Fly Me to the Moon

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2018 This Compilation Rhino UK, a division of Warner Music UK Ltd»

Annotation last modified on 2022-08-26 14:15 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3:35
2Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
3That’s Amore (1998 remastered version)
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
4How D’Ya Like Your Eggs in the Morning
recording of:
How D’Ya Like Your Eggs in the Morning?
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
Helen O’Connell & Dean Martin2:46
5Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:50
6Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
7From Russia With Love (1995 remaster)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro & Bob Norberg3.352:35
8Alfie
recording of:
Alfie (in 1965)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
part of:
Alfie (1966 film)
Cilla Black2:39
9Fly Me to the Moon
Alma Cogan3:49
10Spanish Harlem
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
cello:
Charles McCracken (cellist) (on 1960-10-27)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1960-10-27)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1960-10-27)
guitar:
Al Caiola (on 1960-10-27)
percussion:
Phil Kraus (on 1960-10-27)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1960-10-27)
reeds:
Romeo Penque (on 1960-10-27)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem (on 1960-10-27)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King4.42:52
11Blue Velvet
The Clovers2:38
12These Foolish Things (Remind Me of You)
instrumental recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Charlie Parker3:23
13Save the Last Dance for Me
recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters2:34
14’Round Midnight
double bass:
Al McKibbon (double bassist) (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (US jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Sarah Vaughan3:37
15Ramblin’
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-24)
drums (drum set):
Bruno Carr (on 1968-09-24)
guitar:
Kenny Burrell (on 1968-09-24)
piano:
Junior Mance (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
recording of:
Ramblin’ (on 1968-09-24)
writer:
Maybelle Smith
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Aretha Franklin3:10
16My Favorite Things, Pt. 1 (single version)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
edit of:
My Favorite Things (single version) by John Coltrane
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:47
17Fly Me to the Moon
LaVern Baker2:58
18Moonlight in Vermont (2007 remaster stereo; remastered)
The Coasters3:19
19Autumn in New York
Mel Tormé3:23
20Bullitt - Main Title
producer:
Jimmy Hilliard and Jimmy Hilliard (Credited as Producer Big-band musician who later worked as an A&R executive and producer for Warner Bros. Records. Produced hundreds of recordings and a number of hit singles and albums of varying genres for artists such as Jimmy Durante, Barbara McNair,)
conductor:
Lalo Schifrin (pianist & composer)
recording of:
Bullitt
composer:
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:09
21Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:51
22Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:04
23Blackbird
recording of:
Blackbird
writer:
Herbert Sacker and Nina Simone
Nina Simone42:04
24These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Dinah Washington3:28
25Black Coffee
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Ella Fitzgerald4:28
26The Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Antônio Carlos Jobim4:47
27Crazy He Calls Me
cover recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Sarah Vaughan3:08
28What a Wonderful World
Matt Monro3:31
29Central Park West
recording engineer:
Tom Dowd (on 1960-10-24)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
soprano saxophone:
John Coltrane (on 1960-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Central Park West (on 1960-10-24)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane4:11
30The Shadow of Your Smile
Eddie Harris5:32
31My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Gerry Mulligan2:57
32Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Count Basie Orchestra4:48
33Soultrane
recorded in:
New York, New York, United States (in 1964-06)
producer:
Michael Cuscuna and Jack Lewis (jazz producer)
double bass:
Jymie Merritt (in 1964-06)
drums (drum set):
Charlie Rice (US jazz drummer) (in 1964-06)
flugelhorn:
Chet Baker (American jazz trumpeter and vocalist) (in 1964-06)
piano:
Hal Galper (in 1964-06)
reeds:
Pino Urso (in 1964-06)
recording of:
Soultrane (in 1964-06)
composer:
Tadd Dameron
Chet Baker4:42
34Manhattan
recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Short44:19
35The Meaning of the Blues
engineer:
Tom Dowd
bass:
Victor Sproles
membranophone:
Curtis Boyd
piano:
Norman Simmons
vocals:
Carmen McRae
arranger:
Norman Simmons
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation (USA, affiliated with ASCAP)
Carmen McRae2:50
36Wednesday Night Prayer Meeting - Pt. I (single edit)
recording of:
Wednesday Night Prayer Meeting
composer:
Charles Mingus
Charles Mingus3:13
37Bag’s Groove
The Modern Jazz Quartet5:42
38’round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Betty Carter3:21
