The Bob Marley Collection

~ Release by Bob Marley & The Wailers (see all versions of this release, 4 available)

Annotation

4 Jewel Cases in a cardboard slipcase.

Cat# / Barcode (CD 1): VAR037 / 5020214203726
Cat# / Barcode (CD 2): VAR038 / 5020214203825 (Track 9 not part of every edition)
Cat# / Barcode (CD 3): VAR039 / 5020214203924
Cat# / Barcode (CD 4): VAR040 / 5020214204020 (Track 11 not part of every edition)

Annotation last modified on 2026-01-09 19:37 UTC.

Tracklist

| |
1▼CD: Volume 1
#TitleRatingLength
1Don’t Rock My Boat
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica
recording of:
Don’t Rock the Boat (in 1971-03)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music and Cayman Music Inc
4.54:20
2Soul Shake Down Party
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (on 1970-05-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (on 1970-05-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (on 1970-05-05) and Peter Tosh (on 1970-05-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (on 1970-05-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (on 1970-05-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1970-05-05)
tenor vocals [harmony vocals]:
Peter Tosh (on 1970-05-05) and Bunny Wailer (on 1970-05-05)
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (on 1970-05-05)
recording of:
Soul Shakedown Party (on 1970-05-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Fifty Six Hope Road Music Limited and Odnil Music
3.83:01
3There She Goes
producer:
Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1968-06)
recording of:
There She Goes (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
52:32
4Stop the Train
engineer:
Carlton Lee
producer:
Leslie Kong
recording of:
Stop That Train (on 1970-05-05)
lyricist, writer and composer:
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
2:22
5Mellow Moods
engineer:
Carlton Lee
producer:
Danny Sims, Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
bass:
Jackie Jackson (reggae bassist) (in 1968-06)
drums (drum set):
Hugh Malcolm (Jamaican drummer) (in 1968-06)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1968-06)
percussion:
Denzil Laing (in 1968-06)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1968-06)
tenor vocals [harmony vocals]:
Rita Marley and Peter Tosh
arranger:
Arthur Jenkins
recorded at:
Wirl Studio in Kingston (Kingston Parish), Jamaica (in 1968-06)
recording of:
Mellow Mood (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Irish Town Songs
52:36
6Caution
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05), Alva “Reggie” Lewis (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Caution (in 1970-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
52:47
7Treat You Right
producer:
Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
lead vocals:
Bunny Wailer
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica
recording of:
Treat You Right
writer:
Jimmy Norman and Al Pyfrom
2:15
8Soul Almighty
edit of:
Soul Almighty by Bob Marley & The Wailers
recording of:
Soul Almighty (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
2:32
9Sun Is Shining
edit of:
Sun Is Shining (1971 studio session) by Bob Marley & The Wailers
recording of:
Sun Is Shining (original version) (in 1971-03)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
2:02
10Chances Are
producer:
Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica
recording of:
Chances Are (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.83:28
11Kaya
recording of:
Kaya (Bob Marley song)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
version of:
Kaya (Lee “Scratch” Perry song)
2:34
12Back Out
producer:
Leslie Kong (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Back Out (in 1970-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
42:15
13Hammer
engineer:
Carlton Lee
producer:
Danny Sims
bass:
Jackie Jackson (reggae bassist) (in 1968-06)
drums (drum set):
Hugh Malcolm (Jamaican drummer) (in 1968-06)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1968-06)
tenor vocals [harmony vocals]:
Rita Marley (in 1968-06) and Peter Tosh (in 1968-06)
recorded at:
Wirl Studio in Kingston (Kingston Parish), Jamaica (in 1968-06)
recording of:
Hammer (in 1968-06)
writer:
Bob Marley (Jamaican reggae artist)
43:00
2▼CD: Volume 2
#TitleRatingLength
1Lively Up Yourself
engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1971-08)
drums (drum set):
Carlton “Carly” Barrett (in 1971-08)
guitar:
Alva “Reggie” Lewis (in 1971-08)
organ:
Tyrone Downie (in 1971-08)
percussion:
Uziah “Sticky” Thompson (in 1971-08)
piano:
Peter Tosh (in 1971-08)
tenor saxophone:
Tommy McCook (in 1971-08)
trombone:
Vin Gordon (in 1971-08)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-08)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-08) and Bunny Wailer (in 1971-08)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica (in 1971-08)
recording of:
Lively Up Yourself (in 1971-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
32:46
2Cheer Up
engineer:
Carlton Lee
producer:
Leslie Kong
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (on 1970-05-19)
recording of:
Cheer Up (on 1970-05-19)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
3.852:04
3Mr Brown
recording of:
Mr. Brown
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Rondor Music (London) Ltd.
3:21
4Reaction
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Reaction (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
3.82:40
5Riding High
recording of:
Riding High
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music
2:39
6Rainbow Country
recording of:
Rainbow Country (in 1975)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music Ltd.
55:46
7Small Axe
edit of:
Small Axe (1970 studio session) by Bob Marley & The Wailers
recording of:
Small Axe (in 1970-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
4.63:44
8Soul Captives
engineer:
Carlton Lee
producer:
Leslie Kong (in 1970-05)
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Soul Captives (in 1970-05)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
52:00
9Kinky Reggae
recording of:
Kinky Reggae
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:34
10Can’t You See
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
additional tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Can’t You See (in 1970-05)
lyricist and composer:
Peter Macintosh
writer:
Peter Tosh
2:44
11Natural Mystic
recording of:
Natural Mystic (in 1975)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.85:42
12Soon Come
engineer:
Carlton Lee
producer:
Leslie Kong
additional lead vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) and Bunny Wailer
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Soon Come (in 1970-05)
