) and Sony/ATV Songs (SOCAN)
5:14
03Bags' Groove (take 1)
recorded in:
New York, New York, United States (on 1954-12-24)
double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1954-12-24)
recording of:
Bags’ Groove (on 1954-12-24)
composer:
Milt Jackson
11:17
04Ah-Leu-Cha
engineer:
Ray Moore (engineer, 1957–1995) (on 1955-10-26)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1955-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Ah-Leu-Cha (on 1955-10-26)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
45:54
05Budo
recording of:
Budo
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bud Powell
is based on:
Hallucinations
4:17
06Stablemates
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (US jazz bassist) (on 1955-11-16)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-11-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-11-16)
cover recording of:
Stablemates (on 1955-11-16)
composer:
Benny Golson (American jazz saxophonist and composer)
5:22
07Four
double bass:
Paul Chambers (US jazz bassist) (on 1956-05-11)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-05-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Four (original instrumental version) (on 1956-05-11)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
7:15
08It Never Entered My Mind
double bass:
Paul Chambers (US jazz bassist) (on 1956-05-11)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-05-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Never Entered My Mind (on 1956-05-11)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:25
09All of You
engineer:
Ray Moore (engineer, 1957–1995)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
arranger:
Gil Evans (Canadian–American jazz pianist and composer) and Teo Macero (American jazz saxophonist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
All of You (Silk Stockings musical) (on 1956-09-10)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
47:04
10'round About Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3.655:59
11My Funny Valentine
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-10-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:59
2▼CD
#TitleRatingLength
01Springsville
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-23)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (trombonist) (on 1957-05-23), Jimmy Cleveland (US jazz trombonist) (on 1957-05-23) and Frank Rehak (US jazz trombonist) (on 1957-05-23)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (trumpetist) (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
recording of:
Springsville (on 1957-05-23)
composer:
John Carisi (American trumpeter and composer)
3:27
02The Maids of Cadiz
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-06)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (trombonist) (on 1957-05-06), Jimmy Cleveland (US jazz trombonist) (on 1957-05-06) and Frank Rehak (US jazz trombonist) (on 1957-05-06)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (trumpetist) (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements) (on 1957-05-06)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
3:59
03The Duke
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-06)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (trombonist) (on 1957-05-06), Jimmy Cleveland (US jazz trombonist) (on 1957-05-06) and Frank Rehak (US jazz trombonist) (on 1957-05-06)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (trumpetist) (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
The Duke (on 1957-05-06)
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:28
04My Ship
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-10)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (trombonist) (on 1957-05-10), Jimmy Cleveland (US jazz trombonist) (on 1957-05-10) and Frank Rehak (US jazz trombonist) (on 1957-05-10)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (trumpetist) (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
54:27
05Miles Ahead
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-10)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (trombonist) (on 1957-05-10), Jimmy Cleveland (US jazz trombonist) (on 1957-05-10) and Frank Rehak (US jazz trombonist) (on 1957-05-10)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (trumpetist) (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
remasters:
Miles Ahead (mono master) by Miles Davis (jazz trumpeter, bandleader, songwriter) & Gil Evans (Canadian–American jazz pianist and composer)
recording of:
Miles Ahead (on 1957-05-10)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Gil Evans (Canadian–American jazz pianist and composer)
3:29
06Blues for Pablo
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-23)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (trombonist) (on 1957-05-23), Jimmy Cleveland (US jazz trombonist) (on 1957-05-23) and Frank Rehak (US jazz trombonist) (on 1957-05-23)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (trumpetist) (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-23)
orchestra:
The Gil Evans Orchestra
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
Blues for Pablo (on 1957-05-23)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
5:19
07New Rhumba
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-23)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (trombonist) (on 1957-05-23), Jimmy Cleveland (US jazz trombonist) (on 1957-05-23) and Frank Rehak (US jazz trombonist) (on 1957-05-23)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (trumpetist) (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
New Rhumba (on 1957-05-23)
composer:
Ahmad Jamal
recording of:
New Rhumba
composer:
Ahmad Jamal
4:35
08The Meaning of the Blues
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-27)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (trombonist) (on 1957-05-27), Jimmy Cleveland (US jazz trombonist) (on 1957-05-27) and Frank Rehak (US jazz trombonist) (on 1957-05-27)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (trumpetist) (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
instrumental recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
2:50
09Lament
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-27)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (trombonist) (on 1957-05-27), Jimmy Cleveland (US jazz trombonist) (on 1957-05-27) and Frank Rehak (US jazz trombonist) (on 1957-05-27)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (trumpetist) (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
remasters:
Lament (master) (1996 stereo remix) by Miles Davis + 19
cover recording of:
Lament (on 1957-05-27)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
recording of:
Lament
composer:
Marcus Miller (jazz musician)
2:16
10I Don't Wanna Be Kissed by Anyone but You
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-27)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (trombonist) (on 1957-05-27), Jimmy Cleveland (US jazz trombonist) (on 1957-05-27) and Frank Rehak (US jazz trombonist) (on 1957-05-27)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (trumpetist) (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
3:07
11Two Bass Hit
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04)
recording of:
Two Bass Hit (on 1958-02-04)
composer:
Dizzy Gillespie and John Lewis (pianist, member of Modern Jazz Quartet)
5:13
12Straight No Chaser
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04)
recording of:
Straight, No Chaser (on 1958-02-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
cover recording of:
Straight, No Chaser
composer:
Thelonious Monk
publisher:
Thelonious Music
10:38
13Milestones
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (on 1957-12-04), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04) and Columbia Studios in New York, New York, United States (on 1958-02-04)
recording of:
Milestones (originally titled “Miles”) (on 1958-02-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
5:44
14Dr. Jackle
alto saxophone:
Cannonball Adderley (on 1958-03-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-03-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-03-04)
piano:
Red Garland (on 1958-03-04)
tenor saxophone:
John Coltrane (on 1958-03-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-04)
recording of:
Dr. Jackle (aka Dr. Jekyll) (on 1958-03-04)
composer:
Jackie McLean (jazz saxophonist)
publisher:
Prestige Music (US drum & bass) and Prestige Music ltd.
