Bach Edition, IV: Cantatas II

~ Release by Johann Sebastian Bach (see all versions of this release, 7 available)

Annotation

FIXME:

* These are CDs IV-1-30 (77-106 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

2013-12: completion of work in progress. Will reorder, when finished

2014-10 Completed

Annotation last modified on 2014-11-01 16:36 UTC.

Tracklist

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1▼CD: Cantatas / Kantaten BWV 198 & 110
#TitleRatingLength
1Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, I. Coro: "Laß, Fürstin, lass noch einen Strahl"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
5:38
2Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, II. Recitativo (Soprano): "Dein Sachsen, dein bestürztes Meißen"
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:23
3Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, III. Aria (Soprano): "Verstummt, verstummt, ihr holden Saiten!"
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
3:33
4Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, IV. Recitativo (Alto): "Der Glocken bebendes Getön"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
0:50
5Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, V. Aria (Alto): "Wie starb die Heldin so vergnügt"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
6:53
6Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, VI. Recitativo (Tenore): "Ihr Leben ließ die Kunst zu sterben"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:05
7Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil I, VII. Coro: "An dir, du Fürbild großer Frauen"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
2:14
8Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil II, VIII. Aria (Tenore): "Der Ewigkeit saphirnes Haus"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
4:14
9Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil II, IX. Recitativo (Basso:) "Was Wunder ists?"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
partial recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
1:40
10Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil II, X. Arioso (Basso): "Dein Torgau"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
partial recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
0:41
11Kantate "Laß, Fürstin, laß noch einen Strahl", BWV 198: Teil II, XI. Coro: "Doch, Königin! du stirbest nicht"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
5:05
12Kantate "Unser Mund sei voll Lachens", BWV 110: I. Coro: "Unser Mund sei voll Lachens"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": I. Coro "Unser Mund sei voll Lachens" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
6:36
13Kantate "Unser Mund sei voll Lachens", BWV 110: II. Aria (Tenore): "Ihr Gedanken und ihr Sinnen"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
4:40
14Kantate "Unser Mund sei voll Lachens", BWV 110: III. Recitativo (Basso): "Dir, Herr, ist niemand gleich."
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (Bass) "Dir, Herr, ist niemand gleich" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
0:32
15Kantate "Unser Mund sei voll Lachens", BWV 110: IV. Aria (Alto): "Ach Herr, was ist ein Menschenkind"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (Tenor) "Ach Herr, was ist ein Menschenkind" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
4:12
16Kantate "Unser Mund sei voll Lachens", BWV 110: V. Aria (Duetto: Soprano, Tenore): "Ehre sei Gott in der Höhe"
soprano vocals:
Ruth Holton (soprano)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": V. Duetto (Sopran, Tenor) "Ehre sei Gott in der Höhe" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
is based on:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
4:02
17Kantate "Unser Mund sei voll Lachens", BWV 110: VI. Aria (Basso): "Wacht auf! ihr Adern und ihr Glieder"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
4:07
18Kantate "Unser Mund sei voll Lachens", BWV 110: VII. Choral: "Alleluja! Gelobt sei Gott"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kaspar Füger (16th century hymnwriter) (in 1592)
part of:
Breitkopf 389 Choralgesänge (number: 380)
part of:
Kantate, BWV 110 "Unser Mund sei voll Lachens"
0:42
2▼CD: Cantatas / Kantaten BWV 73, 125 & 157
#TitleRatingLength
1Kantate, BWV 73 "Herr, wie du willt, so schick's mit mir": I. Coro e Recitativo (Soprano, Tenore, Basso) "Herr, wie du willt"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": I. Choral e Recitativo (Tenor, Bass, Sopran) "Herr, wie du willt, so schicks mit mir" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
4:26
2Kantate, BWV 73 "Herr, wie du willt, so schick's mit mir": II. Aria (Tenore) "Ach senke doch den Geist der Freuden"
choir vocals:
Holland Boys Choir
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": II. Aria (Tenor) "Ach senke doch den Geist der Freuden" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
3:52
3Kantate, BWV 73 "Herr, wie du willt, so schick's mit mir": III. Recitativo (Basso) "Ach, unser Wille bleibt verkehrt"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": III. Recitativo (Bass) "Ach, unser Wille bleibt verkehrt" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
0:33
4Kantate, BWV 73 "Herr, wie du willt, so schick's mit mir": IV. Aria (Basso) "Herr, so du willt"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": IV. Aria (Bass) "Herr, so du willt" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
3:39
5Kantate, BWV 73 "Herr, wie du willt, so schick's mit mir": V. Choral "Das ist des Vaters Wille"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir": V. Choral "Das ist des Vaters Wille" (from 2000-01 until 2000-02)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 328)
part of:
Kantate, BWV 73 "Herr, wie du willt, so schicks mit mir"
1:01
6Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
5:22
7Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alto) "Ich will auch mit gebrochnen Augen"
alto vocals:
Sytse Buwalda
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
7:44
8Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Basso) "O Wunder, dass ein Herz"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Bass) "O Wunder, daß dein Herz" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
