Bizet: Carmen Suite / L'Arlésienne Suite / Jeux d'enfants / Offenbach: Gaîté Parisienne / Dukas: L'Apprenti Sorcier / Chabrier / Saint-Saëns

~ Release by Bizet, Offenbach, Dukas, Chabrier, Saint‐Saëns; Munch, Martinon, Ansermet, Solti (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Carmen Suite for orchestra No. 1: Les Toréadors - Prélude, Act 1
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet4:27
2Carmen Suite for orchestra No. 1: Prélude, Acte 4 (Aragonaise)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:15
3Carmen Suite for orchestra No. 1: Prélude, Acte 3 (Intermezzo)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:25
4Carmen Suite for orchestra No. 1: Prélude, Acte 2 (Les Dragons d'Alcala)
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:39
5Carmen Suite for orchestra No. 2: Habanera
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: II. Habanera (in 1967-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet2:05
6Carmen Suite for orchestra No. 2: La Garde montante
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:39
7Carmen Suite for orchestra No. 2: Danse bohème
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: VI. Danse bohème (in 1967-01)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:52
8L' Arlésienne, suite for orchestra No. 1: Prélude
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet8:25
9L' Arlésienne, suite for orchestra No. 1: Minuetto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:28
10L' Arlésienne, suite for orchestra No. 1: Adagietto
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:03
11L' Arlésienne, suite for orchestra No. 1: Carillon
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet5:07
12L' Arlésienne, suite for orchestra No. 2: Farandole
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1967-01)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:47
13Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Marche
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: I. Marche. Trompette et tambour (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:12
14Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Berceuse
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet3:05
15Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Impromptu
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: III. Impromptu. La Toupie (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : II. La Toupie
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:03
16Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Duo
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: IV. Duo. Petit mari, petite femme (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet3:07
17Petite Suite, five pieces for orchestra (orchestrated by Bizet after Jeux d'enfants Nos. 6, 3, 2, 11, 12): Galop
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22 (in 1960)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
premiered at:
1er Concert National (1873-03-02)
part of:
Winton Dean Catalogue (Bizet WD #s) (number: WD 39) and Hugh Macdonald Catalogue (Bizet GB #s) (number: GB 119)
orchestration of:
Jeux d'enfants, op. 22 (for piano four hands)
Georges Bizet1:47
18Le Rouet d'Omphale, symphonic poem in A major, Op. 31
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Le Rouet d'Omphale, op. 31 (Omphale's Spinning Wheel, Op. 31) (in 1960)
composer:
Camille Saint‐Saëns (composer) (in 1871)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 31)
Camille Saint‐Saëns8:10
19Danse macabre, symphonic poem in G minor, Op. 40
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1960)
conductor:
Jean Martinon (French conductor and composer) (in 1960)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (in 1960)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns7:10
2▼CD
#TitleArtistRatingLength
1Gaîté Parisienne: Ouverture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: I. Allegro (Ouverture) (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:02
2Gaîté Parisienne: Allegro brillante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: II. Allegro brillante (from « Mesdames de la halle »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:03
3Gaîté Parisienne: Polka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: III. Polka (from « Voyages dans la lune »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:00
4Gaîté Parisienne: Allegro - Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VI. Valse (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:43
5Gaîté Parisienne: Mazurka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: V. Mazurka (from « Vert-Vert »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:37
6Gaîté Parisienne: Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VI. Valse (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:13
7Gaîté Parisienne: Danse péruvienne (Allegro)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VII. Allegro (Danse péruvienne)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:07
8Gaîté Parisienne: Polka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: VIII. Polka (from « La Belle Hélène »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:38
9Gaîté Parisienne: Valse lente
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: IX. Valse lente (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:48
10Gaîté Parisienne: Tempo di marcia
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: X. Tempo di marcia (from « Trombalcazar »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:24
11Gaîté Parisienne: Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XI. Valse (from « La Périchole »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:01
12Gaîté Parisienne: Vivo - Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XII. Allegro vivo
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XIII. Valse
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:41
13Gaîté Parisienne: Allegro molto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XIV. Allegro vivace – Misterioso
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:21
14Gaîté Parisienne: Valse
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XV. Valse moderato (Pas de deux)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach3:24
15Gaîté Parisienne: Allegro - Cancan
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XVI. Allegro vivo
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XVII. Cancan
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:37
16Gaîté Parisienne: Quadrille - Cancan
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XVIII. Quadrille (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:44
17Gaîté Parisienne: Allegro moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XIX. Allegro moderato (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:52
18Gaîté Parisienne: Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XX. Allegro (from « Orphée aux enfers »)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:30
19Gaîté Parisienne: Leggiero
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XXI. Vivo (leggiero) (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:07
20Gaîté Parisienne: Vivo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XXII. Vivo (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:16
21Gaîté Parisienne: Barcarolle
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965)
conductor:
Charles Munch (conductor and violinist) (in 1965)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:35
22España, rhapsody for orchestra, also arranged for 2 pianos
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1964-12-07 until 1964-12-08, on 1964-12-10)
conductor:
Ernest Ansermet (conductor) (from 1964-12-07 until 1964-12-08, on 1964-12-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1964-12-07 until 1964-12-08, on 1964-12-10)
recording of:
España (rhapsody for orchestra) (from 1964-12-07 until 1964-12-08)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
recording of:
España (rhapsody for orchestra) (on 1964-12-10)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier7:13
23Joyeuse marche (Marche française), for orchestra or piano, 4 hands
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Joyeuse marche (for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier4:15
24The Sorcerer's Apprentice (L'apprenti sorcier), symphonic scherzo for orchestra
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1957)
conductor:
Sir Georg Solti (conductor) (in 1957)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (in 1957)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas10:16