3.82:16
3▼CD: Volume 3
#TitleRatingLength
1Trench Town Rock
producer:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
edit of:
Trench Town Rock by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
recording of:
Trenchtown Rock (in 1971-07)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
4.22:45
2No Sympathy
edit of:
No Sympathy by Bob Marley & The Wailers
recording of:
No Sympathy (in 1970-12)
lyricist and composer:
Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
1:38
3Do It Twice
engineer:
Carlton Lee (in 1970-05)
producer:
Leslie Kong (in 1970-05)
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Do It Twice (in 1970-05)
writer:
Bob Marley (Jamaican reggae artist)
4.352:44
4Keep On Moving
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02) and Rannie “Bop” Williams (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Keep On Moving (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music and Cayman Music Inc
is based on:
I Gotta Keep On Movin’
2:55
5My Cup
edit of:
My Cup by Bob Marley & The Wailers
recording of:
My Cup (in 1970-08)
writer and arranger:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music and Rondor Music (London) Ltd.
arrangement of:
I Guess I’ll Have to Cry, Cry, Cry
3:05
6Put It On
recording of:
Put It On
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bronjo Music
2:52
7Fussin’ and Fightin’
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
lead vocals:
Bob Marley (Jamaican reggae artist)
recorded at:
Studio 17 in Jamaica
recording of:
Fussing and Fighting (in 1971-01)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music
42:25
8Corner Stone
edit of:
Corner Stone by Bob Marley & The Wailers
recording of:
Corner Stone (in 1970-12)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
2:10
9African Herbman
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
African Herbsman (in 1971-02)
additional lyricist:
Bob Marley (Jamaican reggae artist)
lyricist and composer:
Richie Havens, Joe Price (Richie Havens collaborator) and Mark Roth
publisher:
Bronjo Music and Cayman Music Inc
version of:
Indian Rope Man
42:22
10No Water
edit of:
No Water by Bob Marley & The Wailers
recording of:
No Water (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
1:47
11Stand Alone
recording engineer and engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Aston “Family Man” Barrett (in 1971-01)
drums (drum set):
Carlton “Carly” Barrett (in 1971-01)
guitar:
Alva “Reggie” Lewis (in 1971-01) and Rannie “Bop” Williams (in 1971-01)
keyboard:
Glen Adams (in 1971-01)
tenor saxophone:
“Deadly” Headley Bennett (in 1971-01)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-01)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-01) and Bunny Wailer (in 1971-01)
recorded at:
Studio 17 in Jamaica (in 1971-01)
recording of:
Stand Alone (in 1971-01)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music
52:07
12Brain Washing
edit of:
Brain Washing by Bob Marley & The Wailers
recording of:
Brain Washing (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music
2:17
4▼CD: Volume 4
#TitleRatingLength
1Rebels Hop
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-12)
drums (drum set):
Carlton “Carly” Barrett (in 1970-12)
guitar:
Alva “Reggie” Lewis (in 1970-12), Peter Tosh (in 1970-12) and Rannie “Bop” Williams (in 1970-12)
keyboard:
Glen Adams (in 1970-12)
percussion:
Uziah “Sticky” Thompson (in 1970-12)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-12)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-12) and Bunny Wailer (in 1970-12)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
recording of:
Rebel’s Hop (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist), Curtis Mayfield, Barrett Strong and Norman Whitfield
publisher:
Jamrec Music and Rondor Music (London) Ltd.
medley of:
Cloud Nine
medley of:
Keep On Moving
medley of:
Rude Boy
2:34
2Go Tell It to the Mountains
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Peter Tosh (in 1970-05)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Go, Tell It on the Mountain (catch-all for arrangements) (in 1970-05)
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
Go, Tell It on the Mountain
3.53:15
3All in One
producer:
Lee “Scratch” Perry (aka The Upsetter)
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
recording of:
All in One (in 1971-01)
writer:
Al Anderson (Bob Marley & The Wailers guitarist), Junior Braithwaite, Bob Marley (Jamaican reggae artist), Lee “Scratch” Perry (aka The Upsetter) and Bunny Wailer
publisher:
Cayman Music Inc
medley of:
Bend Down Low
medley of:
Nice Time
medley of:
One Love / People Get Ready
medley of:
Simmer Down
medley of:
It Hurts to Be Alone
medley of:
Lonesome Feeling
medley of:
Love & Affection
medley of:
Put It On
medley of:
Duppy Conqueror
3:30
4400 Years
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Ranford “Rannie Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Peter Tosh (in 1970-11)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Four Hundred Years (in 1970-11)
writer:
Lee “Scratch” Perry (aka The Upsetter) and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:28
5Duppy Conqueror
performer:
The Upsetters (Lee Perry's reggae house band)
recording of:
Duppy Conqueror (in 1970-09)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3:34
6Soul Rebel
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-11)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Soul Rebel (in 1970-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music and Rondor Music (London) Ltd.
3:18
7You Can’t Do That to Me
recording of:
The World is Changing (in 1968)
writer:
Bob Marley (Jamaican reggae artist), Jimmy Norman and Al Pyfrom
2:55
8Touch Me
producer:
Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica
recording of:
Touch Me (in 1968)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:10
9Try Me
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-08)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-08)
edit of:
Try Me (longer mix) by Bob Marley & The Wailers
recording of:
Try Me (in 1970-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:47
10How Many Times
edit of:
How Many Times (1968 re-recording) by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
recording of:
How Many Times (Bob Marley song) (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
EMI April Music Inc. and Shakat Music Publishing
2:40
11Memphis
edit of:
Duppy Conqueror (version 4) by Bob Marley & The Wailers
recording of:
Duppy Conqueror (in 1970-09)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3:02
12It’s Alright
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
It’s Alright (in 1970-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:30