Retrospective 1935-1952

~ Release by Billie Holiday (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleRatingLength
1Gimme a Pigfoot and a Bottle of Beer
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
composer:
Wesley A. Wilson
publisher:
Northern Music (song publisher)
2:47
2I Loves You Porgy
recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:01
3There Is No Greater Love
recording of:
There Is No Greater Love
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
3:00
4Do Your Duty
recording of:
Do Your Duty
writer:
Wesley A. Wilson
3:18
5You’re My Thrill
double bass:
Jack Lesberg (on 1949-10-19)
drums (drum set):
Norris "Bunny" Shawker (on 1949-10-19)
guitar:
Tony Mottola (on 1949-10-19)
piano:
Bernie Leighton (on 1949-10-19)
reeds:
Milt Yaner (on 1949-10-19)
trumpet:
Bobby Hackett (on 1949-10-19)
woodwind:
John Fulton (on 1949-10-19)
vocals:
Billie Holiday (on 1949-10-19)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1949-10-19)
recording of:
You’re My Thrill (on 1949-10-19)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:27
6’Tain’t Nobody’s Biz‐Ness If I Do
cover recording of:
T’ain’t Nobody’s Bizness If I Do
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
2:54
7Rocky Mountain Blues
recording of:
Rocky Mountain Blues
lyricist:
Ernest Monroe Tucker
composer:
Frank Haywood (blues vocalist and songwriter)
publisher:
EMI Unart Catalog Inc.
3:13
8My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:01
9Crazy He Calls Me
double bass:
Jack Lesberg (on 1949-10-19)
drums (drum set):
Norris "Bunny" Shawker (on 1949-10-19)
guitar:
Tony Mottola (on 1949-10-19)
piano:
Bernie Leighton (on 1949-10-19)
reeds:
Milt Yaner (on 1949-10-19)
trumpet:
Bobby Hackett (on 1949-10-19)
woodwind:
John Fulton (on 1949-10-19)
vocals:
Billie Holiday (on 1949-10-19)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1949-10-19)
recording of:
Crazy He Calls Me (on 1949-10-19)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.653:06
10My Sweet Hunk O’Trash
alto saxophone:
Sid Cooper (flute & clarinet player) (on 1949-09-30) and Johnny Mince (on 1949-09-30)
double bass:
Joe Benjamin (US jazz bassist) (on 1949-09-30)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1949-09-30)
guitar:
Everett Barksdale (on 1949-09-30)
piano:
Billy Kyle (on 1949-09-30)
tenor saxophone:
Art Drelinger (on 1949-09-30) and Pat Nizza (on 1949-09-30)
trumpet:
Bernie Privin (on 1949-09-30)
vocals:
Billie Holiday (on 1949-09-30)
recording of:
My Sweet Hunk o’ Trash (on 1949-09-30)
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
3:22
11Now or Never
alto saxophone:
Sid Cooper (flute & clarinet player) (on 1949-09-30) and Johnny Mince (on 1949-09-30)
double bass:
Joe Benjamin (US jazz bassist) (on 1949-09-30)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1949-09-30)
guitar:
Everett Barksdale (on 1949-09-30)
piano:
Billy Kyle (on 1949-09-30)
tenor saxophone:
Art Drelinger (on 1949-09-30) and Pat Nizza (on 1949-09-30)
trumpet:
Bernie Privin (on 1949-09-30)
vocals:
Billie Holiday (on 1949-09-30)
recording of:
Now or Never (on 1949-09-30)
writer:
Billie Holiday and Curtis Lewis (US songwriter)
3:18
12Them There Eyes
alto saxophone:
George Dorsey (on 1949-08-29) and Johnny Mince (on 1949-08-29)
double bass:
George Duvivier (on 1949-08-29)
drums (drum set):
Cozy Cole (on 1949-08-29)
guitar:
Everett Barksdale (on 1949-08-29)
piano:
Horace Henderson (on 1949-08-29)
reeds:
Eddie Barefield (on 1949-08-29)
tenor saxophone:
Budd Johnson (on 1949-08-29) and Freddie Williams (on 1949-08-29)
trombone:
Mort Bullman (on 1949-08-29) and Henderson Chambers (on 1949-08-29)
trumpet:
Tony Faso (on 1949-08-29), Bernie Privin (on 1949-08-29) and Dick Vance (US jazz trumpeter and arranger) (on 1949-08-29)
vocals:
Billie Holiday (on 1949-08-29)
conductor:
Sy Oliver (on 1949-08-29)
arranger:
Sy Oliver (on 1949-08-29)
recording of:
Them There Eyes (on 1949-08-29)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
42:51
13Miss Brown to You
recording of:
Miss Brown to You
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting
1:51
14Blues Are Brewin’
recording of:
The Blues Are Brewin’
lyricist:
Eddie DeLange
composer:
Louis Alter
3:06
15Baby Get Lost
alto saxophone:
George Dorsey (on 1949-08-17) and Rudy Powell (on 1949-08-17)
baritone saxophone:
Sol Moore (on 1949-08-17)
double bass:
George Duvivier (on 1949-08-17)
drums (drum set):
Shadow Wilson (on 1949-08-17)
guitar:
Mundell Lowe (on 1949-08-17)
piano:
Horace Henderson (on 1949-08-17)
tenor saxophone:
Joe Thomas (US jazz tenor saxophone player) (on 1949-08-17) and Lester Young (saxophonist) (on 1949-08-17)
trombone:
George Matthews (trombone) (on 1949-08-17) and Dicky Wells (on 1949-08-17)
trumpet:
Emmett Berry (on 1949-08-17), Buck Clayton (on 1949-08-17) and Jimmy Nottingham (on 1949-08-17)
vocals:
Billie Holiday (on 1949-08-17)
conductor:
Buster Harding (on 1949-08-17)
recording of:
Baby Get Lost (on 1949-08-17)
writer:
Leonard Feather and Billy Moore, Jr. (40s American jazz pianist/arranger/composer)
publisher:
Modern Age Music Co.
3:17
16I Only Have Eyes for You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
2:59
17I Can’t Face the Music
recording of:
I Can’t Face the Music (on 1952-07-27)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
43:19
18Blue Moon
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Blue Moon (on 1952-03-26)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4.53:30