Bachianas brasilieras / Mômoprecóce / Guitar Concerto

~ Release by Villa‐Lobos; Barbara Hendricks, Cristina Ortiz, Ángel Romero, Royal Philharmonic Orchestra, Enrique Bátiz (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Bachianas Brasileiras nº 1, W246: I. Introdução (Embolada)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
engineered at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (on 1985-11-18)
recording of:
Bachianas Brasileiras nº 1, W246: I. Introdução (Embolada)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1936 until 1938)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos7:06
2Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
engineered at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (on 1985-11-18)
recording of:
Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos9:36
3Bachianas Brasileiras nº 1, W246: III. Fuga (Conversa)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
engineered at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (on 1985-11-18)
recording of:
Bachianas Brasileiras nº 1, W246: III. Fuga (Conversa)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 1, W246
Heitor Villa‐Lobos4:32
4Bachianas Brasileiras nº 2, W247: I. Prelúdio (O canto do capadócio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: I. Prelúdio (O canto do capadócio) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos5:38
5Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:34
6Bachianas Brasileiras nº 2, W247: III. Dansa (Lembrança do sertão)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: III. Dansa (Lembrança do sertão) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:54
7Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos4:25
8Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos6:31
9Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos6:04
10Bachianas Brasileiras nº 3, W388: III. Ária (Modinha)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: III. Ária (Modinha)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos7:44
11Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
piano:
Jorge Federico Osorio (Mexican pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos5:31
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