2:15
9Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto: Tenore, Basso) "Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden."
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenor, Bass) "Ein unbegreiflich Licht erfüllt" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
5:10
10Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alto) "O unerschöpfter Schatz der Güte"
alto vocals:
Sytse Buwalda
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alt) "O unerschöpfter Schatz der Güte" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
0:44
11Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht" (from 2000-01 until 2000-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 251)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
0:47
12Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Aria (Duetto: Tenore, Basso) "Ich lasse dich nicht, du segnest mich denn!"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" (from 2000-01 until 2000-02)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
4:09
13Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenore) "Ich halte meinen Jesum feste"
choir vocals:
Holland Boys Choir
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" (from 2000-01 until 2000-02)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:58
14Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenore) "Mein lieber Jesu du"
choir vocals:
Holland Boys Choir
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" (from 2000-01 until 2000-02)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
1:27
15Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo e Arioso (Basso) "Ja, ja, ich halte Jesum feste"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (from 2000-01 until 2000-02)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
5:58
16Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum lass ich nicht"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" (from 2000-01 until 2000-02)
premiered in:
Pomßen, Sachsen (Saxony), Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Keymann (17th century hymnwriter) (in 1658) and Christian Friedrich Henrici (in 1727)
part of:
Breitkopf 389 Choralgesänge (number: 245)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
1:02
3▼CD: Cantatas / Kantaten BWV 9, 91 & 47
#TitleRatingLength
1Cantata, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
5:25
2Cantata, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:20
3Cantata, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
4:35
4Cantata, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch mußte das Gesetz"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:19
5Cantata, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Soprano, Alto) "Herr, du siehst statt guter Werke"
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
6:40
6Cantata, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:25
7Cantata, BWV 9 "Es ist das Heil uns kommen her": VII. Coro "Ob sichs anließ, als wollt er nicht"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (from 2000-01 until 2000-02)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:07
8Cantata, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
2:56
9Cantata, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Soprano, Chorus) "Der Glanz der höchsten Herrlichkeit"
choir vocals:
Holland Boys Choir
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
1:43
10Cantata, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenore) "Gott, dem der Erdenkreis zu klein"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
2:54
11Cantata, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Basso) "O Christenheit, wohlan"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
1:19
12Cantata, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Soprano, Alto) "Die Armut, so Gott"
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
7:36
13Cantata, BWV 91 "Gelobet seist du, Jesu Christ": VI. Coro "Das hat er alles uns getan"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (from 2000-01 until 2000-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
0:48
14Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
5:40
15Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
9:22
16Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitative (Basso) "Der Mensch ist Kot, Stank"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
1:49
17Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
4:58
18Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Coro "Der zeitlichen Ehrn will ich gern"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
0:45
4▼CD: Cantatas / Kantaten BWV 152, 121 & 166
#TitleRatingLength
1Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Concerto
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:22
2Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
2:54
3Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
2:05
4Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Soprano) "Stein, der über alle Schätze"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:15
5Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Basso) "Es ärgre sich die kluge Welt"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:29
6Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
bass vocals:
Bas Ramselaar (operatic bass)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 2000-01 until 2000-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:15
7Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
3:06
8Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenore) "O du von Gotte erhöhte Kreatur"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
4:29
9Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:12
10Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Basso) "Johannis freudenvolles Springen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
8:19
11Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Soprano) "Doch wie erblickt es dich"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
0:57
12Kantate, BWV 121 "Christum wir sollen loben schon": VI. Coro "Lob, Ehr und Dank sei dir gesagt"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 2000-01 until 2000-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
