The Platinum Collection: 60 Classic Songs on 3CDs

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1It’s Only a Paper Moon
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer)
orchestra:
Billy May
arranger:
Billy May
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-08-01)
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald3.53:37
2Night and Day
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
baritone saxophone:
Chuck Gentry (on 1956-03-27)
bass trombone:
George Roberts (american bass trombone) (on 1956-03-27)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
harp:
Corky Hale (on 1956-03-27)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-03-27)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-03-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-03-27)
trombone:
Milt Bernhart (on 1956-03-27), Joe Howard (american trombone player) (on 1956-03-27) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-03-27)
trumpet:
Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-03-27)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Ella Fitzgerald3:06
3Manhatten
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald2:51
4Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald with Louis Armstrong3:07
5I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Ella Fitzgerald4:02
6A‐Tisket, A‐Tasket
vocals:
Ella Fitzgerald (American jazz singer)
recording of:
A‐Tisket, A‐Tasket (in 1938)
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald2:37
7How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:16
8But Not for Me
recorded in:
New York, New York, United States (on 1950-09-12)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-12)
cover recording of:
But Not for Me (on 1950-09-12)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Ella Fitzgerald3:13
9Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald with Louis Armstrong5:54
10Too Darn Hot
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Ella Fitzgerald3.653:50
11They Can’t Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald with Louis Armstrong4.54:40
12Stormy Weather
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Stormy Weather (in 1960)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Ella Fitzgerald5:14
13Let’s Fall in Love
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Let’s Fall in Love (in 1960)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Ella Fitzgerald24:04
14Misty
cover recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Ella Fitzgerald2:53
15Begin the Beguine
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Begin the Beguine (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Ella Fitzgerald33:39
16Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald with Louis Armstrong5:00
17Into Each Life Some Rain Must Fall
recorded in:
New York, New York, United States (on 1944-08-30)
vocals:
Ella Fitzgerald (American jazz singer) and The Ink Spots
cover recording of:
Into Each Life Some Rain Must Fall (on 1944-08-30)
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
Ella Fitzgerald3.53:12
18Between the Devil and the Deep Blue Sea
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1961-01-16)
conductor:
Billy May (on 1961-01-16)
performer:
Billy May & His Orchestra (on 1961-01-16)
arranger:
Billy May
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-01-16)
cover recording of:
Between the Devil and the Deep Blue Sea (on 1961-01-16)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Ella Fitzgerald2:24
19Darn That Dream
cover recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
Ella Fitzgerald2:31
20Get Happy
cover recording of:
Get Happy
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Ella Fitzgerald3:32
2▼CD
#TitleArtistRatingLength
1The Lady Is a Tramp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-08-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Ella Fitzgerald4.53:24
2A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald with Louis Armstrong43:54
3Cry Me a River
recorded in:
Los Angeles, California, United States (on 1961-06-23)
producer:
Norman Granz
double bass:
Joe Mondragon (from 1961-06-22 until 1961-06-23)
drums (drum set):
Gus Johnson (drums) (from 1961-06-22 until 1961-06-23)
guitar:
Herb Ellis (jazz guitarist) (from 1961-06-22 until 1961-06-23)
piano:
Lou Levy (from 1961-06-22 until 1961-06-23)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1961-06-22 until 1961-06-23)
vocals:
Ella Fitzgerald (American jazz singer)
recording of:
Cry Me a River (from 1961-06-22 until 1961-06-23)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Ella Fitzgerald4:12
4Come Rain or Come Shine
cover recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Ella Fitzgerald3:23