39The Inflated Tear
recording engineer:
Paul Goodman (engineer) (on 1967-11-27)
producer:
Joel Dorn
bass:
Steve Novosel (on 1967-11-27)
drums (drum set):
Jimmy Hopps (on 1967-11-27)
piano:
Ron Burton (on 1967-11-27)
woodwind:
Roland Kirk (on 1967-11-27)
phonographic copyright (℗) by:
WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 2002)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-11-27)
recording of:
The Inflated Tear (on 1967-11-27)
composer:
Rahsaan Roland Kirk
Rahsaan Roland Kirk4:55
40In a Sentimental Mood
recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Duke Ellington43:47
41I Left My Heart in San Francisco
cover recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett & Ralph Sharon2:52
42The Look of Love
cover recording of:
The Look of Love
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dionne Warwick2:51
43My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Andy Williams3:59
44Beyond the Sea
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin (on 1958-08-24)
conductor:
Richard Wess (on 1958-08-24)
arranger:
Richard Wess
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 397)
cover recording of:
Beyond the Sea (on 1958-08-24)
lyricist:
Jack Lawrence (US songwriter)
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
translated version of:
La Mer
Bobby Darin52:52
45Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:50
46Can’t Take My Eyes Off You
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 151)
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Valli3.753:24
47Moon River (from ’’Breakfast at Tiffany’s’’)
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Danny Williams3.52:36
48Bye Bye Blackbird
bass:
Ike Isaacs (bassist) (on 1970-01-31)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1970-01-31)
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1970-01-31)
piano [piano, electric piano]:
Jack Wilson (jazz pianist) (on 1970-01-31)
vocals:
Esther Phillips (Little Esther) (on 1970-01-31)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Freddie Jett's Pied Piper Club in Los Angeles, California, United States (on 1970-01-31)
cover recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Esther Phillips4:50
49What a Difference a Day Made
recorded in:
New York, New York, United States (in 1997)
engineer:
Joe Ferla
producer:
Sandy Jackson
bass:
Bob Cranshaw (in 1997)
drums (drum set):
Mickey Roker (Drummer) (in 1997)
piano:
Mike LeDonne (in 1997)
vibraphone:
Milt Jackson (in 1997)
instrumental recording of:
What a Diff’rence a Day Made (in 1997)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Milt Jackson4:41
50Summertime
recording engineer:
Vince McGarry
producer:
Joel Dorn
bass:
Arvell Shaw (in 1977)
drums (drum set):
Gifford McDonald (in 1977)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (in 1977)
harmonica:
Rahsaan Roland Kirk (in 1977)
piano:
Sammy Price (jazz/blues/boogie pianist) (in 1977)
remixer:
Vince McGarry
arranger:
Rahsaan Roland Kirk
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Regent Sound Studios in New York, New York, United States (in 1977)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1977)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Rahsaan Roland Kirk1:41
51On the Sunny Side of the Street
Coleman Hawkins3:54
52Open Your Window
cover recording of:
Open Your Window
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
Dunbar Music, Inc.
Ella Fitzgerald2:49
53Moody’s Mood for Love
recording of:
Moody’s Mood for Love (1949 jazz instrumental)
composer:
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
James Moody2:53
54Moanin’ (mono audio)
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
double bass arranger:
Charles Mingus
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Moanin' (on 1959-02-04)
composer:
Charles Mingus
Charles Mingus7:59
55Baby Won’t You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:09
56I Got It Bad and That Ain’t Good
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (on 1968-06-26)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Carmen McRae3:28
57Our Love Is Here to Stay
Dizzy Gillespie2:45
58In the Evening
Yusef Lateef36:41
59Our Day Will Come
Jimmy Scott33:50
60Can’t Take My Eyes Off of You
Brook Benton4:22
61It’s Beginning to Look Like Christmas
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
part of:
Billboard Hot 100: 2026-01-03 (number: 18), Billboard Hot 100: 2025-12-20 (number: 22), Billboard Hot 100: 2025-12-27 (number: 23), Billboard Hot 100: 2025-12-13 (number: 24) and Billboard Hot 100: 2025-12-06 (number: 38)
recording of:
It’s Beginning to Look a Lot Like Christmas (on 1951-09-10)
lyricist and composer:
Meredith Willson (in 1951)
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia and MPL Music Publishing
Perry Como & Fontane Sisters32:35
62Let It Snow! Let It Snow! Let It Snow! (1999 remaster)
vocals:
Bing Crosby (on 1962-10-05)
orchestra:
Peter Matz and his Orchestra (on 1962-10-05)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1962-10-05)
recording of:
Let It Snow! Let It Snow! Let It Snow! (on 1962-10-05)
lyricist:
Sammy Cahn (in 1945-07)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Bing Crosby42:04
63Rockin’ Around the Christmas Tree
producer:
Owen Bradley