5:50
15Sid's Ahead
recording of:
Sid's Ahead
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
13:00
3▼CD
#TitleRatingLength
01On Green Dolphin Street
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
9:50
02Fran-Dance
recording of:
Fran‐Dance
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
is based on:
Put Your Little Foot Right Out
5:52
03Buzzard Song
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-04)
bass clarinet:
Danny Bank (reeds) (on 1958-08-04)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-04) and Philly Joe Jones (US jazz drummer) (on 1958-08-04)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (trombonist) (on 1958-08-04), Jimmy Cleveland (US jazz trombonist) (on 1958-08-04) and Frank Rehak (US jazz trombonist) (on 1958-08-04)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-04), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (trumpetist) (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-04)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-04)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
remasters:
Buzzard Song by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’” (on 1958-08-04)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
4:09
04Bess, You Is My Woman Now
cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
5:12
05Gone
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
recording of:
Gone (Gil Evans composition) (from 1958-07-22 until 1958-08-18)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3:38
06Gone, Gone, Gone
2:05
07Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
53:21
08Bess, Oh Where's My Bess
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-04)
bass clarinet:
Danny Bank (reeds) (on 1958-08-04)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-04) and Philly Joe Jones (US jazz drummer) (on 1958-08-04)
flugelhorn and trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (trombonist) (on 1958-08-04), Jimmy Cleveland (US jazz trombonist) (on 1958-08-04) and Frank Rehak (US jazz trombonist) (on 1958-08-04)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (trumpetist) (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-04)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-08-04)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
remasters:
Oh Bess, Oh Where’s My Bess by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” (on 1958-08-04)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
4:31
09Prayer (Oh Doctor Jesus)
4:42
10Fisherman, Strawberry and Devil Crab
4:07
11My Man's Gone Now
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
remasters:
My Man’s Gone Now by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:16
12It Ain't Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:25
13Here Come de Honeyman
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-29)
bass clarinet:
Danny Bank (reeds) (on 1958-07-29)
bass trombone:
Dick Hixson (trombonist) (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-29)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-29)
flute:
Phil Bodner (Woodwind player) (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (US horn player, conductor, composer) (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (trombonist) (on 1958-07-29), Jimmy Cleveland (US jazz trombonist) (on 1958-07-29) and Frank Rehak (US jazz trombonist) (on 1958-07-29)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-29), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (trumpetist) (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-29)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1958-07-29)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
remasters:
Here Come de Honey Man by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man” (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act I, Scene I
1:20
14I Loves You Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:42
15There's a Boat That's Leaving Soon for New York
3:25
16All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
4.4511:32
4▼CD
#TitleRatingLength
01So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4.259:23
02Freddie Freeloader
recorded in:
New York, New York, United States (on 1959-03-02, from 1959-03 until 1959-04)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Wynton Kelly (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02, from 1959-03 until 1959-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Freddie Freeloader (stereo) by Miles Davis Quintet (US jazz group, active 1955–58 and 1964–68)
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
3.759:48
03Blue in Green
engineer:
Fred Plaut
producer:
Irving Townsend
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Blue in Green (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.45:38
04Flamenco Sketches
recording engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
4.159:28
05Concierto de Aranjuez
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15, on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (trombonist) (on 1959-11-15, on 1959-11-20) and Frank Rehak (US jazz trombonist) (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
16:23
06Will O' the Wisp
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
23:49
07The Pan Piper
bass clarinet:
Danny Bank (reeds) (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-10)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-10) and Harold Feldman (woodwind player) (on 1960-03-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (US French hornist) (on 1960-03-10)
harp:
Janet Putnam (harpist) (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-10)
trombone:
Dick Hixson (trombonist) (on 1960-03-10) and Frank Rehak (US jazz trombonist) (on 1960-03-10)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-10)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-10)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3.33:55
08Saeta
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
5:08
09Solea
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1960-03-11)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans (Canadian–American jazz pianist and composer)
3.4512:17