5My Funny Valentine
Ella Fitzgerald3:54
6Love Me or Leave Me
producer:
Norman Granz (in 1962)
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
Love Me or Leave Me (in 1962)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Ella Fitzgerald2:52
7Blue Moon
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:12
8One for My Baby (And One More for the Road)
cover recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Ella Fitzgerald3:58
9Ac‐Cent‐Tchu‐Ate the Positive
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Ac‐cent‐tchu‐ate the Positive (in 1960)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald3:40
10The Very Thought of You
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
The Very Thought of You (in 1962)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald2:46
11Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Ella Fitzgerald3:33
12(I’ve Got) Beginners Luck
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-01-05)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1959-01-05)
bass:
Joe Mondragon (on 1959-01-05)
bass trombone:
George Roberts (american bass trombone) (on 1959-01-05)
cello:
Armand Kaproff (on 1959-01-05), Kurt Reher (cellist) (on 1959-01-05) and Eleanor Slatkin (US cellist, b. Aller) (on 1959-01-05)
drums (drum set):
Alvin Stoller (on 1959-01-05)
French horn:
Vincent DeRosa (on 1959-01-05)
guitar:
Herb Ellis (jazz guitarist) (on 1959-01-05)
percussion:
Frank Flynn (on 1959-01-05)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1959-01-05)
trombone:
Milt Bernhart (on 1959-01-05), Richard Noel (trombonist) (on 1959-01-05) and Tommy Pederson (on 1959-01-05)
trumpet:
Cappy Lewis (on 1959-01-05), Dale McMickle (on 1959-01-05), Shorty Sherock (on 1959-01-05) and Vito Mangano (on 1959-01-05)
viola:
Alvin Dinkin (on 1959-01-05), Stanley Harris (US big band viola player) (on 1959-01-05) and Barbara Simons (on 1959-01-05)
violin:
Victor Bay (on 1959-01-05), Alex Beller (on 1959-01-05), James Getzoff (American concertmaster and violinist) (on 1959-01-05), Ben Gill (on 1959-01-05), Jacques Gasselin (on 1959-01-05), Murray Kellner (on 1959-01-05), Nat Ross (on 1959-01-05), Eudice Shapiro (Violinist) (on 1959-01-05), Felix Slatkin (on 1959-01-05) and Marshall Sosson (on 1959-01-05)
woodwind:
Buddy Collette (on 1959-01-05), Harry Klee (on 1959-01-05), Joe Koch (on 1959-01-05) and Champ Webb (on 1959-01-05)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1959)
vocals:
Ella Fitzgerald (American jazz singer) (on 1959-01-05)
conductor:
Nelson Riddle (in 1959, on 1959-01-05)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
(I’ve Got) Beginner’s Luck (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald3:10
13’S Wonderful
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-07-16)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ronnie Lang (on 1959-07-16)
baritone saxophone:
Chuck Gentry (on 1959-07-16)
bass:
Joe Comfort (on 1959-07-16)
bass trombone:
George Roberts (american bass trombone) (on 1959-07-16)
cello:
Armand Kaproff (on 1959-07-16), Edgar Lustgarten (on 1959-07-16) and Kurt Reher (cellist) (on 1959-07-16)
drums (drum set):
Alvin Stoller (on 1959-07-16)
guitar:
Herb Ellis (jazz guitarist) (on 1959-07-16)
percussion:
Frank Flynn (on 1959-07-16)
piano:
Lou Levy (on 1959-07-16)
trombone:
James Priddy (on 1959-07-16), Richard Noel (trombonist) (on 1959-07-16) and Tommy Pederson (on 1959-07-16)
trumpet:
Pete Candoli (on 1959-07-16), Cappy Lewis (on 1959-07-16), Dale McMickle (on 1959-07-16) and Shorty Sherock (on 1959-07-16)
tuba:
Red Callender (on 1959-07-16)
viola:
Alvin Dinkin (on 1959-07-16), Lou Kievman (violist) (on 1959-07-16), Ralph Lane (viola) (on 1959-07-16) and Barbara Simons (on 1959-07-16)
violin:
Victor Bay (on 1959-07-16), Alex Beller (on 1959-07-16), Ben Gill (on 1959-07-16), Jacques Gasselin (on 1959-07-16), Joseph Livoti (violinist) (on 1959-07-16), Dan Lube (on 1959-07-16), Misha Russell (on 1959-07-16), Paul Shure (on 1959-07-16), Marshall Sosson (on 1959-07-16) and Gerald Vinci (American violinist and strings conductor) (on 1959-07-16)
woodwind:
Buddy Collette (on 1959-07-16), Harry Klee (on 1959-07-16) and Champ Webb (on 1959-07-16)
vocals:
Ella Fitzgerald (American jazz singer) (on 1959-07-16)
conductor:
Nelson Riddle (on 1959-07-16)
performer:
Nelson Riddle and His Orchestra (on 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (on 1959-07-16)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (jazz violinist) (in 1937)
Ella Fitzgerald3:31
14Someone to Watch Over Me
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:14
15Where or When
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Ella Fitzgerald2:48
16Isn’t This a Lovely Day?
