In Classical Mood: Opera Favorites: Tales of Enchantment

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1The Magic Flute: “Zu Hilfe! Zu Hilfe!” … “Ich sollte fort?”
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:51
2The Magic Flute: “Der Vogelfänger bin ich ja”
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
performer:
Bavarian RSO (Bavarian Radio Symphony Orchestra)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:52
3The Magic Flute: “Zum Leiden bin ich auserkoren”
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:50
4The Magic Flute: “Bei Männern, welche Liebe fühlen”
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:16
5The Magic Flute: “Wie stark ist nicht dein Zauberton!”
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:06
6The Magic Flute: “Schnelle Füsse” … “Das klinget so herrlich”
choir vocals [Slaves]:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:29
7The Magic Flute: “Seid uns zum zweiten Mal willkommen”
choir vocals [The Three Boys]:
Soloists from the Tölz Boys’ Choir (Tölz Boys’ Choir)
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:48
8The Magic Flute: “Pa‐pa‐gena!”
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:39
9The Magic Flute: “Die Strahlen der Sonne”
orchestra:
Symphonie‐Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:03
10The Cunning Little Vixen: Prelude
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recording of:
The Cunning Little Vixen: Act I. Prelude (for all language versions)
composer:
Leoš Janáček (Czech composer)
part of:
Příhody lišky Bystroušky, JW I/9: Act I
part of:
The Cunning Little Vixen: Act I
Leoš Janáček3:18
11The Cunning Little Vixen: “Mummy! Mummy! What is that?”
baritone vocals [Forester]:
Thomas Allen (baritone)
soprano vocals [Vixen]:
Lillian Watson (English soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recording of:
The Cunning Little Vixen: Act I. “Mummy! Mummy! What is that?”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act I. “Mami!” (Bystrouška)
part of:
The Cunning Little Vixen: Act I
Leoš Janáček1:43
12The Cunning Little Vixen: Interlude: The Vixen’s Transformation
soprano vocals [Vixen]:
Lillian Watson (English soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
Leoš Janáček4:34
13The Cunning Little Vixen: “Can it be that I am lovely?”
soprano vocals [Fox]:
Diana Montague (mezzo soprano)
soprano vocals [Vixen]:
Lillian Watson (English soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recording of:
The Cunning Little Vixen: Act II. “Can it be that I am lovely?”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act II. “Jsemli opravdu tak krásná?”
part of:
The Cunning Little Vixen: Act II
Leoš Janáček4:03
14The Cunning Little Vixen: “Little foxes running fast” … “How many children do we have?”
bass vocals [Harašta]:
Nicholas Folwell (baritone singer)
choir vocals [Fox cubs]:
Children’s Chorus
soprano vocals [Fox]:
Diana Montague (mezzo soprano)
soprano vocals [Vixen]:
Lillian Watson (English soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
compilation of:
The Cunning Little Vixen: Act III. “Little foxes running fast” by Orchestra of the Royal Opera House, Covent Garden, Simon Rattle (conductor) and The Cunning Little Vixen: Act III. “How many children do we have?” by Orchestra of the Royal Opera House, Covent Garden, Simon Rattle (conductor)
recording of:
The Cunning Little Vixen: Act III. “How many children do we have?”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act III. "Kolik jsme už měli dětí?"
part of:
The Cunning Little Vixen: Act III
recording of:
The Cunning Little Vixen: Act III. “Little foxes running fast”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act III. "Béží liška k Táboru" (Liščičky)
part of:
The Cunning Little Vixen: Act III
Leoš Janáček4:59
15The Cunning Little Vixen: “When evening arrives”
baritone vocals [Forester]:
Thomas Allen (baritone)
soprano vocals [Frog]:
Piers Lawrence (sung soprano for Simon Rattle)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
compilation of:
The Cunning Little Vixen: Act III. “When evening arrives, I welcome the rays” by Orchestra of the Royal Opera House, Covent Garden, Simon Rattle (conductor), The Cunning Little Vixen: Act III. “Hey! But I can’t see the Vixen there!” by Orchestra of the Royal Opera House, Covent Garden, Simon Rattle (conductor) and The Cunning Little Vixen: Act III. “Tha – That wasn’t me” by Orchestra of the Royal Opera House, Covent Garden, Simon Rattle (conductor)
