Bachianas brasilieras / Mômoprecóce / Guitar Concerto

~ Release by Villa‐Lobos; Barbara Hendricks, Cristina Ortiz, Ángel Romero, Royal Philharmonic Orchestra, Enrique Bátiz (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bachianas Brasileiras nº 1, W246: I. Introdução (Embolada)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
engineered at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (on 1985-11-18)
recording of:
Bachianas Brasileiras nº 1, W246: I. Introdução (Embolada)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1936 until 1938)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos7:06
2Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
engineered at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (on 1985-11-18)
recording of:
Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos9:36
3Bachianas Brasileiras nº 1, W246: III. Fuga (Conversa)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
engineered at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (on 1985-11-18)
recording of:
Bachianas Brasileiras nº 1, W246: III. Fuga (Conversa)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos4:32
4Bachianas Brasileiras nº 2, W247: I. Prelúdio (O canto do capadócio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: I. Prelúdio (O canto do capadócio) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos5:38
5Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:34
6Bachianas Brasileiras nº 2, W247: III. Dansa (Lembrança do sertão)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: III. Dansa (Lembrança do sertão) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:54
7Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:25
8Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos6:31
9Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos6:04
10Bachianas Brasileiras nº 3, W388: III. Ária (Modinha)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: III. Ária (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos7:44
11Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos5:31
2▼CD
#TitleArtistRatingLength
1Bachianas Brasileiras nº 4, W424: I. Prelúdio (Introdução)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 4, W424: I. Prelúdio (Introdução) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
version of:
Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos3:50
2Bachianas Brasileiras nº 4, W424: II. Coral (Canto do sertão)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 4, W424: II. Coral (Canto do sertão) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
version of:
Bachianas Brasileiras nº 4, W264: II. Coral (Canto do sertão) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos5:43
3Bachianas Brasileiras nº 4, W424: III. Ária (Cantiga)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 4, W424: III. Ária (Cantiga) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
version of:
Bachianas Brasileiras nº 4, W264: III. Ária (Cantiga) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos5:25
4Bachianas Brasileiras nº 4, W424: IV. Dança (Miudinho)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 4, W424: IV. Dança (Miudinho) (for orchestra)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
version of:
Bachianas Brasileiras nº 4, W264: IV. Dança (Miudinho) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
Heitor Villa‐Lobos3:41
5Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
solo cello and solo violoncello piccolo:
Eldon Fox (cellist)
violoncello piccolo:
8 violoncelles du Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos6:07
6Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
solo cello:
Eldon Fox (cellist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos4:24
7Bachianas Brasileiras nº 6, W392: I. Ária (chôro)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
bassoon:
Susan Bell
flute:
Lise Hansen
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
recorded at:
Sala Nezahualcóyotl in Ciudad de México (Mexico City), Mexico (in 1986)
recording of:
Bachianas Brasileiras nº 6, W392: I. Ária (chôro)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 6, W392
Heitor Villa‐Lobos4:05
8Bachianas Brasileiras nº 6, W392: II. Fantasia (Allegro)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
bassoon:
Susan Bell
flute:
Lise Hansen
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
recorded at:
Sala Nezahualcóyotl in Ciudad de México (Mexico City), Mexico (in 1986)
recording of:
Bachianas Brasileiras nº 6, W392: II. Fantasia (Allegro)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 6, W392
Heitor Villa‐Lobos5:09
9Bachianas Brasileiras nº 7, W432: I. Prelúdio (Ponteio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 7, W432: I. Prelúdio (Ponteio)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
part of:
Bachianas Brasileiras nº 7, W432
Heitor Villa‐Lobos8:16
10Bachianas Brasileiras nº 7, W432: II. Giga (Quadrilha caipira)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 7, W432: II. Giga (Quadrilha caipira)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
part of:
Bachianas Brasileiras nº 7, W432
Heitor Villa‐Lobos4:54
11Bachianas Brasileiras nº 7, W432: III. Tocata (Desafio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 7, W432: III. Tocata (Desafio)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
part of:
Bachianas Brasileiras nº 7, W432
Heitor Villa‐Lobos7:29
12Bachianas Brasileiras nº 7, W432: IV. Fuga (Conversa)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 7, W432: IV. Fuga (Conversa)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
part of:
Bachianas Brasileiras nº 7, W432
Heitor Villa‐Lobos7:36
3▼CD
#TitleArtistRatingLength
1Bachianas Brasileiras nº 8, W444: I. Prelúdio
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 8, W444: I. Prelúdio
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1944)
part of:
Bachianas Brasileiras nº 8, W444
Heitor Villa‐Lobos6:04
2Bachianas Brasileiras nº 8, W444: II. Ária (Modinha)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 8, W444: II. Ária (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1944)
part of:
Bachianas Brasileiras nº 8, W444
Heitor Villa‐Lobos8:07
3Bachianas Brasileiras nº 8, W444: III. Tocata (Catira batida)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 8, W444: III. Tocata (Catira batida)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1944)
part of:
Bachianas Brasileiras nº 8, W444
Heitor Villa‐Lobos5:19
4Bachianas Brasileiras nº 8, W444: IV. Fuga
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 8, W444: IV. Fuga
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1944)
is based on:
Fuga IV sobre um tema de caráter popular brasileiro (for 4 voices SATB)
part of:
Bachianas Brasileiras nº 8, W444
Heitor Villa‐Lobos5:23
5Bachianas Brasileiras nº 9, W449
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 9, W449 (for string orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1945)
part of:
Appleby Catalogue (W) (number: W449)
orchestration of:
Bachianas Brasileiras nº 9, W449 (for choir)
part of:
Bachianas Brasileiras
Heitor Villa‐Lobos8:25
6Momo precóce
piano:
Cristina Ortiz (Brazilian pianist) (in 1984-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-02)
recording of:
Momoprecoce, W240 (in 1984-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1929)
part of:
Appleby Catalogue (W) (number: W240)
Heitor Villa‐Lobos23:27
7Guitar Concerto, W501: I. Allegro preciso
classical guitar:
Ángel Romero (guitarist/conductor) (from 1976-11 until 1977-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1976-11 until 1977-02)
conductor:
Jesús López Cobos (conductor) (from 1976-11 until 1977-02)
recording of:
Concerto para violão e pequena orquestra, W501: I. Allegro preciso (Concerto for Guitar and Small Orchestra: I. Allegro preciso) (from 1976-11 until 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos5:12
8Guitar Concerto, W501: II. Andantino e andante
classical guitar:
Ángel Romero (guitarist/conductor) (from 1976-11 until 1977-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1976-11 until 1977-02)
conductor:
Jesús López Cobos (conductor) (from 1976-11 until 1977-02)
recording of:
Concerto para violão e pequena orquestra, W501: II. Andantino e andante (Concerto for Guitar and Small Orchestra: II. Andantino e andante) (from 1976-11 until 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos4:42
9Guitar Concerto, W501: III. Allegretto non troppo
classical guitar:
Ángel Romero (guitarist/conductor) (from 1976-11 until 1977-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1976-11 until 1977-02)
conductor:
Jesús López Cobos (conductor) (from 1976-11 until 1977-02)
recording of:
Concerto para violão e pequena orquestra, W501: III. Allegretto non troppo (Concerto for Guitar and Small Orchestra: III. Allegretto non troppo) (from 1976-11 until 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos8:01