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Ella Fitzgerald3:28
17These Foolish Things (Remind Me of You)
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Ella Fitzgerald7:39
18That Old Black Magic
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald4:10
19I’ve Got You Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Ella Fitzgerald2.352:46
20It Don’t Mean a Thing (If It Ain’t Got That Swing)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald4:14
3▼CD
#TitleArtistRatingLength
1Blue Skies
cover recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald3:47
2Lets Call the Whole Thing Off
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald with Louis Armstrong4:13
3The Man I Love
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:53
4Bewitched, Bothered and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Ella Fitzgerald7:04
5Anything Goes
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Anything Goes (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Ella Fitzgerald43:22
6Let’s Face the Music and Dance
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Ella Fitzgerald2:57
7In the Still of the Night
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Ella Fitzgerald2:41
8I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Ella Fitzgerald4:59
9Oops!
cover recording of:
Oops! (The Belle of New York, 1952 film) (on 1951-11-23)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
Ella Fitzgerald with Louis Armstrong3:12
10As Long as I Live
cover recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
Ella Fitzgerald3:47
11Nice Work If You Can Get It
vocals:
Ella Fitzgerald (American jazz singer)
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Ella Fitzgerald2:37
12I’ve Got the World on a String
alto saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1960-08-01)
double bass:
Joe Mondragon (on 1960-08-01)
drums (drum set):
Alvin Stoller (on 1960-08-01)
guitar:
John Collins (US jazz guitarist) (on 1960-08-01) and Al Hendrickson (on 1960-08-01)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1960-08-01)
vocals:
Ella Fitzgerald (American jazz singer) (on 1960-08-01)
conductor:
Billy May (on 1960-08-01)
cover recording of:
I’ve Got the World on a String (on 1960-08-01)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Ella Fitzgerald4:52
13My Kinda Love
recorded in:
Los Angeles, California, United States (on 1958-11-22)
alto saxophone:
Bud Shank (in 1958)
baritone saxophone:
Med Flory (in 1958)
bass:
Joe Mondragon (in 1958)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1958)
French horn:
Vincent DeRosa (in 1958)
piano:
Lou Levy (in 1958)
tenor saxophone:
Bob Enevoldsen (in 1958) and Bill Holman (in 1958)
trumpet:
Don Fagerquist (in 1958) and Al Porcino (in 1958)
valve trombone:
Bob Enevoldsen (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-11-22)
conductor:
Marty Paich (on 1958-11-22)
arranger:
Marty Paich
cover recording of:
My Kinda Love (on 1958-11-22)
lyricist:
Jo Trent
composer:
Louis Alter
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Ella Fitzgerald3:43
14Happiness Is a Thing Called Joe
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Happiness Is a Thing Called Joe (in 1960)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald3:31
15Tenderly
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Ella Fitzgerald with Louis Armstrong5:08
16Lover Come Back to Me
cover recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Ella Fitzgerald1:59
17How Long Has This Been Going On?
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (in 1959)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Ella Fitzgerald3:47
18Let It Snow, Let It Snow, Let It Snow
cover recording of:
Let It Snow! Let It Snow! Let It Snow!
lyricist:
Sammy Cahn (in 1945-07)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Ella Fitzgerald2:43
19Mack the Knife (live)
producer:
Norman Granz
bass:
Wilfred Middlebrooks (jazz bassist) (on 1960-02-13)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1960-02-13)
membranophone:
Gus Johnson (drums) (on 1960-02-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1960-02-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1960-02-13)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1993)
recorded at:
Deutschlandhalle in Berlin, Germany (on 1960-02-13)
edit of:
Mack the Knife by Ella Fitzgerald (American jazz singer) and The Paul Smith Quartet
live recording of:
Mack the Knife (1954 Blitzstein translation) (on 1960-02-13)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald with The Paul Smith Quartet3.54:41
20Every Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:33

Credits

Release

ASIN:UK: B074ZXQ24G [info]