Retrospective 1935-1952

~ Release by Billie Holiday (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1Trav’lin’ Light
banjo:
Mike Pingitore (on 1942-06-12)
double bass:
Arthur "Artie" Shapiro (on 1942-06-12)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1942-06-12)
piano:
Buddy Weed (on 1942-06-12)
saxophone:
Danny d'Andrea (on 1942-06-12), Lenny Hartman (on 1942-06-12) and Alvy West (on 1942-06-12)
trombone:
Skip Layton (on 1942-06-12) and Murray McEachern (on 1942-06-12)
trumpet:
Monty Kelly (on 1942-06-12), Larry Neill (on 1942-06-12) and Don Waddilove (on 1942-06-12)
lead vocals:
Lady Day (on 1942-06-12)
orchestra:
Paul Whiteman and His Orchestra (on 1942-06-12)
recording of:
Trav’lin’ Light (on 1942-06-12)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
3:23
2I Love My Man
recording of:
I Love My Man
writer:
Gustafson-Hesselberg ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
4:08
3I’m Gonna Lock My Heart
recording of:
I’m Gonna Lock My Heart (and Throw Away the Key)
composer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
2:09
4Any Old Time
recording of:
Any Old Time (Jazz Song - "any old time you want me...")
composer:
Artie Shaw
publisher:
Lincoln Music Corp
3:17
5They Say
recording of:
They Say
writer:
Edward Heyman, Paul Mann (German/American pianist and composer) and Stephan Weiss
3:06
6Solitude
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:19
7Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
2:50
8You Go to My Head
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:07
9If Dreams Come True
recording of:
If Dreams Come True
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman (clarinetist and bandleader)
3:18
10Fine and Mellow
recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:55
11(I Got a Man, Crazy for Me) He’s Funny That Way
cover recording of:
She’s Funny That Way
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
2:42
12I’ll Never Be the Same
recorded in:
New York, New York, United States (on 1937-06-01)
clarinet:
Buster Bailey (clarinetist) (on 1937-06-01)
double bass:
Walter Page (on 1937-06-01)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-06-01)
guitar:
Freddie Green (on 1937-06-01)
piano:
Teddy Wilson (on 1937-06-01)
tenor saxophone:
Lester Young (saxophonist) (on 1937-06-01)
trumpet:
Buck Clayton (on 1937-06-01)
vocals:
Billie Holiday (on 1937-06-01)
orchestra:
Teddy Wilson and His Orchestra (on 1937-06-01)
recording of:
I’ll Never Be the Same (on 1937-06-01)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
43:04
13Mean to Me
recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
3:09
14Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
43:16
15You’re a Lucky Guy
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
baritone saxophone:
Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (piano, USA) (on 1939-12-13)
tenor saxophone:
Lester Young (saxophonist) (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
recording of:
You're a Lucky Guy (on 1939-12-13)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
2:47
16The Very Thought of You
recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
2:45
17You’re So Desirable
recording of:
You’re So Desirable
lyricist and composer:
Ray Noble
2:54
18Swing Brother Swing
recording of:
Swing, Brother, Swing
writer:
Walter Bishop, Sr., Raymond Lewis and Clarence Williams (US jazz pianist, composer, singer and bandleader)
1:53
19Things Are Looking Up
recording of:
Things Are Looking Up (A Damsel in Distress)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
3:15
20Eeny Meeny Miney Mo
recording of:
Eeny Meeny Miney Mo (from “To Beat the Band”)
lyricist:
Johnny Mercer
composer:
Matty Malneck
2:50
2▼Digital Media
#TitleRatingLength
1Practice Makes Perfect
recording of:
Practice Makes Perfect
composer:
Ernest Gold and Don Roberts (Jazz guitarist)
3:22
2Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:19
3Laughing at Life
recording of:
Laughing at Life
writer:
Charles Kenny (songwriter, violinist), Nick Kenny, Bob Todd and Cornell Todd
2:55
4Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:02
5I’ll Be Seeing You
recording of:
I’ll Be Seeing You
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
3:34
6All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
3:05
7Let’s Do It
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1941-03-21)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
2:59
8Gloomy Sunday
recording of:
Gloomy Sunday
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
3:16
9Time on My Hands (You in My Arms)
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
3:06
10St. Louis Blues
alto saxophone and clarinet:
Benny Carter (on 1940-10-15)
double bass:
Wilson Myers (on 1940-10-15)
drums (drum set):
Yank Porter (jazz drummer) (on 1940-10-15)
guitar:
Ulysses Livingston (on 1940-10-15)
piano:
Sonny White (on 1940-10-15)
tenor saxophone:
Georgie Auld (on 1940-10-15)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1940-10-15)
vocals:
Billie Holiday (on 1940-10-15)
recording of:
St. Louis Blues (on 1940-10-15)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:56
11God Bless the Child
recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:58
12I Cover the Waterfront
alto saxophone:
Hymie Schertzer (on 1941-05-09)
clarinet:
Hymie Schertzer (on 1941-05-09) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1941-08-07)
double bass:
John Williams (jazz bassist) (on 1941-08-07)
drums (drum set):
J.C. Heard (on 1941-08-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-05-09)
piano:
Teddy Wilson (on 1941-05-09)
tenor saxophone:
Babe Russin (on 1941-08-07)
trumpet:
Emmett Berry (on 1941-08-07)
vocals:
Billie Holiday (on 1941-05-09, on 1941-08-07)
orchestra:
Teddy Wilson and His Orchestra (on 1941-05-09)
recording of:
I Cover the Waterfront (on 1941-08-07)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
43:00
13I’ll Get By
recording of:
I’ll Get by (as Long as I Have You)
lyricist:
Roy Turk
composer:
Fred Ahlert
3:03
14Do Nothin’ Till You Hear From Me
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:33
15Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:22
16Don’t Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:26
17On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
3:05
18Big Stuff
recording of:
Fancy Free: Big Stuff
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
42:33
19Do You Know What It Means to Miss New Orleans
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
1:49
3▼Digital Media
#TitleRatingLength
1Gimme a Pigfoot and a Bottle of Beer
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
2:47
2I Loves You Porgy
recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:01
3There Is No Greater Love
recording of:
There Is No Greater Love
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
3:00
4Do Your Duty
recording of:
Do Your Duty
writer:
Wesley A. Wilson
3:18
5You’re My Thrill
double bass:
Jack Lesberg (on 1949-10-19)
drums (drum set):
Norris "Bunny" Shawker (on 1949-10-19)
guitar:
Tony Mottola (on 1949-10-19)
piano:
Bernie Leighton (on 1949-10-19)
reeds:
Milt Yaner (on 1949-10-19)
trumpet:
Bobby Hackett (on 1949-10-19)
woodwind:
John Fulton (on 1949-10-19)
vocals:
Billie Holiday (on 1949-10-19)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1949-10-19)
recording of:
You’re My Thrill (on 1949-10-19)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:27
6’Tain’t Nobody’s Biz‐Ness If I Do
cover recording of:
T’ain’t Nobody’s Bizness If I Do
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
2:54
7Rocky Mountain Blues
recording of:
Rocky Mountain Blues
lyricist:
Ernest Monroe Tucker
composer:
Frank Haywood (blues vocalist and songwriter)
publisher:
EMI Unart Catalog Inc.