1:02
13Kantate, BWV 166 "Wo gehest du hin?": I. Aria (Basso) "Wo gehest du hin?"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 166 "Wo gehest du hin"
1:45
14Kantate, BWV 166 "Wo gehest du hin?": II. Aria (Tenore) "Ich will an den Himmel denken"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
7:12
15Kantate, BWV 166 "Wo gehest du hin?": III. Choral (Soprano) "Ich bitte dich, Herr Jesu Christ"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Bartholomäus Ringwaldt (in 1582)
part of:
Kantate, BWV 166 "Wo gehest du hin"
2:48
16Kantate, BWV 166 "Wo gehest du hin?": IV. Recitative (Basso) "Gleichwie die Regenwasser"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
0:54
17Kantate, BWV 166 "Wo gehest du hin?": V. Aria (Alto) "Man nehme sich in acht"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
3:39
18Kantate, BWV 166 "Wo gehest du hin?": VI. Choral (Coro) "We weiß, wie nahe mir mein Ende"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 372)
part of:
Kantate, BWV 166 "Wo gehest du hin"
1:02
5▼CD: Cantatas / Kantaten BWV 36, 184 & 129
#TitleRatingLength
1Cantata, BWV 36 "Schwingt freudig dich empor": I. Coro "Schwingt freudig dich empor"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
4:10
2Cantata, BWV 36 "Schwingt freudig dich empor": II. Choral (Soprano, Alto) "Nun komm, der Heiden Heiland"
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
3:53
3Cantata, BWV 36 "Schwingt freudig dich empor": III. Aria (Tenore) "Die liebe zieht mit sanften Schritten"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": III. Aria (Tenore) "Die Liebe zieht mit sanften Schritten" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
6:06
4Cantata, BWV 36 "Schwingt freudig dich empor": IV. Choral (Coro) "Zwingt die Saiten in Cythara"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": IV. Choral "Zwingt die Saiten in Cythara" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
1:04
5Cantata, BWV 36 "Schwingt freudig dich empor": V. Aria (Basso) "Willkommen, werter Schatz"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": V. Aria (Basso) "Willkommen, werter Schatz!" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
3:57
6Cantata, BWV 36 "Schwingt freudig dich empor": VI. Choral (Tenore): "Der du bist dem Vater gleich"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VI. Choral (Tenore) "Der du bist dem Vater gleich" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
1:57
7Cantata, BWV 36 "Schwingt freudig dich empor": VII. Aria (Soprano) "Auch mit gedämpften"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
8:02
8Cantata, BWV 36 "Schwingt freudig dich empor": VIII. Choral (Coro) "Lob sei Gott, dem Vater, g‘ton"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": VIII. Choral "Lob sei Gott, dem Vater g'ton" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
0:43
9Cantata, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenore) "Erwünschtes Freudenlicht"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
3:26
10Cantata, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Duetto: Soprano, Alto) "Gesegnete Christen"
alto vocals:
Sytse Buwalda
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
8:00
11Cantata, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenore) "So freuet euch"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
2:00
12Cantata, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenore) "Glück und Segen sind bereit"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
4:35
13Cantata, BWV 184 "Erwünschtes Freudenlicht": V. Choral (Coro) "Herr, ich hoff je"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
1:08
14Cantata, BWV 184 "Erwünschtes Freudenlicht": VI. Coro: (Soprano, Basso) "Guter Hirte, Trost der Deinen"
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
3:03
15Cantata, BWV 129 "Gelobet sei der Herr, mein Gott": I. Coro "Auf Christi Himmelfahrt allein"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": I. Coro "Gelobet sei der Herr" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
4:25
16Cantata, BWV 129 "Gelobet sei der Herr, mein Gott": II. Aria (Basso) "Gelobet sei der Herr, mein Gott"
bass vocals:
Bas Ramselaar (operatic bass)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": II. Aria (Bass) "Gelobet sei der Herr" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
4:01
17Cantata, BWV 129 "Gelobet sei der Herr, mein Gott": III. Aria (Soprano) "Gelobet sei der Herr, mein Gott"
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": III. Aria (Sopran) "Gelobet sei der Herr" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
4:32
18Cantata, BWV 129 "Gelobet sei der Herr, mein Gott": IV. Aria (Alto) "Gelobet sei der Herr, mein Gott"
alto vocals:
Sytse Buwalda
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
5:02
19Cantata, BWV 129 "Gelobet sei der Herr, mein Gott": 10 V. Choral (Coro) "Dem wir das Heilig itzt mit Freuden"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": V. Choral "Dem wir das Heilig itzt" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
1:48
6▶CD: Cantatas / Kantaten BWV 140, 88 & 79
7▶CD: Cantatas / Kantaten BWV 194, 176 & 89
8▶CD: Cantatas / Kantaten BWV 100, 108 & 18
9▶CD: Cantatas / Kantaten BWV 40, 84 & 30
10▶CD: Cantatas / Kantaten BWV 136, 187 & 49
11▶CD: Cantatas / Kantaten BWV 195, 1 & 63
12▶CD: Cantatas / Kantaten BWV 51, 32 & 14
13▶CD: Cantatas / Kantaten BWV 109, 58 & 162
14▶CD: Cantatas / Kantaten BWV 104, 83, 50 & 183
15▶CD: Cantatas / Kantaten BWV 5, 38 & 20
16▶CD: Cantatas / Kantaten BWV 146, 28 & 48
17▶CD: Cantatas / Kantaten BWV 39, 143, 175 & 65
18▶CD: Cantatas / Kantaten BWV 180, 197 & 52
19▶CD: Cantatas / Kantaten BWV 137, 25, 119 & 43
20▶CD: Cantatas /Kantaten BWV 75, 59 & 21
21▶CD: Cantatas / Kantaten BWV 101, 127, 95 & 124
22▶CD: Cantatas / Kantaten BWV 12, 74 & 177
23▶CD: Cantatas / Kantaten BWV 71, 76 & 10
24▶CD: Cantatas / Kantaten BWV 64, 134 & 105
25▶CD: Cantatas / Kantaten BWV 4, 158, 131 & 70
26▶CD: Cantatas / Kantaten BWV 147, 181 & 66
27▶CD: Cantatas / Kantaten Bwv 148, 174, 112 & 68
28▶CD: Cantatas / Kantaten BWV 77, 24, 126 & 67
29▶CD: Cantatas / Kantaten BWV 34, 31 & 19
30▶CD: Cantatas / Kantaten BWV 41, 29 & 120