Bach Edition, IV: Cantatas II

~ Release by Johann Sebastian Bach (see all versions of this release, 7 available)

Annotation

FIXME:

* These are CDs IV-1-30 (77-106 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

2013-12: completion of work in progress. Will reorder, when finished

2014-10 Completed

Annotation last modified on 2014-11-01 16:36 UTC.

Tracklist

1▶CD: Cantatas / Kantaten BWV 198 & 110
2▶CD: Cantatas / Kantaten BWV 73, 125 & 157
3▶CD: Cantatas / Kantaten BWV 9, 91 & 47
4▶CD: Cantatas / Kantaten BWV 152, 121 & 166
5▶CD: Cantatas / Kantaten BWV 36, 184 & 129
6▶CD: Cantatas / Kantaten BWV 140, 88 & 79
7▼CD: Cantatas / Kantaten BWV 194, 176 & 89
#TitleRatingLength
1Cantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
5:05
2Cantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Tenore II) "Unendlich großer Gott"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Bass) "Unendlich großer Gott" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:16
3Cantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Tenore II) "Was des Höchsten Glanz erfüllt"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
4:22
4Cantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Soprano) "Wie könnte dir"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:33
5Cantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Soprano) "Hilf, Gott, daß es uns gelingt"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Sopran) "Hilf, Gott, daß es uns gelingt" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
6:02
6Cantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Coro "Heilger Geist ins Himmels Throne"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Choral "Heilger Geist ins Himmels Throne" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 100)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
2:11
7Cantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenore I) "Ihr Heiligen, erfreuet euch"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenor) "Ihr Heiligen, erfreuet euch" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:25
8Cantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenore I) "Des Höchsten Gegenwart allein"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenor) "Des Höchsten Gegenwart allein" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
3:39
9Cantate, BWV 194 "Höchsterwünschtes Freudenfest": VIIII. Recitativo (Soprano, Tenore II) "Kann wohl ein Mensch"
soprano vocals:
Ruth Holton (soprano)
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IX. Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
2:13
10Cantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Soprano, Tenore II) "O wie wohl ist uns geschehn"
soprano vocals:
Ruth Holton (soprano)
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
9:42
11Cantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Tenore II) "Wohlan demnach, du heilige"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Bass) "Wohlan demnach" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
0:47
12Cantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Coro "Sprich Ja zu meinen Taten"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Choral "Sprich Ja zu meinen Taten" (from 2000-01 until 2000-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Gerhardt (17th century hymn writer) (from 1647 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 268)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
1:30
13Cantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Coro "Es ist ein trotzig und verzagt Ding" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
2:06
14Cantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alto) "Ich meine, recht verzagt"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Recitativo (Alt) "Ich meine, recht verzagt" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
0:49
15Cantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Soprano) "Dein sonst hell beliebter Schein"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Aria (Sopran) "Dein sonst hell beliebter Schein" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
3:13
16Cantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Basso) "So wundre dich, o Meister, nicht"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Recitativo (Bass) "So wundre dich, o Meister, nicht" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
1:40
17Cantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alto) "Ermuntert euch"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Aria (Alt) "Ermuntert euch" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
2:47
18Cantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Coro "Auf daß wir also allzugleich"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Choral "Auf daß wir also allzugleich" (from 2000-01 until 2000-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 45)
part of:
Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding"
1:14
19Cantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Basso) "Was soll ich aus dir machen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
3:31
20Cantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alto) "Ja, freilich sollte Gott"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:55
21Cantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alto) "Ein unbarmherziges Gerichte"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:37
22Cantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Soprano) "Wohlan! mein Herze legt Zorn"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
1:04
23Cantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Soprano) "Gerechter Gott"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (from 2000-01 until 2000-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:30
24Cantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Coro "Mir mangelt zwar sehr viel"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-01 until 2000-02)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (from 2000-01 until 2000-02)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:50
8▶CD: Cantatas / Kantaten BWV 100, 108 & 18
9▶CD: Cantatas / Kantaten BWV 40, 84 & 30
10▶CD: Cantatas / Kantaten BWV 136, 187 & 49
11▶CD: Cantatas / Kantaten BWV 195, 1 & 63
12▶CD: Cantatas / Kantaten BWV 51, 32 & 14
13▶CD: Cantatas / Kantaten BWV 109, 58 & 162
14▶CD: Cantatas / Kantaten BWV 104, 83, 50 & 183
15▶CD: Cantatas / Kantaten BWV 5, 38 & 20
16▶CD: Cantatas / Kantaten BWV 146, 28 & 48
17▶CD: Cantatas / Kantaten BWV 39, 143, 175 & 65
18▶CD: Cantatas / Kantaten BWV 180, 197 & 52
19▶CD: Cantatas / Kantaten BWV 137, 25, 119 & 43
20▶CD: Cantatas /Kantaten BWV 75, 59 & 21
21▶CD: Cantatas / Kantaten BWV 101, 127, 95 & 124
22▶CD: Cantatas / Kantaten BWV 12, 74 & 177
23▶CD: Cantatas / Kantaten BWV 71, 76 & 10
24▶CD: Cantatas / Kantaten BWV 64, 134 & 105
25▶CD: Cantatas / Kantaten BWV 4, 158, 131 & 70
26▶CD: Cantatas / Kantaten BWV 147, 181 & 66
27▶CD: Cantatas / Kantaten Bwv 148, 174, 112 & 68
28▶CD: Cantatas / Kantaten BWV 77, 24, 126 & 67
29▶CD: Cantatas / Kantaten BWV 34, 31 & 19
30▶CD: Cantatas / Kantaten BWV 41, 29 & 120