vocals:
Brenda Lee (1960s American singer) (on 1958-10-19)
part of:
Billboard Hot 100: 2025-12-20 (number: 2), Billboard Hot 100: 2026-01-03 (number: 2), Billboard Hot 100: 2025-12-13 (number: 3), Billboard Hot 100: 2025-12-27 (number: 3), Billboard Hot 100: 2025-12-06 (number: 7), Billboard Hot 100: 2025-11-29 (number: 13), Billboard Hot 100: 2025-11-22 (number: 19), Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 33), Billboard Year-End Hot 100 singles of 2024 (number: 59), Billboard Year-End Hot 100 singles of 2023 (number: 60), Billboard Year-End Hot 100 singles of 2025 (number: 67), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 70), Billboard Year-End Hot 100 singles of 2022 (number: 80), Billboard Year-End Hot 100 singles of 2021 (number: 92) and BILLIONS CLUB
recording of:
Rockin’ Around the Christmas Tree (on 1958-10-19)
lyricist and composer:
Johnny Marks (American songwriter)
publisher:
Chappell, D. Davis & Co. Pty Ltd, EMI Davis Music Australia Pty Limited and St. Nicholas Music
Brenda Lee42:06
64First Snow in Kokomo
recording engineer:
Ron Albert (on 1971-01-27)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1971-01-27)
guitar:
Cornell Dupree (on 1971-01-27)
organ:
Donny Hathaway (on 1971-01-27)
piano and lead vocals:
Aretha Franklin (on 1971-01-27)
solo trumpet:
Neil Rosengarden
background vocals:
Margaret Branch (on 1971-01-27), Ann S. Clark (on 1971-01-27), Carolyn Franklin (on 1971-01-27), Erma Franklin (on 1971-01-27) and Pat Smith (soul vocalist) (on 1971-01-27)
horn arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-01-27)
recording of:
First Snow in Kokomo (on 1971-01-27)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
Aretha Franklin4:04
65O Come All Ye Faithful
Bobby Darin2:22
66Santa Claus Is Coming to Town
engineer:
Gordon Clark (recording engineer)
producer:
Bob Crewe
conductor:
Sid Bass
vocals arranger:
Nick Massi
orchestrator:
Sid Bass
engineered at:
Stea-Phillips in New York, New York, United States
cover recording of:
Santa Claus Is Coming to Town
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Frankie Valli & The Four Seasons1:51
67Merry Christmas Baby
cover recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music, Inc.
Otis Redding42:36
68Snowbound
recording of:
Snowbound
writer:
Clarence Keltner and Russell Faith (co-songwriter with Pal Rakes)
publisher:
Universal/MCA Music (music publisher; do not use as release label!) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:06
69White Christmas
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass, drums (drum set), piano, tenor saxophone and vibraphone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-02-04)
guitar:
Jimmy Oliver (guitar, Drifters) (on 1954-02-04)
baritone vocals:
Andrew Thrasher (on 1954-02-04)
bass vocals:
Bill Pinkney (on 1954-02-04)
lead vocals:
Clyde McPhatter (on 1954-02-04) and Bill Pinkney (on 1954-02-04)
tenor vocals:
Clyde McPhatter (on 1954-02-04) and Gerhart Thrasher (on 1954-02-04)
performer:
The Drifters (US doo wop/R&B vocal group)
recorded at:
Fulton Recording Studio in New York, New York, United States (on 1954-02-04)
cover recording of:
White Christmas (vocal quartet arrangement, made popular by The Drifters) (on 1954-02-04)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
arrangement of:
White Christmas
quotes lyrics from:
Jingle Bells
The Drifters4.52:39
70This Christmas (single edit)
Donny Hathaway3:32
71Mary’s Boy Child
lead vocals:
Matt Monro
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1977)
cover recording of:
Mary’s Boy Child
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
Matt Monro3:22
72Christmas Wish (2000 remaster)
recording of:
Christmas Wish (aka My Christmas Wish for You)
writer:
Howard Evans and William Jenkins
Percy Sledge2:40
73Gee Whiz, It’s Christmas
recording of:
Gee Whiz, It’s Christmas
writer:
Steve Cropper, Carla Thomas and Vinnie Trauth
publisher:
Irving Music, Inc.
Carla Thomas2:47
74White Christmas
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-10-28)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1966-10-28)
organ:
Booker T. Jones (on 1966-10-28)
strings [guitar, electric bass]:
Steve Cropper (on 1966-10-28)
cover recording of:
White Christmas (on 1966-10-28)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Booker T. & the M.G.’s3:05
75Silent Night
cover recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
The Everly Brothers2:46
76Christmas Cards
performer:
Alma Cogan
recording of:
Christmas Cards
writer:
Jack Fishman
Alma Cogan2:49
77Merry Christmas Baby (45 version)
instrumental recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music, Inc.
Hank Crawford2:41
78The First Snowfall
Lalo Schifrin3:04
79England’s Carol
recording engineer:
Lewis Hahn (on 1971-05-24)
producer:
Arif Mardin
bass:
Percy Heath (on 1971-05-24)
keyboard [piano, harpsichord]:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1971-05-24)
percussion [drums, percussion]:
Connie Kay (on 1971-05-24)
vibraphone:
Milt Jackson (on 1971-05-24)
remixer:
Ed Barton (engineer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-05-24)
remixed at:
Wally Heider Recording Studio, Los Angeles (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
The Modern Jazz Quartet5:21
80Christmas Song
Rahsaan Roland Kirk3:46