3:13
8My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:01
9Crazy He Calls Me
double bass:
Jack Lesberg (on 1949-10-19)
drums (drum set):
Norris "Bunny" Shawker (on 1949-10-19)
guitar:
Tony Mottola (on 1949-10-19)
piano:
Bernie Leighton (on 1949-10-19)
reeds:
Milt Yaner (on 1949-10-19)
trumpet:
Bobby Hackett (on 1949-10-19)
woodwind:
John Fulton (on 1949-10-19)
vocals:
Billie Holiday (on 1949-10-19)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1949-10-19)
recording of:
Crazy He Calls Me (on 1949-10-19)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.653:06
10My Sweet Hunk O’Trash
alto saxophone:
Sid Cooper (flute & clarinet player) (on 1949-09-30) and Johnny Mince (on 1949-09-30)
double bass:
Joe Benjamin (US jazz bassist) (on 1949-09-30)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1949-09-30)
guitar:
Everett Barksdale (on 1949-09-30)
piano:
Billy Kyle (on 1949-09-30)
tenor saxophone:
Art Drelinger (on 1949-09-30) and Pat Nizza (on 1949-09-30)
trumpet:
Bernie Privin (on 1949-09-30)
vocals:
Billie Holiday (on 1949-09-30)
recording of:
My Sweet Hunk o’ Trash (on 1949-09-30)
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
3:22
11Now or Never
alto saxophone:
Sid Cooper (flute & clarinet player) (on 1949-09-30) and Johnny Mince (on 1949-09-30)
double bass:
Joe Benjamin (US jazz bassist) (on 1949-09-30)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1949-09-30)
guitar:
Everett Barksdale (on 1949-09-30)
piano:
Billy Kyle (on 1949-09-30)
tenor saxophone:
Art Drelinger (on 1949-09-30) and Pat Nizza (on 1949-09-30)
trumpet:
Bernie Privin (on 1949-09-30)
vocals:
Billie Holiday (on 1949-09-30)
recording of:
Now or Never (on 1949-09-30)
writer:
Billie Holiday and Curtis Lewis (US songwriter)
3:18
12Them There Eyes
alto saxophone:
George Dorsey (on 1949-08-29) and Johnny Mince (on 1949-08-29)
double bass:
George Duvivier (on 1949-08-29)
drums (drum set):
Cozy Cole (on 1949-08-29)
guitar:
Everett Barksdale (on 1949-08-29)
piano:
Horace Henderson (on 1949-08-29)
reeds:
Eddie Barefield (on 1949-08-29)
tenor saxophone:
Budd Johnson (on 1949-08-29) and Freddie Williams (on 1949-08-29)
trombone:
Mort Bullman (on 1949-08-29) and Henderson Chambers (on 1949-08-29)
trumpet:
Tony Faso (on 1949-08-29), Bernie Privin (on 1949-08-29) and Dick Vance (US jazz trumpeter and arranger) (on 1949-08-29)
vocals:
Billie Holiday (on 1949-08-29)
conductor:
Sy Oliver (on 1949-08-29)
arranger:
Sy Oliver (on 1949-08-29)
recording of:
Them There Eyes (on 1949-08-29)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
42:51
13Miss Brown to You
recording of:
Miss Brown to You
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting
1:51
14Blues Are Brewin’
recording of:
The Blues Are Brewin’
lyricist:
Eddie DeLange
composer:
Louis Alter
3:06
15Baby Get Lost
alto saxophone:
George Dorsey (on 1949-08-17) and Rudy Powell (on 1949-08-17)
baritone saxophone:
Sol Moore (on 1949-08-17)
double bass:
George Duvivier (on 1949-08-17)
drums (drum set):
Shadow Wilson (on 1949-08-17)
guitar:
Mundell Lowe (on 1949-08-17)
piano:
Horace Henderson (on 1949-08-17)
tenor saxophone:
Joe Thomas (US jazz tenor saxophone player) (on 1949-08-17) and Lester Young (saxophonist) (on 1949-08-17)
trombone:
George Matthews (trombone) (on 1949-08-17) and Dicky Wells (on 1949-08-17)
trumpet:
Emmett Berry (on 1949-08-17), Buck Clayton (on 1949-08-17) and Jimmy Nottingham (on 1949-08-17)
vocals:
Billie Holiday (on 1949-08-17)
conductor:
Buster Harding (on 1949-08-17)
recording of:
Baby Get Lost (on 1949-08-17)
writer:
Leonard Feather and Billy Moore, Jr. (40s American jazz pianist/arranger/composer)
publisher:
Modern Age Music Co.
3:17
16I Only Have Eyes for You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
2:59
17I Can’t Face the Music
recording of:
I Can’t Face the Music (on 1952-07-27)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
43:19
18Blue Moon
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Blue Moon (on 1952-03-26)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4.53:30