Sanctus

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Messiah - CD 1
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1Messiah : Part I. Sinfonia
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:03
2Messiah : Part I. Recitative "Comfort ye my people"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:51
3Messiah : Part I. Aria "Ev'ry valley shall be exalted"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:20
4Messiah : Part I. Chorus "And the glory, the glory of the Lord"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:52
5Messiah : Part I. Recitative "Thus said the Lord"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:19
6Messiah : Part I. Aria "But who may abide"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:05
7Messiah : Part I. Chorus "And we shall purify"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:30
8Messiah : Part I. Recitative "Behold, a virgin shall conceive"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:23
9Messiah : Part I. Aria "O thou that tellest"
alto vocals:
Hilary Summers (contralto) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:27
10Messiah : Part I. Recitative "For behold, darkness shall come over the earth"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:01
11Messiah : Part I. Aria "The people that walked in the darkness"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:17
12Messiah : Part I. Chorus "For unto us a Child is born"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:05
13Messiah : Part I. Pifa (Pastoral symphony)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:31
14Messiah : Part I. Recitative "There were shepherds"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:31
15Messiah : Part I. Recitative "And the angels said unto them"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:31
16Messiah : Part I. Recitative "And suddenly there was with the angel"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:17
17Messiah : Part I. Chorus "Glory to God in the highest"
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:52
18Messiah : Part I. Aria "Rejoice greatly, o daughter of Zion"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:17
19Messiah : Part I. Recitative "Then shall the eyes of the blind"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:24
20Messiah : Part I. Duet "And we shall feed his flock"
alto vocals:
Hilary Summers (contralto) (in 1994)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:35
21Messiah : Part I. Chorus "His yoke is easy"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:20
22Messiah : Part II. Chorus "Behold the lamb of God"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:22
23Messiah : Part II. Aria "He was despised"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel9:51
2▼CD: Messiah - CD 2
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1Messiah : Part II. Chorus "Surely he has borne our grieves"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:43
2Messiah : Part II. Chorus "And with his stripes we were healed"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:47
3Messiah : Part II. Chorus "All we like sheep"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:43
4Messiah : Part II. Recitative "All they that see Him"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:40
5Messiah : Part II. Chorus "He trusted in god"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:19
6Messiah : Part II. Recitative "Thy rebuke hath broken his heart"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:48
7Messiah : Part II. Aria "Behold, and see if there be any sorrow"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:22
8Messiah : Part II. Recitative "He was cut off the land"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
9Messiah : Part II. Aria "But thou didst not leave"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
10Messiah : Part II. Chorus "Lift up your heads"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
11Messiah : Part II. Recitative "Unto which of the angels"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
12Messiah : Part II. Chorus "Let all the angels of God worship Him"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:28
13Messiah : Part II. Aria "Thou art gone up on high"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:12
14Messiah : Part II. Chorus "The lord gave the word"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:04
15Messiah : Part II. Aria-soprano "How beautiful are the feet"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:03
16Messiah : Part II. Chorus "Their sound is gone out"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
17Messiah : Part II. Aria-Bass "Why do the nations?"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
18Messiah : Part II. Chorus "Let us break their bonds asunder"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:43
19Messiah : Part II. Recitative "He that dwelleth in heaven"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:12
20Messiah : Part II. Aria "Thou shalt break them"
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:59
21Messiah : Part II. Chorus "Hallelujah!"
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:35
22Messiah : Part III. Aria "I know that my Redeemer liveth"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:48
23Messiah : Part III. Chorus "Since by man come death"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
24Messiah : Part III. Recitativ-bass "Behold, I tell you a mystery"
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:34
25Messiah : Part III. Aria-bass "The trumpet shall sound"
instruments:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:31
26Messiah : Part III. Recitativ "Then shall be brought to pass"
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:17
27Messiah : Part III. Duet "O death, where is thy sting?"
alto vocals:
Hilary Summers (contralto) (in 1994)
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:03
28Messiah : Part III. Chorus "But thanks be to god"
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
29Messiah : Part III. Aria "If god be for us"
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:06
30Messiah : Part III. Chorus "Worthy is the Lamb... Amen"
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:49
3▼CD: Matthaüs Passion - CD 1
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals [ripieno]:
The Choir of Jesus College Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:54
2Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:42
3Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:41
4Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:28
5Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:14
6Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:32
7Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:30
8Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:21
9Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:50
10Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:06
11Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:40
12Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:29
13Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:12
14Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:21
15Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:15
16Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:10
17Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:14
18Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:46
19Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:53
20Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
21Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:19
22Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:02
23Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
24Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:01
25Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
26Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:37
27Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:55
28Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:59
29Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:40
30Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:53
31Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:08
32Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:12
33"Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:02
34Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:19
35Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
partial recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:16
36Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach1:15
37Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:13
38Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:53
4▶CD: Matthaüs Passion - CD 2
5▶CD: Matthaüs Passion - CD 3
6▶CD: Johannes Passion - CD 1
7▶CD: Johannes Passion - CD 2
8▶CD: Requiem
9▶CD: Sabat Matar
10▶CD: Messa da Requiem
11▶CD: Requiem, Op. 48
12▶DVD: Matthaüs Passion

Credits

Release

rights society:STEMRA (Netherlands rights society for composers and music publishers)
Discogs:https://www.discogs.com/release/25760365 [info]
ASIN:UK: B0027OSTWS [info]