recording of:
The Cunning Little Vixen: Act III. “Hey! But I can’t see the Vixen there!”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act III. "Hoj! Ale není tu Bystroušky!"
part of:
The Cunning Little Vixen: Act III
recording of:
The Cunning Little Vixen: Act III. “Tha–that wasn’t me”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act III. "Totok nejsem já" (Skokánek)
part of:
The Cunning Little Vixen: Act III
recording of:
The Cunning Little Vixen: Act III. “When evening arrives, I welcome the rays”
composer:
Leoš Janáček (Czech composer)
translator:
Robert T. Jones and Yveta Synek Graff (vocal and language coach and writer)
translated version of:
The Cunning Little Vixen: Act III. “A přece su rád”
part of:
The Cunning Little Vixen: Act III
Leoš Janáček4:58
16Hänsel und Gretel: “Suse, liebe Suse”
soprano vocals [Gretel]:
Anneliese Rothenberger (soprano)
soprano vocals [Hänsel]:
Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964)
conductor:
André Cluytens (conductor) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Suse, liebe Suse, was raschelt im Stroh?” (Gretel, Hänsel) (in 1964)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:47
17Hänsel und Gretel: “Brüderchen, komm tanz mit mir”
soprano vocals [Gretel]:
Anneliese Rothenberger (soprano)
soprano vocals [Hänsel]:
Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964)
conductor:
André Cluytens (conductor) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Brüderchen, komm tanz' mit mir” - Tanzduett (Gretel, Hänsel) (in 1964)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck4:01
18Hänsel und Gretel: “Eine Hex’ steinalt”
baritone vocals [Peter]:
Walter Berry (bass‐baritone)
mezzo-soprano vocals [Gertrud]:
Grace Hoffman (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964)
conductor:
André Cluytens (conductor) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Eine Hex', steinalt haust tief im Wald” (Mutter, Vater) (in 1964)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:52
19Hänsel und Gretel: “Der kleine Sandman bin ich, st!” … “Abends will ich schlafen gehn”
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
André Cluytens (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. Lied des Sandmanns “Der kleine Sandmann bin ich, s-t!” (Sandmann, Hänsel, Gretel)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck5:20
20Hänsel und Gretel: “Halt! Hokus pokus, Hexenschuss!”
mezzo-soprano vocals [Hexe]:
Elisabeth Höngen (mezzosoprano / contralto)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964)
conductor:
André Cluytens (conductor) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt III, 3. Szene. “Halt! Hokus pokus, Hexenschuss! - Fluch der Hexe” (Hexe) (in 1964)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:26
21Hänsel und Gretel: “Juch‐hei! Nun ist die Hexe tot!”
soprano vocals [Gretel]:
Anneliese Rothenberger (soprano)
soprano vocals [Hänsel]:
Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964)
conductor:
André Cluytens (conductor) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt III, 3. Szene. “Juchhei! Nun ist die Hexe tot - Knusperwalzer” (Hänsel, Gretel) (in 1964)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:43
22Hänsel und Gretel: “Vater! Mutter!”
baritone vocals [Peter]:
Walter Berry (bass‐baritone)
choir vocals [Kinder]:
Wiener Sängerknaben (The Vienna Boys Choir)
mezzo-soprano vocals [Gertrud]:
Grace Hoffman (mezzo-soprano)
soprano vocals [Gretel]:
Anneliese Rothenberger (soprano)
soprano vocals [Hänsel]:
Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964)
conductor:
André Cluytens (conductor) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Hänsel und Gretel: Akt III, 5. Szene. Finale “Vater! Mutter!” (Hänsel, Gretel, Mutter, Vater, Alle) (in 1964)
lyricist:
Adelheid Wette (German lyricist)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:20

Credits

Release

copyrighted (©) by:International Masters Publishers BV (for copyrights use only!) (in 1999)
International Masters Publishers Ltd (for copyrights use only!) (in 1999)
ASIN:UK: 1892207125 [info]

Release group

part of:In Classical Mood (number: 59) (order: 55)